Yesterday that National Trust for Historic Preservation announced Bertrand Goldberg’s Prentice Women’s Hospital had made its annual 11 Most Endangered List, bringing national attention to the fight to save the quatrefoil-plan, concrete building. Also yesterday, the local group Save Prentice staged a rally outside the building featuring speakers including Zurich Esposito of the Chicago AIA and Jim Peters from Landmarks Illinois.
Progressive transportation commissioners have become heroes in planning circles. There’s a lot of excitement surrounding Chicago Mayor Emanuel’s appointment of Gabe Klein as DOT commissioner. Poached from Washington D.C., where Emanuel saw his work first-hand, Klein has extensive experience instituting new transportation ideas, including the nation’s largest bike sharing program and a new streetcar system. Read More
Since reports surfaced this morning that an architect died on West 13th Street in Manhattan, architects and the media have been wondering who the had suffered this unfortunate fate. Multiple outlets are now reporting that architect Danny Colvin, principal of ColvinDESIGN, an architecture and interior design firm specializing in residential projects, fell from a building in the Meatpacking District. We at The Architect’s Newspaper are saddened by the news and send his friends, family, and colleagues our sincerest condolences.
Among the triumvirate of Save Detroit schemes (urban farming, attracting artists, and right-sizing the city), cultural projects in some ways seem most challenging given the city’s dire circumstances. Located in a formerly abandoned bank building, the new Kunsthalle Detroit will showcase multimedia and light-based artworks, a smart strategy given the comparatively low cost and ease of presenting such work. The museum opens tomorrow with an exhibition titled, “Time and Place,” featuring works by Bill Viola, Tim White-Sobieski and ten other artists. “This museum brings the best in contemporary multimedia art as catered to the local population,” said founder Tate Osten, in a statement. “It is ultimately a revolutionary action, bringing international art forces to Detroit. In the near future we envision multimedia and light projects splashing from within the museum onto the streets of Detroit, making life and art inseparable.” Kunsthalle Detroit is located at 5001 Grand River Avenue, and will be open Tuesday through Saturday, 2 p.m. to 7 p.m.
Last night President Obama spoke at the ceremony for this year’s Pritzker Prize winner, Eduardo Souto de Moura. He invoked Thomas Jefferson, the architectural glories of Chicago, and praised Souto de Moura’s work for balancing “form and function with artistry and accessibility.” Obama is close to the Pritzker family, and Penny Pritzker was one of the most significant fundraisers for his campaign. Still it is nice to see the White House bringing some attention to the “Nobel Prize of architecture.” Check out our recent interview and comment on Souto de Moura.
Two dirty coal powered electric plants in central Chicago are coming under increasing scrutiny from neighbors, environmental activists, and architects and designers. Earlier this week Greenpeace activists scaled the stacks of the Pilsen plant operated by Midwest Generation, and painted a large sign calling for their closure. The plants were also the subject of a recent design competition, the results of which will be on display on June 10 at the Pilsen/Chicago Arts District and on June 13-15 at the Merchandise Mart during NeoCon.
ICFF wraps up today and, as usual, reviews of the fair seem mixed. Professional but boring! Too safe! Appropriately sober! Practical and market-friendly! Reheated Eames! Now in its sixth year, the ICFF Studio, sponsored by Bernhardt, offers a snap shot of where young designers are looking. Most skewed toward the market-ready, while one designer went in a conceptual direction. The young Dutch designer Andreas Kowalewski’s Clamp Chairs certainly look showroom bound (above).
Apparently the art world hates the American Folk Art Museum building! (Who knew?!) In the wake of the news that MoMA is buying the Todd Williams Billie Tsien-designed building, two of the art world’s more prominent voices both bashed the building and argued it hastened the Folk Art Museum’s decline. The esteemed Times critic Roberta Smith called it “unwelcoming” and argued that the museum’s fate was sealed by “lackluster, visionless leadership; the weak economy; and inappropriate architecture.” Smith’s husband happens to be Jerry Saltz, the pugnacious art critic for New York, who went much further in a piece titled, “Architecture Killed the American Folk Art Museum.” He called the building, “ugly and confining, it was also all but useless for showing art.”
Not everyone agrees!
The first annual Chicago Architecture & Design Film Festival is almost here. With 39 films ranging from shorts to feature length as well as panel discussions, Q&A’s, and related events, there will be so much for architects and the general public to see and enjoy.
The Architect’s Newspaper is proud to be a media sponsor, and I’ll be introducing the program called “Renegade Redux,” featuring a film on architecture collective Ant Farm, and shorts on a giant brink warehouse in Liverpool and overlooked corners of London.
The festival runs from May 5 through May 9, and we have a couple of pairs of tickets to give away. Just leave a comment below by noon CST and we’ll randomly select two lucky winners who will each get a pair of free tickets!
Most screenings will be held at the Gene Siskel Film Center, located at 146 North State Street. Some additional screenings will be held at SCREEN@theWit, located at the Wit Hotel, 201 North State Street. We’ll contact the winners via e.mail (Don’t worry, we won’t share your e.mail address). So leave a comment for complimentary tickets now.
The foreclosure crisis has up-ended old assumptions about the relative prosperity of cities versus suburbs. In many regions waves of foreclosures have hit the suburbs hardest. In the second iteration of their “Issues in Contemporary Architecture” residency and exhibition series, MoMA and P.S. 1 will ask five teams to design interventions for five “megaregions” facing high levels of foreclosures. Like the earlier iteration, Rising Currents, the new project, Foreclosed: Rehousing the American Dream will include a residency and public workshops at P.S. 1, followed by an exhibition and public programs at MoMA. Organized by Barry Bergdoll, chief curator for architecture and design, and Reinhold Martin, director of the Buell Center at Columbia, Foreclosed “will enlist five interdisciplinary teams of architects to envision a rethinking of housing and related infrastructures that could catalyze urban transformation, particularly in the country’s suburbs,” according to a statement from the museum.
Artist Stephen Talasnik has long been inspired by architecture and engineering. Now he can return the favor, thanks to an in-office exhibition at Gensler in New York’s Rockefeller Center. The show, called Adrift/Afloat, includes 16 pieces, including sculptures, drawings, and diagrams. Talasnik’s work is in the collection of the National Gallery, the British Museum, and the Canadian Centre for Architecture, among other institutions.