The Architectural League’s current exhibition offers a glimpse of where architecture is headed. It’s Different shows the work of the six winners of the Architectural League Prize for Young Architects + Designers (formerly known as the Young Architect’s Forum). It’s a geographically diverse group working in a variety of formal veins. The six winners (with images!) are:
We’re back from NeoCon in Chicago, where we had a fantastic showroom crawl with designers passing through Hafele, The Fine Line, and Toto. People had drinks, took in the fantastic products, and stretched their legs after a long day at the Merchandise Mart. Now that we’re back at the office, we drew a card for the winner of an iPad 2.
Yesterday that National Trust for Historic Preservation announced Bertrand Goldberg’s Prentice Women’s Hospital had made its annual 11 Most Endangered List, bringing national attention to the fight to save the quatrefoil-plan, concrete building. Also yesterday, the local group Save Prentice staged a rally outside the building featuring speakers including Zurich Esposito of the Chicago AIA and Jim Peters from Landmarks Illinois.
Progressive transportation commissioners have become heroes in planning circles. There’s a lot of excitement surrounding Chicago Mayor Emanuel’s appointment of Gabe Klein as DOT commissioner. Poached from Washington D.C., where Emanuel saw his work first-hand, Klein has extensive experience instituting new transportation ideas, including the nation’s largest bike sharing program and a new streetcar system. Read More
Since reports surfaced this morning that an architect died on West 13th Street in Manhattan, architects and the media have been wondering who the had suffered this unfortunate fate. Multiple outlets are now reporting that architect Danny Colvin, principal of ColvinDESIGN, an architecture and interior design firm specializing in residential projects, fell from a building in the Meatpacking District. We at The Architect’s Newspaper are saddened by the news and send his friends, family, and colleagues our sincerest condolences.
Among the triumvirate of Save Detroit schemes (urban farming, attracting artists, and right-sizing the city), cultural projects in some ways seem most challenging given the city’s dire circumstances. Located in a formerly abandoned bank building, the new Kunsthalle Detroit will showcase multimedia and light-based artworks, a smart strategy given the comparatively low cost and ease of presenting such work. The museum opens tomorrow with an exhibition titled, “Time and Place,” featuring works by Bill Viola, Tim White-Sobieski and ten other artists. “This museum brings the best in contemporary multimedia art as catered to the local population,” said founder Tate Osten, in a statement. “It is ultimately a revolutionary action, bringing international art forces to Detroit. In the near future we envision multimedia and light projects splashing from within the museum onto the streets of Detroit, making life and art inseparable.” Kunsthalle Detroit is located at 5001 Grand River Avenue, and will be open Tuesday through Saturday, 2 p.m. to 7 p.m.
Last night President Obama spoke at the ceremony for this year’s Pritzker Prize winner, Eduardo Souto de Moura. He invoked Thomas Jefferson, the architectural glories of Chicago, and praised Souto de Moura’s work for balancing “form and function with artistry and accessibility.” Obama is close to the Pritzker family, and Penny Pritzker was one of the most significant fundraisers for his campaign. Still it is nice to see the White House bringing some attention to the “Nobel Prize of architecture.” Check out our recent interview and comment on Souto de Moura.
Two dirty coal powered electric plants in central Chicago are coming under increasing scrutiny from neighbors, environmental activists, and architects and designers. Earlier this week Greenpeace activists scaled the stacks of the Pilsen plant operated by Midwest Generation, and painted a large sign calling for their closure. The plants were also the subject of a recent design competition, the results of which will be on display on June 10 at the Pilsen/Chicago Arts District and on June 13-15 at the Merchandise Mart during NeoCon.
ICFF wraps up today and, as usual, reviews of the fair seem mixed. Professional but boring! Too safe! Appropriately sober! Practical and market-friendly! Reheated Eames! Now in its sixth year, the ICFF Studio, sponsored by Bernhardt, offers a snap shot of where young designers are looking. Most skewed toward the market-ready, while one designer went in a conceptual direction. The young Dutch designer Andreas Kowalewski’s Clamp Chairs certainly look showroom bound (above).
Apparently the art world hates the American Folk Art Museum building! (Who knew?!) In the wake of the news that MoMA is buying the Todd Williams Billie Tsien-designed building, two of the art world’s more prominent voices both bashed the building and argued it hastened the Folk Art Museum’s decline. The esteemed Times critic Roberta Smith called it “unwelcoming” and argued that the museum’s fate was sealed by “lackluster, visionless leadership; the weak economy; and inappropriate architecture.” Smith’s husband happens to be Jerry Saltz, the pugnacious art critic for New York, who went much further in a piece titled, “Architecture Killed the American Folk Art Museum.” He called the building, “ugly and confining, it was also all but useless for showing art.”
Not everyone agrees!