Austin Unveils Top 10 Competition Entries for Seaholm Intake

Southwest
Wednesday, July 31, 2013
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The Seaholm Intake, build in the 1950s and decommissioned in 1996, is set to become a hub in park activity around Austin’s Lady Bird Lake. (Courtesy Austin Parks & Recreation)

The City of Austin Parks and Recreation Department recently hosted a competition (ended July 12) to attract concepts for the adaptive reuse of the Seaholm Intake Facility, the pump house of the decommissioned Seaholm Power Plant (the turbine hall of which is undergoing another adaptive reuse project). The Seaholm complex is located prominently on Lady Bird Lake in downtown, not far from Waller Creek, whose landscape is being redesigned by Michael Van Valkenburgh, and adjacent to the Ann and Roy Butler Hike and Bike Trail.

Some of its buildings, including the intake, are solid examples of the heroic period of American cast-in-place concrete Art-Deco municipal architecture and stand as civic icons in Austin. Competition entrants were asked to envision a new use for the structure and the surrounding land that would engage park users, the trail, and the water.

Austin Parks received 76 proposals and is displaying its favorite 10 entries at Austin City Hall from now until August 2. The top three will be announced on August 9. The ideas from the top three proposals will “help inspire subsequent design phases of the project,” according to Austin Parks’ website. Following this competition, Austin Parks will release a request for proposals for public-private partnerships with ideas of how to reuse the facility.

View the proposals after the jump.

Wrecking Ball To Swing On Johansen’s Mummers Theater

Southwest
Friday, July 26, 2013
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Known as Stage Center following a renovation, Johansen’s groundbreaking Mummers Theater is Oklahoma City’s only internationally acclaimed piece of architecture (Courtesy Elliott+ Associates Architects)

Oklahoma City investment company Kestrel Investments has purchased recently deceased architect John Johansen‘s Mummers Theater for $4.275 million and plans to demolish the revolutionary building to construct a 20-plus story mixed use tower in its place. The news came as a blow to local and national preservation groups who worked unsuccessfully to save the groundbreaking architectural work by finding a new tenant and use for the idiosyncratic structure.

Continue reading after the jump.

Edmonds International Designing Potential 58-story Mixed-use Tower in Midland, Texas

Southwest
Thursday, July 25, 2013
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At 58 stories, the Energy Tower would be more than twice as tall as Midland’s current tallest building. (Courtesy Edmonds International)

As the business hub of oil and gas operations in the Permian Basin, Midland, Texas, is on the cusp of a growth spurt. With the opening of the Cline Shale oil play, petroleum production in the region has increased 49 percent since 2007 to 1.29 million barrels per day and is expected to reach 2.2 million barrels per day by 2022. Betting on the influx of businesses and workers that will accompany this growth, local developer Energy Related Properties hired New York City–based architectural firm Edmonds International to design a 58-story, mixed-use tower sited on two blocks in downtown Midland that will contain everything a body could need for work, sleep, shopping, and play under one very tall roof.

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Spend the Summer in Portugal Building a Giant Model for the Lisbon Triennale

International, Newsletter
Wednesday, July 3, 2013
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Workshop Futuro Perfeito (Courtesy Susana Gaude)

Workshop Futuro Perfeito (Courtesy Susana Gaude)

The Venice Biennale may be the most visible and glamorous architecture exhibition in the world, but it is not the only one on the design calendar. In fact, these exhibitions have been proliferating around the globe in the past ten years and several have not made it past their inaugural year. One of the best of the newer architecture exhibits is the Lisbon Triennale, which is about to host its third exhibition opening September 12, 2013.

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James Turrell Exhibit Opens Friday at the Guggenheim

East
Thursday, June 20, 2013
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Aten Reign, James Turrell's largest museum installation ever, fills the rotunda of the Solomon R. Guggenheim Museum. (David Held/Courtesy Solomon R. Guggenheim Foundation)

Aten Reign, James Turrell’s largest museum installation ever, fills the rotunda of the Solomon R. Guggenheim Museum. (David Held/Courtesy Solomon R. Guggenheim Foundation)

Tomorrow, June 21, is the summer solstice. On the occasion, the Solomon R. Guggenheim Museum will open the doors on a major solo show of the work of James Turrell, called simply James Turrell. It’s a fitting day to open an exhibition on the American artist. Since the 1960s, Turrell has developed a diverse body of work that uses light as material and medium. The centerpiece of the show is Aten Reign, a site-specific installation that fills Frank Lloyd Wright’s famous rotunda. Made from a series of interlocking fabric cones that relate to the Guggenheim’s interior ramps, Aten Reign interlaces the prevailing daylight with subtly changing color fields produced by concealed LED fixtures. Viewed from below, on reclining benches or lying flat on the floor, with the gentle bubbling of the Guggenheim’s fountain providing aural accompaniment, the installation provides a meditative, perception altering experience.

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TEN Arquitectos’ Brooklyn Cultural District Tower Approved by City Council

East
Tuesday, June 18, 2013
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BAM South will be located on Flatbush Ave. in Brooklyn. (Courtesy TEN Arquitectos)

BAM South will be located on Flatbush Ave. in Brooklyn. (Courtesy TEN Arquitectos)

Yesterday, the New York City Council approved a 32-story tower designed by TEN Arquitectos that is set to rise on an empty parcel adjacent to the Brooklyn Academy of Music. As AN reported last November, the site is the last undeveloped city-owned lot in the district. The mixed-use project will include 300 residential units (60 which will be “affordable”); 50,000 square feet of cultural space to be shared by BAM Cinema, performance groups connected with 651 Arts, and a new branch of the Brooklyn Public Library; a 10,000-square-foot public plaza; and 15,000 square feet of ground-level retail.

“Two Trees is grateful to the City Council for its support and proud to partner with the city and some of Brooklyn’s most innovative cultural institutions to advance the growth of downtown Brooklyn’s world-class cultural district,” said Jed Walentas, a principal at Two Trees Management, in a statement. “With cultural space, much-needed affordable housing, and a new public plaza, we will be transforming a parking lot into an iconic building with many public benefits.”

More renderings after the jump.

NYC DOT Blotto Campaign Raises Awareness About The Dangers Of Drunk Driving

East
Friday, May 24, 2013
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Blotto by John Morse (Courtesy NYC DOT)

New York City Department of Transportation (NYC DOT) Commissioner Janette Sadik-Kahn unveiled Blotto today, a temporary installation by Atlanta/New York City-based artist John Morse meant to raise awareness about the dangers of drinking and driving. The artwork, which was inspired by ink-blot tests and depicts two cars crashing into a martini glass, has been placed in more than 100 phone kiosks in locations in Queens, Brooklyn, and the Bronx with high concentrations of drunk driving collisions. The installation is part of NYC DOT’s ongoing campaign to curb instances of driving while intoxicated, which has contributed to at least 46 deaths in New York City streets and led to more than 19,000 arrests in the past two years alone. “We’re using creative imagery to help motorists recognize there is no room for interpretation when it comes to drinking and driving,” said commissioner Sadik-Kahn in a statement. “Drunken driving is reckless driving and when motorists raise a glass, it’s the lives of other New Yorkers they have in their hands.” The installation will be on view until June 17. AN publisher Diana Darling lost her sister, Teresa Wallace (age 36), nephew, Rhea Wallace (age 6), and niece, Kenzi Wallace (age 3 months), when they were killed by a drunk driver in July 1996 in Dallas, Texas. Ms. Darling supports Mothers Against Drunk Driving and any other initiative that seeks to stop drunk drivers.

Memory Cloud Taps Tradition At Texas A&M

Fabrikator
Friday, May 24, 2013
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Memory Cloud Texas A&M tradition with an active constellation of animated LEDs.

Memory Cloud embodies Texas A&M tradition with an active matrix of animated LEDs. (Courtesy Metalab)

Re:site and Metalab’s site-specific installation for Texas A&M’s 12th Man Memorial Student Center uses 4,000 networked LEDs to create an animated display that speaks to tradition as well as to the future.

The Corps of Cadets. Kyle Field. The 12th Man. Reveille. Texas A&M has more than a few strong traditions, most of which are centered around and given expression by the university’s football games and its alumni’s illustrious history of military service. At the same time, the school is well known for its robust and forward thinking science and engineering departments. Both of these characteristics factored into the conception for a permanent sculpture to inhabit A&M’s new Memorial Student Center (MSC). Created by art collaborative RE:site and design and fabrication studio Metalab (both located in Houston) the sculpture, titled Memory Cloud, is a chandelier of 4,000 white LEDs that are animated by two distinct feeds: one derived from archival footage of the Fightin’ Texas Aggie Band, the other from live infrared cameras that monitor people passing through the center’s atrium.

“To interpret tradition visually we thought of moving patterns of people,” said Norman Lee of RE:site. “A&M has a strong marching band. If you remove the specifics of what the band is wearing and focus on the movements, they’re the same from 1900 to now. Once you reduce the figures from archival footage to silhouette patterns, you can’t identify the different points in time. Time and space collapse and bring together the school’s tradition in visual terms.”

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House Bill Seeks To Boot Gehry From Eisenhower Memorial Project, AIA Says Not Cool

National
Friday, March 15, 2013
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The legislation would eliminate Gehry's design for the memorial and cut future federal financing.

The legislation would eliminate Gehry’s design for the memorial and cut future federal financing.

A new bill before the U.S. House of Representatives is seeking to build consensus to junk Frank Gehry’s design for the Eisenhower Memorial on the National Mall. The bill, known as the Dwight D. Eisenhower Memorial Completion Act, was proposed by Rep. Rob Bishop (R-Utah). It cites concerns over the controversial nature of the design and its escalating costs (currently estimated at well over $100 million) and seeks to “facilitate the completion of an appropriate national memorial to Dwight D. Eisenhower.”

Opposition to Gehry’s proposal has been brewing for some time. The antagonists include members of Eisenhower’s family and the National Civic Art Society, which published a 153-page report that called Gehry’s scheme a “travesty” and a “Happy McMonument.”

The AIA feels differently. The association released a statement opposing Rep. Bishop’s bill. The statement does not express an opinion about the value of Gehry’s design, but rather disapproves of the “arbitrary nature” of this exercise of “governmental authority.” Lodge your feelings about the bill and/or Gehry’s design in the comments section of this post.

Providence Takes Top Award in Bloomberg Mayors Challenge

National
Thursday, March 14, 2013
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Bloomberg gives Providence $5 million to implement system to monitor low-income families. (Martha Heinemann Bixby / Flickr)

Bloomberg Philanthropies gives Providence $5 million to implement system to monitor low-income families. (Martha Heinemann Bixby / Flickr)

Bloomberg Philanthropies has announced the winners of its Mayors Challenge, a competition meant to generate innovative ideas for the improvement of city life. Out of the 300 cities that submitted proposals, the giving institution created by New York City Mayor Michael R. Bloomberg gave the Grand Prize for Innovation to Providence, RI, and its mayor, Angel Taveras. The city was awarded $5 million to implement its project, what Bloomberg Philanthropies called a “cutting-edge early education initiative.” Under the initiative, participating children will wear a recording device home that will monitor the conversations they have with their parents or other adults. The transcripts of these conversations will then be used to develop weekly coaching sessions in which government monitors or someone will coach the grownups on how better to speak with their children.

Continue reading after the jump.

Twaddle and Topocast Make Houston Textural

Fabrikator
Friday, February 22, 2013
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The tiles’ intricately curving geometry was derived from a photo of a power transformer. (Courtesy Topocast)

Topocast and Randy Twaddle used Rhino to produce a 3D version of a 2D pattern. The 3D model became a 3D print, which was used as a prototype for casting 65 sculptural tiles.

The entrance portal of Mirabeau B, a 14-unit residential complex in Houston’s Hyde Park neighborhood, is home to a 7-foot-high, 25-foot-long white wall of deeply textural tiles. Each tile is 20 inches square and features on its surface a three dimensional pattern that resembles nothing so much as the carapace of a Sci-Fi race of crab creatures. In fact, the pattern was derived from a photograph of a power transformer and its tangle of intersecting wires atop an electric light pole. It was worked into its current condition through a collaboration between print and textile artist Randy Twaddle and Dallas-based design and fabrication studio Topocast.

Twaddle had used this image to generate several of his designs for wall coverings and rugs and the like. In this instance, he manipulated the image until arriving at a pattern that could be repeated and assembled modularly in a system of tiles. Twaddle delivered the 2D pattern to Topocast, which began to develop a workable 3D version. “Most of the 3D was done in Rhino,” said Topocast founder Brad Bell. “We also used the Rhino plugin T-Splines to create the intricate curvature and geometries.”

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CTC Helps Piano Give LA’s Resnick Pavilion the Pompidou Treatment

Fabrikator
Friday, February 15, 2013
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The bright red cladding calls attention to the mechanical systems as the “lungs of the building.” (Courtesy CTC)

CTC realized Piano’s design concept by designing and fabricating a cladding system of a structural steel tube framework covered by extensive FRP panels.

For his design of the Resnick Pavilion at the Los Angeles County Museum of Art (LACMA), Renzo Piano revived an idea he first explored with Richard Rogers in their design of the Centre George Pompidou in Paris: the idea of the building as an organic breathing machine. At Pompidou, the architects turned the museum’s mechanical systems into expressive elements, color coding the pipes, ducts, gantries, and escalators and pulling them to the exterior of the structure. At the Resnick Pavilion, Piano located the mechanical rooms and air handling units prominently outside the four corners of the 45,000-square-foot building, applying cladding to the ductwork in a bright red color used in circulation corridors throughout the LACMA campus.

Piano turned to Capastrano Beach, California-based design/build firm CTC (Creative Teknologies Corporation) to realize his design concept. “We took in data from three parties,” said CTC president Eric Adickes. “Piano gave us perspective sketches of how he wanted the air handling units to look, the air conditioning contractor, Acco, gave us Revit drawings, and the general contractor, MATT Construction, gave us 2D Autocad documents of the building and concrete foundation.” From those sources, CTC developed 3D models of a cladding system for the ventilation ducts using CATIA.

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