By the time we realized there were no water taxis headed uptown and took the A train, instead, the Museum of Arts and Design’s opening day press conference was almost over and only a few diehard journo’s (Christopher Hawthorne, Robert Campbell) were still lurking around to talk to museum architect Brad Cloepfil of Allied Works Architecture (above in the catbird seat) about winning the four-year fight to turn a playboy’s private collection housed in crimson and burled panelling into a high-tech cabinet of craft curiosities. Asked what he thought about the space now that it’s chock-ablock with the kind of severe white (though some are black) Fort-Knox-style display cases favored by the downtown design store Moss, the architect said, “They have to learn how to play the instrument.”
Sliding Signage by Pentagram
Cloepfil said this curvey vase by Eva Held has “profoundly influenced” his design approach for the Clyfford Still Museum in Denver, now in design development.
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