Selldorf-designed Hauser Wirth & Schimmel to open in Los Angeles with a Revolution

Architecture, Art, West
Monday, November 23, 2015
Lee Bontecou in her Wooster Street studio, New York, 1964. (Ugo Mulas © Ugo Mulas Heirs/ Courtesy Archivio Ugo Mulas, Milano – Galleria Lia Rumma, Milano/Napoli)

Lee Bontecou in her Wooster Street studio, New York, 1964. (Ugo Mulas)

The March 2016 opening of Hauser Wirth & Schimmel’s Arts District complex is getting closer and the gallery just announced its inaugural Los Angeles exhibition: Revolution in the Making: Abstract Sculpture by Women, 1947–2016.

More after the jump.

Yayoi Kusama’s infinitely immersive installation opens with The Broad in Los Angeles

Architecture, Art, West
Monday, August 24, 2015
Yayoi Kusama, Infinity Mirrored Room - The Souls of Millions of Light Years Away, 2013 wood, metal, glass mirrors, plastic, acrylic panel, rubber, LED lighting system, acrylic balls, and water (Courtesy The Broad Art Foundation)

Yayoi Kusama, Infinity Mirrored Room – The Souls of Millions of Light Years Away, 2013. (Courtesy Broad Art Foundation)

The long awaited opening of The Broad designed by Diller Scofidio + Renfro, in collaboration with Gensler, is scheduled for September 20 in Downtown Los Angeles. In anticipation of the big day, the museum released details about the inaugural installation that will fill the 35,000 square feet of column-free gallery space on the third floor.

Continue reading after the jump.

“Dotty” Japanese artist Yayoi Kusama brings ‘Obliteration Room’ stateside for the first time—this time inside a prefab house

Art, Design, East, On View
Thursday, June 4, 2015
(Courtesy Yayoi Kusama)

(Courtesy Yayoi Kusama)

Publicly deranged artist Yayoi Kusama is bringing her dotty otherworld to the United States for the first time with an exhibition of Obliteration Room at New York City’s David Zwirner Gallery. A reiteration of her signature interactive work, exhibited around the world since 2002, Obliteration Room comprises a nondescript domestic backdrop awash in stark-white paint.

Continue reading after the jump.

Yayoi Kusama enlisted a pint-sized army to create this dotty, hallucinatory world

(Courtesy Queensland Art Gallery)

(Courtesy Queensland Art Gallery)

Admonishing your kids not to graffiti the walls may be forever futile. A new art installation by publicly deranged Japanese artist Yayoi Kusama entails children being given printed sheets of colored stickers and told to go to town on the walls, furniture, and fixtures of all-white living spaces. Everything from the upright piano to the cutlery and linens in the once-spartan rooms are dappled crazily in a disorienting clot of jarring primary colors.

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Yayoi Kusama Covers a Meatpacking District Scaffold With Dots

Art, Design, East
Friday, August 3, 2012
Yayoi Kusama's dotted screen on scaffolding at 345Meatpacking serves a dual purpose.

Yayoi Kusama’s dotted screen on scaffolding at 345Meatpacking serves a dual purpose. (Courtesy DDG)

We already knew that DDG Partners could pull together a classy “product,” as they say in real estate parlance. But now the group has upped the ante by teaming with Yayoi Kusama, the 83-year-old Japanese show-stopping pop artist. Kusama’s blockbuster at the Whitney has already spilled over into cross-marketing at Louis Vuitton with her ubiquitous dots climbing up the facade of their 57th Street Store. Downtown the artist’s Yellow Trees will sprawl across protective netting on construction scaffolding at DDGs 345meatpacking, the group’s new 14th Street project which could rival their comparatively quiet 41 Bond Street project. 345 promises to make a much splashier entrance, but with a hand laid Danish Kulumba brick facade, it could be Bond Street’s equal in craftsmanship. The public won’t see the results until September 30th, when the Kusama curtain will fall and the Kulumba will be revealed.

Check out renderings of the building after the jump.

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