On View> 100 Years of Architecture Education at Yale

Architecture, East, On View
Wednesday, January 13, 2016
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Art and Architecture building 4th and 5th floor studios, 1963. (Courtesy Yale School of Architecture.)

Yale Art and Architecture building 4th and 5th floor studios, 1963. (Courtesy Yale School of Architecture)

Any fan of architecture is familiar with the rich history of the Yale School of Architecture (YSoA). If they aren’t they are likely familiar with some of the projects that have resulted from the school’s influential concrete halls. From Paul Rudolph’s heroic brutalism to Robert Venturi and Denise Scott Brown‘s “Learning From” series—and the productive friction between the two—the school has had an impact on much of the history of 20th and 21st century century architecture.

A new exhibition, “Pedagogy and Place,” organized by YSoA dean Robert A.M. Stern and curator (and AN contributor) Jimmy Stamp with Alfie Koetter, presents a range of student work that tracks the history of Yale architecture, and in parallel, the history of American architecture alongside political change in the U.S.

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Deborah Berke named dean of Yale School of Architecture

Architecture, Dean's List, East
Friday, September 25, 2015
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Deborah Berke is the new Dean of the Yale School of Architecture

Deborah Berke is the new Dean of the Yale School of Architecture

Yale School of Architecture has a new dean today, as the university has announced that New York-based architect Deborah Berke will be the next dean to rule the concrete and paprika halls. The founder of Deborah Berke Partners will start in her new position effective July 1, 2016.

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Robert A.M. Stern stepping toward stepping down at Yale

Yale's A+A Building with a Gwathmey Seigel addition at right (Peter Aaron/Esto)

Yale’s A+A Building with a Gwathmey Seigel addition at right (Peter Aaron/Esto)

Robert A.M. Stern has indicated he will step down as dean of the Yale School of Architecture in Spring 2016, according to the Yale Daily News. During his tenure, Stern has reinvigorated the School, restored its home, expanded its faculty, and brought through a roster of prominent guest critics from around the world. Stern has taken an eclectic view of architecture, bringing in practitioners of various styles and pedagogical viewpoints, and reinvigorated the study of architectural history with a new Ph.D. program.

Continue reading after the jump.

Faith Rose tapped as Executive Director of New York City’s Public Design Commission

Faith Rose, the new Executive Director of the Public Design Commission. (Courtesy

Faith Rose, the new Executive Director of the Public Design Commission. (Courtesy o’neill rose architects)

New York City Mayor Bill de Blasio has appointed Faith Rose, a former senior design liaison at the Department of Design and Construction (DDC), to lead the city’s Public Design Commission. According to the mayor’s office, in her new role, Rose “will be charged with building on the Public Design Commission’s history of prioritizing the quality and excellence of the public realm, enhancing and streamlining the Commission’s review process, and fostering accessibility, diversity and inclusion in the City’s public buildings and spaces.”

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Disheveled Geometry

Fabrikator
Friday, August 30, 2013
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Brought to you with support from:
Fabrikator
Brought to you with support from:
Fabrikator

 
Students of Mark Foster Gage's Disheveled Geometries seminar fabricated a 20-by-40-foot panel of Obomodulan. (Mary Burr)

Students of Mark Foster Gage’s Disheveled Geometries seminar fabricated a 20-by-40-inch panel of Obomodulan.  (Burr/Stranix)

Students use parametric design to fashion a porous architectural screen that draws from contemporary marble sculpture.

In the third edition of Mark Foster Gage’s Disheveled Geometries seminar at the Yale School of Architecture, students Mary Burr and Katie Stranix began their exploration of extreme surface textures with marble. Inspired by the sculptural work of Tara Donovan and Elizabeth Turk, the student duo set out to design a delicate yet porous screen that transformed a two dimensional panel into a rhythmic and dynamic 3D structure.

According to Stranix, the first design emerged as an aggregation of several different parts and wasn’t intended for parametric processes. “We wanted to maintain delicacy in our design but add porosity,” she told AN, referencing Herzog & de Meuron’s ground level screen at 40 Bond Street in Manhattan. Working in Maya, the students added elliptical apertures in varying diameters to transform the two-dimensional form in a wavy, 3D screen that departed significantly from a standard panel format. Read More

Deborah Berke and Students Toast Urban Industry

East, Midwest
Monday, May 7, 2012
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Chester Prescott Distillation Tower by Francesco Galetto.

Chester Prescott Distillation Tower by Francesco Galetto.

With investment in American cities on the rise, mixed-use development is all the buzz, but architect Deborah Berke says we must be careful not to leave industry out of the mix. “We need to sway mixed-use back to the direction of a real mix. We’ve gone to all residential,” she said. Berke and critic Noah Biklen just finished teaching an architectural studio at Yale on boutique urban manufacturing, where students explored bringing a bourbon distillery to downtown Louisville, Kentucky.

View the student proposals after the jump.

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