A short film called Me and My Moulton by director Torill Kove takes a humorous look at growing up with parents who are “modernist architects”—and it’s been nominated for an Academy Award under “Best Animated Short Film.” Told from the perspective of of a seven-year-old middle child, the challenges of growing up with architect parents include three-legged dinner table chairs and a house that your friends think is a bit odd.
While Los Angeles is trying to shake its image as a city of cars, it sure has a lot of roads and highways. And unless you’re behind the wheel, you probably won’t be able to play in the middle of them (unless you’re headed to CicLAvia). Then comes along filmmaker Russell Houghten, who captured an eerily abandoned LA in his short film, Urban Isolation.
Last summer, AN reported on Renzo Piano’s City Center at Bishop Ranch, the architect’s re-invention of the typical shopping center, mixing walkability, culture (including an integrated performance stage), community (including a public “piazza” space”) and commerce. In a new short film about the project, Piano spoke about keeping people outside, creating open and transparent storefronts, making a building that will “practically fly above the ground.”
The Architect’s Newspaper is introducing a new video series focusing on the places, people, and processes behind news-making projects. We begin with a tour of Philadelphia’s Reading Viaduct, an abandoned rail line that advocates hope to transform into an elevated park, a grittier take on Manhattan’s celebrated High Line. With the city and state pledging millions toward the project, the Viaduct park is moving closer to reality. Come along with us for a first look.
INSA, as the undercover street artist is cryptically known, is the net generation’s equivalent of the legendary graffiti artist Banksy. While INSA’s doodles also dapple the walls of buildings in London as well as around the world, the artist creates GIFs—or “GIF-ITIs” as he calls them—based on photographs of his own graffiti paintings.
The Bjarke Ingels Group’s plan to wrap Lower Manhattan in a landscape berm to keep floodwaters at bay was definitely one of the most architecturally interesting proposals to come from Rebuild By Design, the Department of Housing and Urban Development’s competition to boost resiliency in a post-Sandy world. Last June, the plan—known as “The BIG U” or “The Dry Line”—also became the competitions’s biggest winner.
While here in New York City, the antennas we cover tend to sit atop skyscrapers like the World Trade Center, for much of the American landscape, the tallest fixtures are spindle-thin television towers that keep watch over an agrarian landscape. But the view from atop those towers can be just as beautiful as the view from a $100 million Manhattan penthouse, as this drone video proves.
Video> Optical illusions come to life in Stanford designer’s mesmerizing 3D-printed zoetrope sculptures
Nature’s algorithms reign supreme in a series of revolving 3D printed sculptures by designer-cum-artist John Edmark, also an adjunct lecturer at Stanford’s Department of Art & Art History. The sculpture sits on a rotating base and animates when it is placed under a strobe light or filmed using a camera with extremely slow shutter speeds.
Last week, AN took a walk along the High Line to check in on all the new development happening right alongside New York City’s popular park. One of the structures we saw steadily rising was 860 Washington Street, a 10-story glass office building by James Carpenter Design Associates.