Last September, the Council on Tall Buildings and Urban Habitat invited me to serve as the special media correspondent for its Shanghai symposium, entitled Future Cities: Towards Sustainable Vertical Urbanism.
I conducted video interviews with dozens of architects, developers, building managers, and others on topics relevant to tall building design and sustainable urbanism. Among the many designers, engineers and other tall building types I interviewed was Christopher Drew, director of sustainability for Chicago’s Adrian Smith + Gordon Gill Architecture.
The word “sapienza” means “wisdom” in Italian. It also refers to the Church of Saint Yves at La Sapienza, 1642–1660, designed by Baroque architect Francesco Borromini. In Eugene Green’s film, La Sapienza, Borromini is a hero of the protagonist, architect Alexandre Schmid (played by Fabrizio Rongione). Borromini incorporated the remains of a 14th century church, rather than razing it, a touchstone for Schmid. Geometry reigns throughout: the building is capped by a corkscrew lantern, and triangles and semi-circles are combined with figurative elements.
As AN reported, it will be quite difficult for New York City Mayor Bill de Blasio to pull off his plan to launch a five-borough ferry system. There are, of course, the obvious issues surrounding subsidies, ridership, operators, and dock placement that could all cause major headaches down the road. While the mayor starts charting his path through these details, another potential problem came to the fore: winter weather.
This year’s Park City offerings at the Sundance and Slamdance film festivals ranged from portraits of architects, a mayor with architectural dreams, a victim of the foreclosure crisis, those trapped in physical and dreamed spaces, and individuals exploring the cultural landscape. Always a harbinger of what is coming up, look out for these films and media projects coming to a screen near you.
A short film called Me and My Moulton by director Torill Kove takes a humorous look at growing up with parents who are “modernist architects”—and it’s been nominated for an Academy Award under “Best Animated Short Film.” Told from the perspective of of a seven-year-old middle child, the challenges of growing up with architect parents include three-legged dinner table chairs and a house that your friends think is a bit odd.
While Los Angeles is trying to shake its image as a city of cars, it sure has a lot of roads and highways. And unless you’re behind the wheel, you probably won’t be able to play in the middle of them (unless you’re headed to CicLAvia). Then comes along filmmaker Russell Houghten, who captured an eerily abandoned LA in his short film, Urban Isolation.
Last summer, AN reported on Renzo Piano’s City Center at Bishop Ranch, the architect’s re-invention of the typical shopping center, mixing walkability, culture (including an integrated performance stage), community (including a public “piazza” space”) and commerce. In a new short film about the project, Piano spoke about keeping people outside, creating open and transparent storefronts, making a building that will “practically fly above the ground.”
The Architect’s Newspaper is introducing a new video series focusing on the places, people, and processes behind news-making projects. We begin with a tour of Philadelphia’s Reading Viaduct, an abandoned rail line that advocates hope to transform into an elevated park, a grittier take on Manhattan’s celebrated High Line. With the city and state pledging millions toward the project, the Viaduct park is moving closer to reality. Come along with us for a first look.
INSA, as the undercover street artist is cryptically known, is the net generation’s equivalent of the legendary graffiti artist Banksy. While INSA’s doodles also dapple the walls of buildings in London as well as around the world, the artist creates GIFs—or “GIF-ITIs” as he calls them—based on photographs of his own graffiti paintings.