When Miguel Arroyo arrived in New York City in 1939 as the assistant of the Venezuelan painter Luis Alfredo López Méndez, he met the architect of the Venezuelan Pavilion at New York’s World’s Fair: a young Gordon Bunshaft at SOM. The two formed a lifelong friendship.
Just a few weeks before the death of Venezuelan leader Hugo Chavez, the New Yorker published a profile by Jon Lee Anderson (“Letter from Caracas: Slumlord”). The subject of the profile was less Chavez and more a Chavez-era phenomenon, the so-called Tower of David in downtown Caracas. “It embodies the urban policy of this regime, which can be defined by confiscation, expropriation, governmental incapacity, and the use of violence,” Guillermo Barrios, dean of architecture at the Universidad Central in Caracas, told Anderson.