The Serpentine Galleries has unveiled renderings for its 15th summer pavilion which it described as an “amorphous, double-skinned, polygonal structure.” The interactive and certainly bright installation is designed by the Madrid-based SelgasCano and comprises translucent, rainbow-colored panels woven into a webbing system. Visitors are encouraged to enter the pavilion and explore its “secret corridor” and “stained glass-effect interior.”
As we’ve been reporting, there are some pretty big urbanism proposals being pushed in London right now. Next month, the city is expected to break ground on a massive cycle superhighway that will give cyclists about 20 miles of new protected bike lanes. Mayor Johnson is also supporting a plan to bury parts of major thoroughfares to boost walkability and development. But now, something even bigger is brewing in the London suburbs.
Bjarke Ingels is slated to join elder architectural statesmen Norman Foster and Frank Gehry at the Battersea Power Station in London. The multi-billion dollar, mixed-use redevelopment was originally master planned by, yes, another starchitect, Rafael Viñoly. Ingels’ firm, BIG, joins the bunch after winning a competition to design a public space for the project called Malaysia Square. Why is it called Malaysia Square? Because, lest the Brits forget, the project is backed by a Malaysian development consortium.
Bombay Sapphire is in the process of converting a historic paper mill into a facility for producing their famous gin. Overseeing this transformation is the ever-busy Heatherwick Studio, which has been brought on to renovate the 40 derelict buildings found on the site. Their most drastic intervention to the extant campus comes in the form of a soon-to-opened visitor’s center that was recently awarded a BREEAM ‘outstanding’ rating for sustainability, an international system for ranking green buildings.
Sound recordist Chris Watson has returned home for his most recent project: creating an aural map of the contemporary landscape of Sheffield, England. Two years ago, the Guardian reported, Museums Sheffield’s Millennium Gallery asked Watson to undertake the project, mapping the noises of a town he has not lived in for thirty years. Over the past 18 months, the audio artist made a series of ambisonic recordings of the natural and urban environments of the city. The result is a 36-minute sound journey, Inside the Circle of Fire: a Sheffield Sound Map, on current exhibition at the Gallery.
Designing for a specific space can be a challenge, but try designing a chair predestined to become a contemporary statement in the newly-refurbished Weston Library, part of the Bodleian Libraries at Oxford, which has commissioned only its third new chair in 400 years. Earlier this year, three partnerships—Amanda Levete and Herman Miller, Barber Osgerby and Isokon Plus, and Matthew Hilton and SCP Ltd—were shortlisted to compete for the prestigious prize, which has officially been awarded to Edward Barber and Jay Osgerby with Isokon, for their low, round-backed design.
Dutch firm Mecanoo’s latest civic building represents a new era in library design. The new Library of Birmingham in the UK replaces the former James Hardin–designed central library, a brutalist concrete structure. The new library is a sleek expression of the evolving nature of education and learning in the 21st century. The modern, metal-clad structure houses a variety of services, including a multimedia center, two cafés, a music library, a performance space, green outdoor terraces, a shop and a gallery. The design vision is that the space will offer culture and entertainment, as well as learning and information.