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At 72 years old, the accomplished architect might be expected to rest on his laurels. But Ito said his entire approach began to change during the 1990s. “I used to pursue architecture that is beautiful, aligned with modernism,” he said through an interpreter during a talk with Korean artists Moon Kyungwon and Jeon Joonho; Yusaku Imamura, director of Tokyo Wonder Site; and artist Iñigo Manglano-Ovalle. Instead, he said, he began to ask what elements of a building make it livable.
After an earthquake and tsunami devastated the Sendai region of Japan on March 11, 2011, a lengthy recovery and rebuilding is underway. This is the basis for Nanako Umemoto and Jesse Reiser’s “SUPERJURY,” a collaboration between Princeton University, Tokyo University, Osaka Sangyo University, California College of the Arts, Tsinghua University, and Nagoya Institute of Technology. It explores large-scale reconstruction solutions which mediate between occasionally conflicting political interests of infrastructure construction, economic redevelopment, and memorialization of the site. Serving as inspiration was the utopian planning of Japanese Metabolism that addressed the destruction of WWII Japan, a situation similar to the devastation of the Sendai region. All parties convened at Princeton’s School of Architecture on Tuesday, May 15 for a “science fair” of their research findings and proposals.