The New York City and Madrid-based architecture firm Andres Jaque Architects/Office for Political Innovation has released a wonky video explaining its mobile, water purifying installation which recently won MoMA PS 1‘s Young Architects Program. The futuristic-looking structure, called COSMO, is comprised primarily of suspended hoses that will filter 3,000 gallons of water over the course of four days.
Last summer, AN reported on Renzo Piano’s City Center at Bishop Ranch, the architect’s re-invention of the typical shopping center, mixing walkability, culture (including an integrated performance stage), community (including a public “piazza” space”) and commerce. In a new short film about the project, Piano spoke about keeping people outside, creating open and transparent storefronts, making a building that will “practically fly above the ground.”
The Architect’s Newspaper is introducing a new video series focusing on the places, people, and processes behind news-making projects. We begin with a tour of Philadelphia’s Reading Viaduct, an abandoned rail line that advocates hope to transform into an elevated park, a grittier take on Manhattan’s celebrated High Line. With the city and state pledging millions toward the project, the Viaduct park is moving closer to reality. Come along with us for a first look.
In our recent story about the current development surge happening in and around Dumbo, we touched on the controversy surrounding the Pierhouse—an under-construction hotel and condo complex next to the Brooklyn Bridge. The Marvel Architects–designed building, which will help cover Brooklyn Bridge Park‘s maintenance costs, has riled up local residents who say it is blocking their views of the iconic bridge.
Science fiction’s outlandish imaginings are set to become reality, with the top 10 designs for the world’s first sci-fi museum on display at the Brooklyn Public Library through May 31. Naturally, the first-of-its-kind project warrants no less than a high-tech, out-of-this-world edifice worthy of Star Trek. The winning design by graduate student Emily Yen, titled Schrödinger’s Box, proposes a 3,990 square foot modular museum comprised of a trapezoid frame with infilled planes at various heights (think staggered wall shelving).
We have given Apple flack for the suburban nature of its new campus in Cupertino. But we’ve been impressed with the company’s recent attempts to make things more eco-friendly, adding shuttles, bike lanes, a bus transit center, and walking paths. Now we hear Apple is purchasing 130 megawatts worth of energy a year from First Solar. The purchase will power the new HQ as well as all of its other California offices, a large data center, and the 52 retail stores in the state.
Hey, one percenters, listen up (or pay someone to do it for you) because we’ve got some exciting news that might pique your interest. All the rest of you non-global-elite types can amscray. That’s right, you heard us, get out of here. It’s for your own good.
“Can you be an engineer and speak out for reform?” That’s the question one civil engineer and blogger posed on his website, strongtowns.org, after a former American Society of Civil Engineers fellow filed a complaint with his state licensing board. According to the blogger, Charles Marohn, it was retaliation for a post critiquing Minnesota’s plan to spend much of its transportation budget on new
construction instead of maintenance.
With the scent of wet St. Louis clay wafting through the air, the Data Clay Symposium kicked off at CCA last weekend. Hosted by the Architecture & Fine Arts Divisions at CCA, the Graham Foundation for Advanced Studies in the Fine Arts, and the CCA Digital Craft Lab, the event joined architects, artists, designers, makers, critics and creators to discuss and display their latest syncretic experiments and the possibilities of the seemingly disparate mediums of data (i.e. computation) and clay.
INSA, as the undercover street artist is cryptically known, is the net generation’s equivalent of the legendary graffiti artist Banksy. While INSA’s doodles also dapple the walls of buildings in London as well as around the world, the artist creates GIFs—or “GIF-ITIs” as he calls them—based on photographs of his own graffiti paintings.