As we’ve been reporting, there are some pretty big urbanism proposals being pushed in London right now. Next month, the city is expected to break ground on a massive cycle superhighway that will give cyclists about 20 miles of new protected bike lanes. Mayor Johnson is also supporting a plan to bury parts of major thoroughfares to boost walkability and development. But now, something even bigger is brewing in the London suburbs.
A short film called Me and My Moulton by director Torill Kove takes a humorous look at growing up with parents who are “modernist architects”—and it’s been nominated for an Academy Award under “Best Animated Short Film.” Told from the perspective of of a seven-year-old middle child, the challenges of growing up with architect parents include three-legged dinner table chairs and a house that your friends think is a bit odd.
Just two days ago, AN brought you word that Copenhagen- and New York–based Bjarke Ingels Group (BIG) and London-based Heatherwick Studio were teaming up to design the new headquarters for Google in Mountain View, California. At the time, it was only being reported that the complex would comprise “a series of canopylike buildings.” Well, now we know what those canopylike buildings will look like and a whole lot more.
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Endless table materializes intra-office connectivity in plywood, MDF, and epoxy.
When Culver City-based Clive Wilkinson Architects (CWA) sat down with representatives of the Barbarian Group to discuss renovating the advertising agency’s new 20,000-square-foot office, one word kept coming up: connection. “Before, they were all in offices designed for one person, but crammed five in each, and scattered,” recalled associate principal Chester Nielsen. “It was a pain. Bringing everyone into the open, and having them feel like they were all connected was super important.” The architects elected to “surgically gut” the leased New York Garment District loft to create a central workspace for between 125-175 employees. To materialize the theme of connection, they zeroed in on the idea of a single work surface, an endless table later christened the Superdesk. With 4,400 square feet of epoxy-coated surface atop a support structure comprising 870 unique laser-cut plywood panels, the Superdesk is a triumph of programmatic creativity. “Building a big table was not an obvious solution,” said Nielsen, “but it’s a simple one.”
Five projects have been short-listed in the 2015 European Union Prize for Contemporary Architecture—Mies van der Rohe Award. Over the next few weeks, jury members will visit each of the five buildings and a winner will be announced on May 8th at the Mies van der Rohe Pavilion in Barcelona. You can take a look at the five finalists below.
Are you ready for some football stadiums? Los Angeles gets even more proposals for its yet-unsecured NFL team
Just when we thought Los Angeles’ football stadium craziness had cooled down, the owners of the San Diego Chargers and Oakland Raiders have unveiled plans for a 72,000 seat, $1.7 billion stadium on a 168-acre site in Carson—which should soon be on that city’s ballot—while Inglewood City Council approved a measure to build a stadium for the (for now) St. Louis Rams, originally floated by Rams’ owner Stan Kroenke.
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Zinc and glass unite riverfront pavilion and pump house.
In 2009, just as construction on its Principal Riverwalk pavilion was about to begin—and following years of funding-related stops and starts—Des Moines-based Substance Architecture received some unexpected news. The firm was commissioned to design a second building, a pump house, on an abutting plaza. At that point, recalled Substance’s Paul Mankins, it had been about three years since the firm started work on the pavilion. “There was some discussion in the office about whether the pump house should be an independent piece, or whether it should be formally related to the pavilion,” he said. “Our decision was that the pavilion would be stronger if it had this piece as a foil.” Using a limited material palette of zinc and glass accented by Jun Kaneko‘s artwork, Substance succeeded in creating a dialogue between the two small riverfront buildings, despite their differing programs and dates of origin.