Daniel Libeskind’s recently completed Congres Centre, in Mons, Belgium, has opened its doors just in time to kick off the city’s year of festivities as the 2015 European Capital of Culture. The new convention center bears the architect’s signature jagged style, featuring two sharp protruding and overlapping volumes, and is designed “as a new architectural landmark for Mons” and “connector between the old and the new,” explained Studio Libeskind in a statement.
MoMA and MoMA PS 1 have announced the winner of the 2015 Young Architects Program from a shortlist of five firms: Andres Jacque Architects/Office for Political Innovation. Based in Madrid and New York, Jacque’s firm will build COSMO, a large structure made of irrigation tubes and planted zones, which will make the process of water filtration visible to PS 1 visitors.
Rather than wear your heart on your sleeve, why not sport your passion on your finger? Peruvian architect Diego Delgado-Elias has created a collection of rings ornamented with miniature mainstays of the architect’s toolkit.
If Boston City Hall were a celebrity, it might be a fixture on tabloid “Worst Dressed” lists. The Brutalist building elicits strong sentiments from architectural observers and everyday citizens alike, but most agree the City Hall Plaza could use some sprucing up. In his inaugural State of the City address Mayor Marty Walsh called on residents to help him reimagine the barren, 11-acre brick expanse.
The Chicago Architectural Club announced the winners of its 2014 Chicago Prize Tuesday, awarding five honors to speculative proposals for Barack Obama’s Presidential Library. Peace signs, notions of community ownership, and even drones enlivened the conceptual debate swirling around a closely watched project already wrought with its own political complications.
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Architectural sleight of hand transforms a FEMA safe room from bunker to glass box.
Tasked with designing a community center on a shoestring budget, Des Moines–based ASK Studio was unsure how to fit the program to the project’s finances. Then an attendee at a community feedback session suggested applying for FEMA funds to build a combination community room and storm shelter. The FEMA tie-in solved the money problem, but it created an aesthetic challenge. The architects had originally diagrammed the community center, sited atop a central knoll in a large park in Urbandale, Iowa, as a connection point that would orient visitors without obstructing views. When the project was redefined as a safe room, said ASK’s Brent Schipper, “I just cringed, because how do you have a transparent node that’s also a tornado shelter? I thought, ‘We’re going to make a bunker, and pretend it works as the node of the centerpiece of the park.'” Luckily, Schipper’s gut reaction proved wrong. A triumph of architectural sleight of hand, ASK’s Giovannetti Community Shelter is built evidence that “welcoming safe room” is not an oxymoron.
Sketch to Structure
Heinz Architectural Center
Carnegie Museum of Art
Through May 20, 2015
The concept and visual for Sketch to Structure, an exhibition that has just opened at Pittsburg’s Heinz Architectural Center, is so cogent and well thought out it’s a wonder no other museum hasn’t already staged such a show. The exhibit is curated by Alyssum Skjeie of the Heinz Center and takes the architectural design process and divides it into four discrete sections—concept, collaboration, communication, case studies—each with drawings and renderings taken from the center’s own collection.
Last week, AN took a walk along the High Line to check in on all the new development happening right alongside New York City’s popular park. One of the structures we saw steadily rising was 860 Washington Street, a 10-story glass office building by James Carpenter Design Associates.