Michael Maltzan is getting into the bridge business. He’s already part of the HNTB-led Sixth Street Bridge team in Los Angeles, he’s finishing up a bridge in Chengdu, China, and parts of his One Santa Fe (which we will profile in a future issue of AN) in the city’s Arts District themselves form a bridge, extending over the ground plane and allowing peeks toward the L.A. River.
Now he’s been tapped by the Hammer Museum to design the John V. Tunney pedestrian bridge, above the institution’s large garden courtyard, finally connecting its 2nd floor western permanent galleries to its eastern ones. Read More
Monday, November 24, 2014
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For those trying to earn their last minute AIA credit hours, DORMA’s Design Center is hosting two full days of accredited learning on December 9 and 10, 2014.
Course titles include:
- – Operable Wall Systems
- – Innovations in Structural Glass
- – Omni Class
- – Specifying Design Intent
- – Glass Fabrication and Design Issues
- – Safety & Security Using Locks Exits, and Key Systems
- – Interior Glass Office Front Systems
- – High Performance Architectural Coatings
- – Storefront Windows, Window Wall, Curtain Wall – What’s the Difference?
- – Automatic and Revolving Doors
- – Sustainability
- – Architectural Glass and Resin Panels, Materials, and Configurations
Speakers will include industry professionals from Conspectus, Gensler, JE Berkowitz, Pilkington, HLW Architects, Lumivisions, and DORMA. You won’t want to miss it!
For more information, email email@example.com or call 917-880-6533.
Located centrally in New York City, The DORMA Design Center provides accredited continuing education programs, instructional sessions, product and service introductions, consultations, and additional events serving the design community.
Despite concerns that New York City’s high-end housing bubble is about to burst, the supertall towers that have come to symbolize that upper-echelon of the market keep coming, one after the other. Now, with One57 open, and 432 Park topped off, SHoP’s 111 W. 57th Street—widely seen as the most attractive of the bunch—is preparing to head skyward. As the tower begins its roughly 1,400-foot climb, new renderings and details of the project have surfaced.
On View> MoMA tackles tactical urbanism with “Uneven Growth: Tactical Urbanisms for Expanding Megacities”
Uneven Growth: Tactical Urbanisms for Expanding Megacities
11 West 53rd Street, New York, New York
November 22–May 10, 2015
The population of the planet is growing quickly and an increasing number of people are living in urban areas. The resultant demographic changes, including an increase in urban poverty, pose challenges and opportunities for architects and planners in the decades ahead. How to address such a complex and global change is a question explored in the MoMA exhibition Uneven Growth: Tactical Urbanisms for Expanding Megacities.
Under Construction> Diller Scofidio + Renfro’s Columbia University Medical and Graduate Education Building
When an under-construction project is just a skeleton of its future self, its nearly impossible to gauge the impact of the finished product. Sure, you’ve got renderings, but as AN has covered before, those are usually chock full of visual embellishments like dramatic sunsets, hot air balloons, and so. many. kayaks. So while it’s probably best to reserve judgment on Diller Scofidio + Renfro’s Columbia University Medical and Graduate Education Building until it opens in 2016, let’s just call a spade a spade right now: this thing is going to be a very dramatic, very zigzag-y addition to Washington Heights.
Some of the biggest names in architecture have been whittled out of a competition to design a new Beethoven Concert Hall—or Beethoven Festspielhaus—in the composer’s hometown of Bonn, Germany. When the competition’s short list of ten proposals became an even-shorter list of three, the likes of Zaha Hadid, Snøhetta, JAHN and UNStudio were sent packing. David Chipperfield, however, made it through and is joined in the final three by Valentiny hvp architects from Luxembourg and Kadawittfeldarchitektur from Germany. The new hall, which is slated to break ground in 2016, is expected to host celebrations for Beethoven’s 250th birthday in 2020, and the 200th anniversary of his death in 2027.
On the evening of Thursday, November 13, temperatures in Austin, Texas, dropped below freezing. In spite of the fact that most locals are unaccustomed to this degree of frigidity, more than 1,000 people turned out for Creek Show: Light Night 2014. The event, which ran from five in the evening until midnight, celebrated the unveiling of a series of light installations along Waller Creek between 5th and 9th streets.
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Plate tectonics, honeycombs inspire new Denver Botanic Gardens research center.
For their new Science Pyramid, the Denver Botanic Gardens sought a design that delivered more than just aesthetic impact. “They wanted an icon, but they also wanted to show an icon can be high performance,” said Chris O’Hara, founding principal of Studio NYL. Studio NYL and its SKINS Group worked with architect Burkett Design and longtime Botanic Gardens general contractor GH Phipps to craft a structure to house the institution’s conservation and research efforts. “People think of the Botanic Gardens as a beautiful place to go, but what most of them don’t realize is what happens behind the scenes,” said O’Hara. “The whole concept was to showcase that, and to educate the public not just about what the Botanic Gardens are doing, but a little more about their environment.” Clad in a Swisspearl rain screen that serves as both roof and wall, the Science Pyramid’s biomimetic design reconsiders the relationship between the built and natural worlds.
This Fall, I served as special media correspondent for The Council on Tall Buildings and Urban Habitat‘s September symposium in Shanghai. The topic was “Future Cities: Towards Sustainable Vertical Urbanism,” and among the many architects, engineers and other tall building types I interviewed was Ole Scheeren—founder Büro Ole Scheeren and former director at OMA.
As AN reported today, the Bjarke Ingels Group (BIG) has unveiled its master plan master plan for the Smithsonian Institute’s south campus in Washington D.C. The $2 billion plan would transform multiple cultural destinations with new systems and facilities, and create a dramatic new public space. While the project isn’t expected to be fully implemented until 2041, you can scroll through the gallery below to get a sense of what the Smithsonian and BIG have planned. Learn more about BIG’s plans over here.