Demolition of the graffiti mecca known as “5Pointz” in Long Island City, Queens has become a flashpoint in New York City development. The iconic arts institution was literally whitewashed by the developer last spring and has since been turned to rubble to make way for two rental towers. As the controversial project continues in Queens, the destruction of another world-renowned graffiti forum, just a few miles away in the South Bronx, has gone largely unnoticed.
Monday, December 8, 2014
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Ceramiche Refin S.p.A. pulls from the raw, urban street conditions around us to define their ‘District‘ collection – a series of porcelain tiles that translates the textured and crude surfaces that we see outside, for appreciation indoors.
Porcelain tiles with finishes reminiscent of asphalt (Road) that combine with the metallic-style vintage materials typical of old-style shops (Garage), as well as distressed woods inspired by velodrome surfaces and the small brickwork found on indoor walls (Track).
Collectively, ‘District’ is an expression of urban lifestyle that is evident in the busiest of the world’s metropolis’s — from london to new york — taking on the rugged, industrial and underground mood that is projected in these places, and refining them for enhancing your desired space.
The result is a complex porcelain tiles collection ideal for bringing a wealth of personal touches to residential settings, or for tiling commercial settings throughout in order to create up-to-the-minute atmospheres with a dynamic personality.
More info: http://www.refin.us/series/district/
Just after celebrating its 100th anniversary, the owner of The New Republic, the esteemed magazine of policy and criticism, announced new editors and a new editorial direction. Existing staffers and contributors resigned en masse following a dramatic meeting with owner Chris Hughes and new leadership. Editor-in-Chief Franklin Foer resigned alongside 30 year veteran literary editor Leon Wieseltier, who led the magazine’s cultural coverage. The magazine’s longtime architecture critic, Sarah Williams Goldhagen, is also parting ways with the magazine.
Attention ruin porn addicts and post-apocalyptic disaster fantasists, this video is for you. British filmmaker Danny Cooke visited Pripyat, Ukraine—an abandoned city within the radioactive hot zone created by the Chernobyl nuclear disaster—while on assignment for 60 Minutes. Using a camera-equipped drone, Cooke soars above and through the city, which once housed 50,000 inhabitants, revealing a ghostly but remarkably intact landscape, including apartment buildings, hospitals, and an abandoned amusement park with a rusting ferris wheel. While the scene is remarkably tranquil, the underlying cause is unsettling. Following a manmade calamity, nature is slowly reclaiming the city. Humans will likely never be able to return. [h/t World.Mic]
At Design Miami, Chicago-based architect Jeanne Gang has teamed up with nature photographer James Balog on an installation called Thinning Ice. Produced for the haute crystal manufacturer Swarovski, the walls of the enclosure comprise a seventy-foot-long LCD screen that displays Balog’s documentary images of the Solheimajokull glacier in Austria.
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Competition winner uses composite materials to re-imagine Semper’s primitive hut.
The title of TEX-FAB‘s fourth annual competition—Plasticity—has a double meaning. It refers first to the concept at the core of the competition brief: the capacity of parametric design and digital fabrication to manifest new formal possibilities. But it also alludes to the material itself, fiber-reinforced polymer (FRP). “Plastics have the potential to push contemporary architecture beyond the frame-plus-cladding formula dominant since at least the 19th century,” said competition winner Justin Diles. Pointing to traditional stonecutting and vault work, he said, “I’m very interested in this large volumetric mode of construction, but I’m not at all interested in the stone. I think that composites probably offer the best way of addressing this old yet new mode of constructing architecture.”
With Art Basel underway, not-quite-yet-starchitect Fernando Romero has unveiled new plans for what could become Miami‘s next architectural icon: the Latin American Art Museum (LAAM). That’s right, this 90,000 square foot, cantilevering structure could overshadow the nearby works of his higher-profile peers like Frank Gehry, Zaha Hadid, and Lord Norman Foster. And Jeanne Gang and Herzog & de Meuron. And also Bjarke Ingels and Enrique Norten, because Romero’s—sorry, and Richard Meier and Rem Koolhaas. Okay, that has to be everyone. All starchitects have been accounted for. Where were we? Right, the Latin American Art Museum.
The redevelopment of Indianapolis‘ Market Square area continues with the announcement that Deborah Berke Partners of New York City will work with locally based RATIO Architects on a 10-story office tower and “significant public green space” to replace a surface parking lot.
With the final rafter installed on Santiago Calatrava’s World Trade Center Transit Hub the New York Times has done a deep-dive on how, exactly, the long-delayed structure ended up costing close to $4 billion. While the hub ultimately looks more like a stegosaurus than a dove taking flight, as Calatrava originally envisioned, it is undeniably a head-turning piece of dramatic architecture. But one that will be forever grounded by the reality of its staggering price tag.