ODA has unveiled renderings for a massive new residential complex in Bushwick, Brooklyn—and it certainly reminds us of Bjarke Ingels’ 8 House in Copenhagen with its doughnut-like shape and landscaped roof that dips toward the street. At nearly 400,000 square feet, ODA’s 10 Montieth Street will become a major piece in the redevelopment of the Rheingold Brewery site.
Many of the new condominiums erected in Brooklyn during the last building boom are not aging well. The New York Times reported that “[w]hen the housing market collapsed in 2007 and coffers ran dry, many developers were left scrambling to complete projects. Some cut corners or abandoned developments, leaving others to finish the work.” This led to poorly constructed buildings and angry residents who are stuck dealing with mold, cracking balconies, and flooding. One such building even saw part of its facade fall off. Now many of the developers behind the shoddy buildings are breaking ground on new projects, hopefully with more attention to quality.
What’s downstream for the Chicago River? Mayor Rahm Emanuel this week directed a panel of experts to draft a long-term plan for the network of Chicago-area waterways, announcing $350,000 in grants from the Joyce Foundation, the Chicago Community Trust, and steel company ArcelorMittal to start a project dubbed “Great Rivers Chicago.”
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Marc Jacobs flagship store features a tripartite facade of aluminum, tile, and glass.
Commissioned to design Marc Jacobs‘ flagship Tokyo store, Jaklitsch/Gardner Architects‘ first order of business was to rectify the desire for an iconic urban presence with strict local regulations. To make the 2,800-square-meter shop more visible from nearby Omotesando Street, the architects took advantage of a loophole in the building code that allowed them to double the height of the structure as long as the top half was not occupiable. The catch was that the code required a 500-millimeter gap between the occupiable and non-occupiable spaces. “Our first strategy was to create a louvered facade system that would disguise [the divide],” recalled principal Stephan Jaklitsch. But after an afternoon walk through the Imperial gardens, they reversed course. “We were inspired by the vernacular architecture,” said project architect Jonathan Kirk. “We wanted to somehow utilize the language of proportions, but also the materiality within that experience. Rather than trying to create something that was monolithic, we began to look at different materials for each of the building’s components.” The result, called Tōrō Ishi Ku (lantern-rock-void), makes its mark on the city with a tripartite facade in punched aluminum, bespoke tile, and glass.
Remember the Battery Park City wheatfield? Conceptual artist is back with a horticultural pyramid in Queens
What do the English have against works produced by members of the Independent Group? The loose post–World War II group of artists, architects, writers, and critics produced public art, gallery installations, and even architecture. On this side of the Atlantic we always think the Brits save their landmarks—unlike the American tendency to tear them down before they can be landmarked.