After a marathon session of presentations of all architects/artists in the biennial Thursday afternoon was marked by a preview of the complex, yet succinct exhibit House Housing capturing the history of inequality of designed inhabitation. Staged as an open house in one of last remaining buildings of one of the first federally-funded housing complex in Chicago, the exhibition is a walk-through into the part of the future home of the National Public Housing Museum (NPHM).
The day started with a marathon session involving all participants in the Chicago Architecture Biennial. Hans-Ulrich Obrist, celebrated curator at the Serpentine gallery in London, together with Sarah Herda, director of the Graham Foundation, and architect Joseph Grima, both Chicago Biennial directors, asked 99 architects one simple question: What is urgent? Every participant had 15 seconds to speak, followed by impromptu questions by the curators. The responses were billed as “Telegrams to the World.”
“We were outraged by what we saw—by the violence in everyday life,” said Jeanne Gang when asked about the impetuous behind her firm’s project Polis Project, a proposed reinvention of the typical police station on view at the Chicago Cultural Center as part of the Chicago Architecture Biennial. The work, like any number of projects in the exhibition, highlights the what curator Joseph Grima calls “architectural agency,” where firms take on projects not for a client, but out of a sense of urgency to architecturally address important issues. Read More
The international architecture cognoscenti have descended on the Chicago Cultural Center with a motherlode of new content from Thailand to Ecuador, ranging from robotically-assembled structures to investigations into social and infrastructural inequality. The consequences of this assemblage will unfold over the next few months, but one room in the Cultural Center is particularly clear in its ambition and vision for the future.
In an interview with the Chicago Tribune’s Blair Kamin, Mayor Rahm Emanuel rattled off a few of his favorite buildings in the fair city of Chicago. Rahmbo steered clear of the supertalls—no Sears, Hancock, or Trump—and he’s apparently a thoroughly modern guy, skipping the old Water Tower, the Board of Trade or any classical designs.
In the wake of a slew of criticisms on numerous glass skyscrapers’ over-reflective properties, some architects and critics are asking if it’s time to reassess our view on using glass facades in the future.
Endless House: Intersections of Art and Architecture
Museum of Modern Art
The Robert Menschel Architecture and Design Gallery
11 West 53rd Street, New York
Through March 6, 2016
The Museum of Modern Art pays homage to the single-family home in Endless House: Intersections of Art and Architecture, a rich exhibition comprised of photographs, drawings, video, installations, and architectural models from MoMA’s collection.