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The facade’s stainless steel panels form a wave pattern, cutting down on glare and heat loads while representing the contribution computing has made to design.
The recently completed Bill & Melinda Gates Hall at Cornell University in Ithaca, New York, combines the schools’ Computing Science and Information Science departments under one roof. Designed by Morphosis, the facility encourages spontaneous interactions between these two disciplines with common spaces for comingling and transparent partitions that allow views, and daylight, to pass from space to space. The building envelope, a unitized glass curtain wall system, is wrapped in a band of perforated stainless steel panels that forms a dynamic, angular wave pattern across the surface. In addition to creating a sense of movement across the exterior, it serves as a fitting symbol of the contribution that computing has had on the arts and sciences: The architects used advanced digital modeling tools to design the geometry, pattern, and details of this additive layer, and made it to function both as an aesthetic gesture as well as a performance enhancing element of the architecture. “The goal was to establish a consistent level of daylighting throughout the interior,” said Cory Brugger, director of design technology at Morphosis. “We maximized the exterior glazing to get the light coming through. The design of the screen reduces the amount of glare and heat gain and starts to help with the performance of the facade system itself.”
About 10 years ago, the city of St. Petersburg, Florida started talking about tearing down one of its most well-known piece of architecture: a 1970s-era, inverted pyramid at the end of a city pier. The city would then replace that pier head with a more modern, but still architecturally significant, statement. So, a few years back, a design competition was launched, and it resulted in some of the most ambitious designs we’ve ever seen from a competition like this.
With 50 pivoting prisms, Toronto-based architecture firm RAW has transformed downtown Montreal into an interactive kaleidoscope. The installation, called Prismatica, is one of two winners selected in the city’s fifth annual Luminothérapie competition. This is the first time that a non-Quebec based firm has won the competition, so congrats to RAW.
A lush green park reaching over the Eisenhower Expressway. Bus rapid transit connections. Economic invigoration for the North Lawndale neighborhood.
So much to know, and so little time…. Here’s a pocketful of design and construction apps that will put you in control of the facts on concrete calcs and lighting schemes to entry systems and steel data.
For Android and iOS mobile devices, this app offers numerous advantages for on-site work. It features instant access to product data sheets (for application instructions) and a solutions guide for a vast number of technical issues. Additional functions include a product overview, a technology summary, a QR scanner for Penetron codes, and a calculator to estimate product quantities needed for a job.
Congratulations to Nervous System, whose Kinematics Dress was just acquired by the Museum of Modern Art (a prescient, pre-emptive move that might keep the curators of the Metropolitan Museum‘s Costume Institute awake for nights to come). While the physical product is certainly a head-turner, it’s the underlying technology that’s the true wonder—and maybe of greater interest and implication to architects.
If these five architecture teams get their way, the library of the future will look a lot different than today
New York City’s public libraries need cash—and they need it fast. Over the years, the city’s three library systems—the New York Public Library (serving Manhattan, the Bronx, and Staten Island), the Brooklyn Public Library, and the Queens Public Library—have racked up over one billion dollars in capital needs. And that’s not money needed for new educational tech tools, like iPads and laptops, but for renovations just to keep the old buildings in a state of good repair.