Letter to the Editor> Interests behind Pier55 respond to City Club of New York criticism

Heatherwick Studio is known for their controversial Pier 55 development, also known as Diller's Island. (Courtesy Heatherwick Studio)

Heatherwick Studio is known for its controversial Pier 55 development, also known as Diller’s Island. (Courtesy Heatherwick Studio)

[Editor’s Note: This letter is in response to an op-ed from the City Club of New York. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

There is a pressing need for new public open space and programming along the Lower Manhattan waterfront. When Hudson River Park’s Pier 54 closed in 2011, New York City lost vital parkland that had served both local community and citywide residents. The problem was that there was never enough public funding to support a new pier at that site.

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Here’s the final stage design of Thomas Heatherwick’s controversial London Garden Bridge

london-garden-bridge-final-designs-6

Dan Pearson’s landscapes are the last part of the design for London’s controversial Garden Bridge to be unveiled. Courtesy Arup.

The final touches have been put on London’s now-infamous Garden Bridge, designed by Heatherwick Studio with Arup and landscape designer Dan Pearson. The most recent renderings, released early this week, show exactly what the spaces on the bridge will look like by offering an up-close look at the garden-like landscaping. The Garden Bridge Trust (GBT) describes it as an “oasis of escapism.”

Continue reading after the jump.

Breaking! Renderings and video of Bjarke Ingels’ and Heatherwick’s Google headquarters unveiled

(Courtesy BIG & Heatherwick Studio)

(Courtesy BIG & Heatherwick Studio)

Just two days ago, AN brought you word that Copenhagen- and New York–based Bjarke Ingels Group (BIG) and London-based Heatherwick Studio were teaming up to design the new headquarters for Google in Mountain View, California. At the time, it was only being reported that the complex would comprise “a series of canopylike buildings.” Well, now we know what those canopylike buildings will look like and a whole lot more.

Continue reading after the jump.

Q+A> Thomas Heatherwick talks about architecture, being an outsider, and his new exhibition at the Hammer Museum

Architecture, Design, Newsletter, Q+A, West
Tuesday, February 24, 2015
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(Iwan Baan)

(Iwan Baan)

The new exhibition Provocations: The Architecture and Design of Heatherwick Studio opened Friday at Los Angeles’ Hammer Museum. The show, curated by Brooke Hodge, explores the firm’s creative process and the remarkable scope of its work, with a particular focus on public scale projects. AN West Editor Sam Lubell talked with Thomas Heatherwick about the exhibition, his outsider approach, and where he’s heading now.

Continue reading after the jump.

Grains to Galleries: Heatherwick design converts South African silos into a cathedral for art

V&A Heatherwick

(Courtesy Heatherwick Studio)

A monolithic cluster of concrete silos on the Cape Town waterfront is the subject of a dramatic surgical intervention. The industrial relic will be transformed by Thomas Heatherwick into an art museum planned for the city’s V&A Waterfront. The project entails the conversion of the grain silo complex into a new space to house and display the Jochen Zeitz Collection, an assortment of art that will act as the foundation for Zeitz MOCAA a non-profit institution dedicated to contemporary art from Africa and its diaspora.

More after the jump.

Slow Boil.  Slow Boil The designers at New York-based Atopia Innovation, must have been stewing over the past year. Although the gag order imposed on all participating architects and designers by London’s Olympic Organizing Committee (a.k.a. LOCOG) was lifted in January, Atopia only stepped forward in late June to say that the Olympic Cauldron designed by Thomas Heatherwick and used in the 2012 opening ceremonies seems to have been directly inspired by studies Atopia delivered to LOCOG between 2006 and 2008. Check out the sketchbook that seems to prove the point at atopiainnovation.com. (Photo: Courtesy Thomas Heatherwick)

 

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