The City of Austin Parks and Recreation Department recently hosted a competition (ended July 12) to attract concepts for the adaptive reuse of the Seaholm Intake Facility, the pump house of the decommissioned Seaholm Power Plant (the turbine hall of which is undergoing another adaptive reuse project). The Seaholm complex is located prominently on Lady Bird Lake in downtown, not far from Waller Creek, whose landscape is being redesigned by Michael Van Valkenburgh, and adjacent to the Ann and Roy Butler Hike and Bike Trail.
Some of its buildings, including the intake, are solid examples of the heroic period of American cast-in-place concrete Art-Deco municipal architecture and stand as civic icons in Austin. Competition entrants were asked to envision a new use for the structure and the surrounding land that would engage park users, the trail, and the water.
Austin Parks received 76 proposals and is displaying its favorite 10 entries at Austin City Hall from now until August 2. The top three will be announced on August 9. The ideas from the top three proposals will “help inspire subsequent design phases of the project,” according to Austin Parks’ website. Following this competition, Austin Parks will release a request for proposals for public-private partnerships with ideas of how to reuse the facility.
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A new cultural focal point takes shape in Dallas
When the Dallas Museum of Nature & Science was created from the 2006 merger of three city museums—the Museum of Natural History, The Science Place, and the Dallas Children’s Museum—the new institution set its sites on expanding programming with a new facility in the city’s Victory Park neighborhood. Now, the 180,000-square-foot Morphosis-designed Perot Museum of Nature & Science is slated for completion in 2013. Located at the northwest corner of Woodall Rodgers Freeway and Field Street, it marks the future crossroads of the city’s Trinity River Corridor Project and the city’s cultural districts. Floating atop an irregularly shaped plinth that will be the base for a one-acre rooftop ecosystem, the museum’s striated concrete facade offers a first glimpse at the dynamic transformation of the site.
The National Preservation Conference landed in Austin, Texas, last week under the banner “Next American City, Next American Landscape.” Exploring preservation’s role in the future of the country’s urban, suburban, and rural landscapes, the 2010 conference showed that preservationists aren’t all stuck in the past. (In fact, they’re pretty savvy when it comes to new media. Check out the NTHP’s Austin Unscripted on their website, Twitter, and YouTube to see how preservation can appeal to a new generation.) The opening plenary was held at the Long Center for the Performing Arts, which is sited to take advantage of the unobstructed views of downtown Austin. Read More
In the world of historical preservation, when it comes to restoring a building, there is often the difficult question to answer of when does history begin and end? So many of our significant elderly structures have undergone numerous renovations and additions, such that stakeholders can easily come to loggerheads when deciding exactly what to protect and what to discard. Just such a drama has recently played out in Hondo, Texas—a little town west of San Antonio—where county commissioners have decided to not restore their courthouse to its original 1893 condition. While the project, which was to receive funding from the Texas Historical Commission (THC), would have restored an 1893 clock tower, it also required demolishing two wings of the building that were added in 1938-40 by the Works Projects Administration (WPA).
Last year, the Center for Land Use Interpretation of Culver City, California, exhibited its study of the Texas oil industry: Texas Oil: Landscape of an Industry. The centerpiece of the exhibit was a 12-minute “landscan” video of the petrochemical infrastructure along the Houston Ship Channel—refineries, tank farms, pipe lines—the largest such installation in the world. Now, at long last, the CLUI has posted the video online, giving us another breathtaking perspective of this terrifying and beautiful landscape.
On Friday I posted a video about the Ocean Tower in South Padre Island, Texas, also known as the Leaning Tower of South Padre Island. It is, or was to be, a 31 story condo. Regrettably, after topping out one side of the foundation sank more than a foot into the sand, construction was halted, and on Sunday the structure was imploded. At 400 feet tall, it was the tallest concrete structure to ever be imploded, according to the demolition contractor, Controlled Demolition of Phoenix, Maryland. The above video, and many more like it on youtube, capture the magic moment.
Metaphorically speaking, so much of the development that has happened over the last decade has been built on loose sandy soil. Here, however, is a literal example of this very disheartening state of affairs: The Ocean Tower in South Padre Island, Texas—designed by the Brownsville-based Walker & Perez Associates—was to be a 31-story condo, promising startling views of the Gulf of Mexico and proximity to the most exclusive neighborhoods in the popular vacation destination. But after topping out last year construction was halted because one side of the building sank 14 or more inches into the underlying clay stratum. Major cracks appeared throughout the tower’s base, and now the structure is slated to be imploded this Sunday. The eloquent commentary on the above video gives voice to what we have all been thinking but afraid of saying while the myriad of architectural projects have been crumbling around our heads.