In an amusing aside, landscape architect Laurie Olin discussed his bow ties on the firm’s blog today. Olin briefly described the style of landscape architects. “Well, there are probably as many styles of dress for landscape architects as there are regions of the world for them to practice in,” he said. And he argued that there is a time and a place for the bow tie. “There are of course clients for whom you wear blue jeans, and events where that’s completely inappropriate.”
Ties in general, he added, are one of the last frontiers in attire for masculine elan. “I think that because there are so few details in men’s clothing and so little ornament, that ties have become uniquely important. It’s one of the last gasps of flair and color for men. Humans respond to color, and it signals various things. It signals that, ‘I’m a wild and crazy guy’ or ‘I’m alive’ or ‘I’m sensible.'”
The small world of classicist architecture in America–where many former Postmodernists found refuge after the dial of taste turned away from jokey historical references and pasted-on pediments–is working overtime to rehabilitate the 70s and 80s stylistic counter reformation. First was the recent conference, “Reconsidering Postmodernism,” organized by the Institute of Classical Architecture & Art, which brought out many of the movement’s old stars for presentations, chats, and a lot of hand wringing. Today, the Chicago-based Richard H. Driehaus Foundation announced that Michael Graves was this year’s winner of the $200,000 Driehaus Prize.