If you start at Studio Gang’s acclaimed Aqua Tower and follow the Chicago River about six miles north you will find yourself at another eye-catching building by the increasingly in-demand firm. The WMS Boathouse at Clark Park, completed in 2013, sits along the very polluted north branch of the river and has a dramatic profile inspired by the rhythm of rowers’ oars. (The building is named for the gaming technology company that contributed to the project and has offices directly across the river.)
Chicago‘s most famous architect has just acquired a New York City pied-à-terre. Studio Gang has opened an office on Water Street in Lower Manhattan, which will be led by Weston Walker, a design principal. “This is a natural next step for the firm,” said founding principal Jeanne Gang in a statement. “We have been working in New York for the past several years and are excited by the variety of work currently in design, along with potential engagements in the city and beyond.”
The firm is currently working on a Fire Rescue facility for the New York City Department of Design and Construction and on the “Solar Carve” tower adjacent to the High Line. That project met resistance from the community for its height. There is no word yet on how tall it will be or how it will be redesigned.
Studio Gang Architects are familiar with theatrical spaces, and with the rhythms of the natural world; their design for Writers Theatre in north suburban Chicago reaches out to nature with timber trusses and a raised promenade through the trees.
But a new project may take those interests one step further. SGA announced Wednesday they will collaborate with Thodos Dance Chicago on a project “investigating the intersection of dance, architecture, and physics.”
Art fairs serve three groups of clientele: the rich, who buy the art, curators and museum folks, and the poor—students, freelance writers, party-crashers. You can probably guess that Eavesdrop is in the latter, not the former, so imagine the disappointment when champagne was going for $19 per glass on opening night of Expo Chicago.
Seriously, what happened to the days of all-you-can-drink Grolsch or Basil Haydens way back in Art Chicago’s past? The sticker shock should be from the gallery price lists, not the bar.
While standing in line, Eavesdrop was flattered to be recognized by James Geier of 555 International, who hinted at a slew of new projects and fall openings. Hopefully those openings will allow the 99 percent to imbibe.
The art fair’s environment, layout and scheme, was designed by Studio Gang, although we can’t say that we were able to discern a noticeable imprint.
We were glad to be included on the Studio Gang’s Archi-Salon panel on “outside research” at the Art Institute of Chicago on February 2. UIC’s Clare Lyster moderated a lively discussion that, true to its roots in academic theory, kicked off by questioning the premise in the first place. Are practice and research separated by anything more than semantics? Based on the turnout it seems the discussion series achieved its goal of public engagement—what can we say? We’re thrilled and a bit surprised that you all find architectural theory as stimulating as we do.
During the discussion, Paul Preissner detected a whiff of marketing in architects’ clambering to engage “outside” disciplines. You might have thought he accused them of artistic treason, based on the defensive tone that the discussion took whenever the topic popped back up.
A push to consolidate art classrooms and performance venues on the campus of a prominent Rockford, Illinois college seems to have hit the doldrums, as Rock Valley College (RVC) administrators shake up priorities and pull back the budget. The Rockford Register Star reported RVC’s new arts instructional center, which received plans from Booth Hansen and Jeanne Gang, may get the axe.
New York Times architecture critic Michael Kimmelman waded into the controversy embroiling Chicago’s old Prentice Women’s Hospital Wednesday and wound up soliciting a unique solution from Jeanne Gang that has already garnered praise from the coalition of preservationists fighting to save the building from demolition.
Noting the “familiar” tone of the dispute between landowner Northwestern University, who wants to demolish Prentice to make way for up to 500,000 square feet of medical research facilities, and preservationists seeking landmark status for the distinctive 1970s Bertrand Goldberg structure, Kimmelman called for a third approach: incorporate old Prentice into a new design on the site. As the pendulum begins to lean towards demolition, with 42nd ward Alderman Brendan Reilly saying he supports Northwestern’s decision, the critic asked Gang what she thought.