Van Alen Insitute Announces Ground/Works Competition Finalists

East
Friday, July 26, 2013
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Van Alen Institute Storefront on West 22nd Street (Courtesy Van Alen)

Van Alen Institute Storefront on West 22nd Street (Courtesy Van Alen)

The Van Alen Institute has announced three finalists for its competition Ground/Work, which called on emerging designers and architects to reimagine the institute’s New York storefront. In celebration of Van Alen’s 120th anniversary, the competition furthers the institute’s ambition to bring innovative architectural ideas into the public dialog by reframing the organization’s relation to the street.

Young designers were invited to consider the Van Alen’s shifting role within New York City through the redesign of its physical space, integrating all of its functions and creating a more visible and accessible presence on the ground floor of 30 West 22nd Street. From over 120 teams, representing more than 350 young designers up to ten years out of school, three finalists were selected: Collective-LOK, EFGH, and Of Possible Architectures.

Continue reading after the jump.

Our Inattentive, Unintentional Observation

East
Tuesday, November 24, 2009
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TKTKTK

Marina Ballo Charmet stands next to one of her photographs currently on display at the Storefront for Art and Architecture.

It was a low-key but engaging evening at The Storefront for Art & Architecture on Thursday at the opening reception for Marina Ballo Charmet’s peculiarly-titled exhibition of photos and a video, At Land: Bodyscape & Cityscape. Trained as a psychoanalyst, Charmet’s work is driven by her self-professed interest in “inattentive, unintentional observation, irrational and without direction.” As you might guess from the exhibition’s title, the works on display range in scale from the extremely intimate to the nearly impersonal, and were culled from four separate series the artist has been compiling since the mid-1990s. Their common denominator, explains curator Jean-Francois Chevrier in the text that accompanies the show, is Charmet’s proclivity to move “at land, to quote the first film by Maya Deren. […] She makes her way as one would sail, through cities and parks, among bodies, giving her pictures an oceanic and kinematic dimension.” Read More

Chasing After Zero

East, East Coast
Monday, July 13, 2009
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Locals and Cambridgians enjoy the latest issue of New Geographies. (All photos Kevin Greenberg)

Locals and Cambridgians enjoy the latest issue of New Geographies. (All photos Kevin Greenberg)

Kevin Greenberg sends us another insightful dispatch from Kenmare Street:

Last Tuesday, the Storefront for Art and Architecture felt like a satellite campus of the GSD as Harvard students and other Cambridgians joined locals at the Storefront for a release party for the second issue of New Geographies, a doctoral student-edited periodical recently launched by the GSD’s Aga Khan Program. The editors of New Geographies, Neyran Turan and Stephan Ramos, told us that they had several meanings in mind when they chose the theme for the second issue. Titled “After Zero,” the issue centers on the slippery idea of a “zero point.” The editors cite zero carbon and “zero context” urban developments (or “cities from scratch”) as contemporary examples that force designers to question design methodologies and justifications. Read More

Welcome to Biodome

East Coast, Other
Friday, June 5, 2009
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Reef, an installation by Rob Ley and Joshua Stein, just opened at the Storefront for Art and Architecture. (All photos by Kevin Greenberg)

Reef, an installation by Rob Ley and Joshua Stein, just opened at the Storefront for Art and Architecture. (All photos by Kevin Greenberg)

Architect and man about town Kevin Greenberg sends along this dispatch from Kenmare Street.

Reef, a new kinetic installation at the Storefront for Art and Architecture, exists at the intersection of “the super-exclusive and the trite,” according to its creators, Rob Ley and Joshua Stein. Composed primarily of densely-packed rows of lightweight fins anchored by Shape Memory Alloys (SMAs) across a metal armature, Reef simulates the unmistakable movement of muscle on bone, eschewing the jerky mechanical inelegance of a previous age in favor of bio-mimesis and the “semi-conscious willfulness” of a school of startled guppies or a field of flowers in thrall to the sun. Read More

Postopolis, Here We Come

Other
Wednesday, April 1, 2009
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Postopolis! LA is onto the second day of its second year now, and from the looks of the streaming video, things are off to a great start. But the fun doesn’t really start until tomorrow. Why? Because that’s when we arrive!

I’ve been invited to join the media panel Sunday, along with my beautiful Cali colleague Alissa Walker. Not exactly sure what we’ll be talking about–*gulp*–but it’s something along the lines of print-web integration/the future of media/doomsday/etc. After all, I was invited on Twitter. Read More

Postopolis! Comes to LA

Other
Thursday, February 5, 2009
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Architecture bloggers in La La Land

Architecture bloggers in La La Land

You remember Postopolis! don’t you? The reality show-worthy architecture blog-a-thon that sequestered five bloggers for five days at the Storefront for Art and Architecture two years ago? Well, hold onto your laptops, kids, because Postopolis! is back and promises to be bigger, better, bloggier and more exclamation-pointy than ever before…because it’s coming to LA, baby!

Read More

The R Is For “Rey”

East Coast, Other
Friday, November 14, 2008
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The board of directors of the Storefront for Art and Architecture met this week at a Noho restaurant to honor its long-serving president El Comandante Belmont(e) Freeman. Monty–who directed the Storefront through the 1990s and the early Aughts and traces his family back to Cuba–shares with the nation’s own former presidente a strong ability to lead. At the dinner, director Joseph Grima presented el rey with the letter “R” (rebirth? revolution?) that formerly graced the Storefront’s transom. (It was replaced during the recent renovation.) Viva Monty! Viva Monty! VIVA MONTY!

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