Vote for your favorite “Irrelevant” costume from Storefront’s Critical Halloween!

Architecture, East, Newsletter
Monday, November 3, 2014
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critical-halloween-01

“Pure Shit” from Robert A.M Stern Architects. (Courtesy Storefront for Art and Architecture)

The New York City architecture community was never more colorfully “irrelevant” than last Friday on Halloween as they responded to the Storefront for Art and Architecture themed party, I-RELEVANCE. There were nearly 600 designers and friends in all sorts of passé and outmoded theme costumes.

Continue reading after the jump.

Architects Join the Circus: Crowd-funded “Architectural Circus” tours the Northeast

Architecture, East
Thursday, October 23, 2014
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Circus for Construction (Courtesy The Spectacle Syndicate)

Circus for Construction (Courtesy The Spectacle Syndicates)

The Circus for Construction has taken its gallery-meets-event space on the road this fall, bringing a mix of dialogue and exhibitions on contemporary art and architecture practices, via a custom-built truck, to several east coast cities. After winning a competition by Storefront for Art and Architecture last May, this traveling Circus— conceived by Ann Lui, Ashley Mendelsohn, Larisa Ovalles, Craig Reschke and Ben Widger— got its wheels thanks to a successful Kickstarter campaign.

Continue reading after the jump.

Storefront for Art and Architecture to Unveil “Letters to the Mayor” Next Week

Art, East, On View
Friday, April 25, 2014
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An exhibit in the project. (Courtesy  Elena Palacios Carral, Manijeh Verghese, Storefront for Art and Architectur)

An exhibit in the project. (Courtesy Elena Palacios Carral, Manijeh Verghese, Storefront for Art and Architectur)

The Storefront for Art and Architecture will unveil its new exhibit, Letters to the Mayor, this Tuesday, April 29th. According to Storefront, “Letters to the Mayor presents fifty letters written by international architects to the political leaders of more than 20 cities around the world. Each letter provides a space of reflection for the architect to present ideas and methodologies and express some of the concerns and desires that might contribute to action within political spheres.”

At the opening, Storefront will announce the winners of its “Competition of Competitions,” which invited interdisciplinary teams to “formulate their visions of the future of architecture and cities in the form of a competition brief.” For more on the competition and the exhibit visit storefrontnews.org.

Architectural Stars Align at Storefront for Art & Architecture Benefit

East
Tuesday, March 18, 2014
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(Courtesy Storefront for Art and Architecture)

(Courtesy Storefront for Art and Architecture)

The architecture social calendar in New York includes a bewildering array of benefits, parties, fundraisers, and charity auctions. But the yearly event that brings out the most party loving architects is the Storefront for Art and Architecture‘s benefit and art auction. The Storefront always gets the most fabulous venues for its events and this year’s was beyond spectacular: the 1893 Bowery Savings Bank.

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On View> Aircraft Carrier at the Storefront for Art & Architecture through April 27

East
Friday, April 5, 2013
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aircraft_carrier_02

Aircraft Carrier
Storefront for Art and Architecture
97 Kenmare Street
Through April 27

Aircraft Carrier examines the dramatic changes that occurred in Israeli architecture between two catalyzing moments in global capitalism, 1973 and 2008. The events of the former, marked by irreparable changes in American relations to the Middle East and the fundamental structures of Israeli society, drastically altered the course of Israeli architecture. Presented through diverse works of photography and video art from international artist Florian Holzherr, Nira Pereg, Jan Tichy, Asaaf Evron, and Fernando Guerra, the exhibition explores this transformative period, the American imprint that endowed it, and the radical changes in Israeli architecture that emerged from it.

On View> Israeli Pavilion from the 2012 Venice Biennale Headed to New York

East
Monday, March 4, 2013
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Fernando Guerra, Azrieli Center, Tel Aviv, 2012.

Fernando Guerra, Azrieli Center, Tel Aviv, 2012.

The Storefront for Art and Architecture is bringing Aircraft Carrier, the 2012 Israeli pavilion at the Venice Biennale, to New York. The exhibit—one of the most pointedly political statements at the biennale—confronts the influence of the United States and its foreign policy in the Middle East and how it has affected Israeli architecture. The pavilion points to the year 1973 and the OPEC oil crises as a watershed in global capitalism when American strategic interests helped enable a new level of corporate architecture in Israel. The resulting reflected glass skyscrapers set against the optimism of Tel Aviv’s White City could not be more a poignant modernist image.

The exhibition is accompanied by a catalogue published by German publisher Hatje Cantz and edited by the curators, which contextualizes the phenomena in larger transformative processes. The book include texts by Milton Friedman, Justin Fowler, and Eeva-Liisa Pelkonen and visual works by participating artists Florian Holzherr, Nira Pereg, Jan Tichy, Assaf Evron, and Fernando Guerra.

Exhibition Opening: March 7, 2013, 7PM
Exhibition: March 7 – April, 29 2013

More images after the jump.

Extended! Past Futures, Present, Futures Lengthens its Stay at Storefront for Art & Architecture

East
Monday, November 26, 2012
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Leong Leong designed the Past Futures, Present, Futures installation at Storefront for Art & Architecture. (Courtesy Storefront)

Leong Leong designed the Past Futures, Present, Futures installation at Storefront for Art & Architecture. (Photo: Cameron Baylock)

Past Futures, Present Futures
Storefront for Art and Architecture
97 Kenmare Street
Gallery open Tuesday to Saturday, 11:00pm-6:00pm
Through January 12, 2013

Lucky you! The Storefront for Art & Architecture has extended the run of one of their most ambitious exhibitions to date, Past Futures, Present, Futures. Thanks to a spectacular design by LEONG LEONG, the modest proportions of the gallery seem to expand through both space and time. Visitors enter a pleasantly disorienting limbo by stepping from the street through a shimmering wall of silver vertical blinds.

Continue reading after the jump.

EVENT> Critical Halloween Party: Saturday, October 27

East
Thursday, October 25, 2012
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Lisa and Ted Landrum ,”Eye of the Beholder,” (Brett Beyer/Courtesy Storefront)

Lisa and Ted Landrum ,”Eye of the Beholder,” (Brett Beyer/Courtesy Storefront)

CRITICAL HALLOWEEN : On Banality, on Metaphor
Saturday, October 27
10pm til Late
The Autumn Bowl
67 West Street, Greenpoint, Brooklyn

The second annual Critical Halloween hosted by the Storefront for Art and Architecture promises to generate a spooky skyline on Saturday. Mixing in a new theme of “Metaphor” with last year’s banner of “Banality,” guests are invited to critique and comment through costume. Judging by 2011 event (see below), it’s the ultimate cathartic carnival for all things architecture and design. Get inspired here.

Check out some of last year’s costumes after the jump.

On View> Aesthetics/Anesthetics at the Storefront for Art and Architecture through July 28

East
Monday, July 16, 2012
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(Courtesy Storefront for Art and Architecture)

(Courtesy Storefront for Art and Architecture)

Aesthetics/Anesthetics
Storefront for Art and Architecture
97 Kenmare Street
Through July 28

Storefront for Art and Architecture presents 30 newly commissioned drawings of its gallery space by emerging and established architects, now being auctioned on the Storefront website through Saturday. The gallery is plastered in wallpaper composed of images sourced from architectural drawings produced in the past ten years and describes graphic tools deployed to express properties of drawing that the architectural drawing itself cannot represent, such as birds suggesting movement or green surfaces conveying ecologic awareness.

(Courtesy Storefront for Art and Architecture)

(Courtesy Storefront for Art and Architecture)

Curator and director of Storefront Eva Franch writes in a statement, “An image (and its after-image) carries within itself a history or performative script of characters, discourses, and conventions. During the last ten years there has been a resurgence of certain representational devices and clichés that operate almost as placeholders or decorative devices to an architecture unable to draw itself.”

RAD & RED at Storefront for Art & Architecture’s Spring Fundraiser

East, Eavesdroplet
Friday, March 30, 2012
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Storefront Director Eva Franch and the red Woolworth Building. (William Menking)

Storefront Director Eva Franch & a red Woolworth Building. (Montage by The Architect's Newspaper)

The Woolworth Building just a few short blocks from Zuccotti Park—the spiritual home of the Ocuppy movement—was itself bathed in radical red last night to celebrate the iconic “red” work of Barbara Krueger and Bernard Tschumi. The two celebrated figures were being honored by the Storefront for Art and Architecture at their annual Spring fundraiser.

Continue reading after the jump.

New York does a David Double-Take

East, Midwest
Wednesday, March 7, 2012
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The face of David (inspired by Michelangelo) by Serkan Ozkaya. (Branden Klayko)

The face of David (inspired by Michelangelo) by Serkan Ozkaya. (Branden Klayko)

In the hustle and bustle of city life, sometimes it’s hard to find the time to visit a museum. Luckily for time-strapped New Yorkers, a massive copy of Michelangelo’s David was trucked around Manhattan on Tuesday, stopping off at the Storefront for Art and Architecture for a manifesto series called “Double” exploring the implications of creating copies, fakes, and replicas before heading to its new home at the 21c Museum Hotel in Louisville, Kentucky. This David, by conceptual artist Serkan Ozkaya is a copy of a copy of the original Florentine model, reimagined twice as tall and painted gold, making it the perfect centerpiece for the evening.

Continue reading after the jump.

Storefront Gets Real (estate) with NYC

East
Monday, March 5, 2012
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"New York City Bar Graph" by Lan Tuazon organizes scale models on shelves to differentiate function: banks, public housing, media, etc. (Courtesy Storefront).

"New York City Bar Graph" by Lan Tuazon organizes scale models on shelves to differentiate function: banks, public housing, media, etc. (Courtesy Storefront).

The Storefront for Art and Architecture launched Ingredients of Reality: Dismantling of New York City last Tuesday night.  The show features work by Lan Tuazon, whose bio reads that she was born in the Philippine Islands and “lives and works in New York whether she likes it or not.” It would seem from the show, that she likes it–but with reservations.  Through a series of seemingly disparate works, Tuazon calls attention to how real estate decisions have the ability to divide the New Yorkers economically and socially.

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