Tigerman’s Epiphany: New photomontage update of “Titanic” unveiled at the Chicago Architecture Biennial

Architecture, Art, Midwest, News, On View
Wednesday, November 4, 2015
Stanley Tigerman's follow up to his iconic 1978 "Titanic" image. Courtesy Chicago Architecture Club

Stanley Tigerman’s follow up to his iconic 1978 “Titanic” collage. (Courtesy Chicago Architecture Club)

On October 22nd, marking the 130th anniversary of the Chicago Architecture Club and as part of the ongoing Chicago Architecture Foundation‘s Currencies of Architecture exhibition, Stanley Tigerman unveiled a follow up to his 1978 “Titanic” photomontage. Entitled “The Epiphany,” the new image, somewhat ironically, is a protest against what Tigerman sees as a contemporary infatuation with icons.

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Product> Tread on Gehry, Zaha, Tigerman, and Friends

Friday, January 18, 2013
Arabesque by Michael Graves.

Arabesque by Michael Graves.

ARZU STUDIO HOPE and live/work furniture company Coalesse have teamed up with six leading architects to design a series of bold rugs and also provide economic opportunities for Afghan women. Chicago-based ARZU first approached Stanley Tigerman and Margaret McCurry  to design a collection of contemporary rugs, the proceeds of which support hundreds of rural women and their families through economic activity, and educational and health services. Rug weaving, which takes place in private homes, is one of the few industries where women can work safely.

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On View> Stanley Tigerman: Ceci n’est pas une rêverie, in Chicago

Tuesday, February 21, 2012

Stanley Tigerman: Ceci n’est pas une rêverie
Madlener House, Graham Foundation
4 West Burton Place
Through May 19

Curated by Yale School of Architecture Professor Emmanuel Petit, Ceci n’est pas une rêverie (“This is not a dream”), is a retrospective that examines the architectural and conceptual work of Stanley Tigerman (top, 1966). Occupying three floors of the Graham Foundation’s Madlener House, the exhibition is arranged in relation to nine dominant themes recurring throughout Tigerman’s 50 career: Utopia, Allegory, Humor, Death, Division, (Dis)Order, Identity, Yaleiana, and Draft.

A variety of media, including models, photographs, and archival documents, offer a sampling of the architect’s output, and the exhibition includes one of Tigerman’s best-known pieces, The Titanic, 1978 (above), a collage that explicitly critiques the state of architecture in the late 1970s with S. R. Crown Hall sinking into Lake Michigan.

On View> Ceci N’est Pas Une Reverie: The Architecture of Stanley Tigerman

Tuesday, September 13, 2011
Formica axonometric by Stanley Tigerman. (Courtesy Yale School of Architecture)

Formica axonometric by Stanley Tigerman. (Courtesy Yale School of Architecture)

Ceci n’est pas une reverie:
The Architecture of Stanley Tigerman
Yale School of Architecture
180 York Street
New Haven, CT
Through November 4

The exhibition Ceci n’est pas une reverie (“This is not a dream”) celebrates the work of architect Stanley Tigerman. Curated by Yale School of Architecture Associate Professor Emmanuel Petit, this retrospective tells the story of Tigerman’s professional career, beginning with his years at Yale as an undergraduate and then a graduate student in architecture. Organized around several motifs—utopia, allegory, death, humor, and division—the exhibition includes models and objects, documents, cartoons, sketches, and drawings, like an axonometric of formica, above. Video material from lectures and interviews also capture Tigerman’s eclectic style as it has evolved over the past 50 years, encompassing his early work at the Chicago-based firm Tigerman McCurry Architects and his return to Yale as a visiting professor. Ceci n’est pas une reverie will coincide with the publication of Tigerman’s collected writings, 1964-2011 Schlepping Through Ambivalence, Essays on an American Architectural Condition, and his autobiography Designing Bridges to Burn as well as a series of lectures at the Yale School of Architecture.

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