Architects in Barcelona are remaking this tired, old bridge into a glow-in-the-dark, smog-eating sustainability machine
Who’s most irked by the Frank Gehry backlash currently underway in press rooms from Sydney to Spruce Street? Why, Frank Gehry, of course. At a press conference in Oviedo, Spain, Gehry replied to one journalist’s implication that Gehry’s architecture was just about spectacle with a spectacle of his own: He gave the journalist the middle finger.
Al Jazeera has launched Rebel Architecture, a six-part documentary that profiles lesser-known architects who are using their design skills “as a form of activism resistance to tackle the world’s urban, environmental and social crises.” These designers aren’t building glass towers for the global elite, but schools, cultural spaces, and homes for everyone else. And they’re often doing it in legal gray area. Read More
For years, the Pritzker Prize has been the gold-standard in architectural recognition. It’s like the Super Bowl ring, or the Oscar for Best Picture, or whatever Joey Chestnut wins for downing 60-some hot dogs at Nathan’s Hot Dog Eating Contest. (It’s gotta be a sash, right? It’s probably a sash.) This is the hallowed ground where the Pritzker lives. But it could soon be trumped in a big way. In a big enough way that even knighthood can’t quite compare. Hear that, Sir Norman Foster?
Eighty-five year old Frank Gehry has been named the laureate of the prestigious Prince of Asturias Award for the Arts for his design for the Guggenheim Bilbao. He beat out thirty-six other candidates to become the sixth architect to win this illustrious honor. Gehry’s titanium design for the Guggenheim opened in 1997 and helped to breath new life into the industrial city. According to the jury, “His buildings are characterized by a virtuoso play of complex shapes, the use of unusual materials, such as titanium, and their technological innovation, which has also had an impact on other arts. An example of this open, playful and organic style of architecture is the Guggenheim Museum in Bilbao, which, in addition to its architectural and aesthetic excellence, has had an enormous economic, social and urban impact on its surroundings as a whole.”
At the AIA’s National Convention in Denver, held from June 19–22, AN’s Emily Hooper sat down with Spanish architect Francisco Mangado, who was in attendance to receive an honorary fellowship. Mangado discussed foreboding amendments to Spain’s law of professional services that would allow engineers, or anyone deemed “competent” in construction, to design and erect buildings across the nation. The law was introduced at a council meeting of Government Ministers in April of 2013, and a final pass-or-fail decision will be reached by the end of this year. Read More
Described as “crime scene photos,” stark images of Spain’s housing bubble landscapes depict a grim reality. But instead of a somber discourse on the evils of political corruption and real estate speculation, the Architectural League’s symposium this past Friday, The City That Never Was, looked forward and, as Iñaki Abalos aptly asked, wondered if we, “can turn shit into gold.”
Building on their research and design studios at the University of Pennsylvania, Chris Marcinkoski and Javier Arpa, the moderators, explored the future of urbanism through the lens of Spain’s economic crisis and its resulting desolate urban form. Framing the historical context of boom and bust cycles, they reveal that the Spanish situation is only unique in scale and intensity. It exists as part of a larger commodification of urbanism all over the world resulting in similar conditions in an ever simplified placeless urbanism.