It’s been several weeks since our last visit to the World Trade Center site. On our return today we were taken with the manner in which different architects handle ventilation at the site. The most obvious example are the two large vent structures that protrude from the west side of the Memorial Plaza. The concrete buildings are a necessary solution to a complicated infrastructure problem. Davis Brody Bond (now Aedas) designed a mesh mask for the concrete structures and workers were putting the finishing touches on south building today.
Toronto’s Ryerson University announced plans this week for a bold Student Learning Center designed by Oslo-based Snøhetta and Zeidler Partnership Architects of Toronto. The 8-story structure will mix passive and active academic uses with street-level retail and will serve as the university’s front door on busy Yonge Street.
It’s been a couple of weeks since we stopped by the WTC site. The most striking aspect from the street remains the speed with which glass surfaces begin to rise. It seems like only yesterday that three stories of glass wrapped around Tower One. Now with ten stories completed, the quartz-like surfaces start to take shape. At the Memorial Museum, Snohetta’s glass has flown up in what seems a matter of days. The facade already reflects the grove, whose trees continue their own march toward West Street.
[ As the World Trade Center continues its ascent, AN stops by the massive construction site for a weekly update. ]
Lunchtime at the World Trade Center site is a colorful sight even on an overcast and foggy day. Hundreds of construction workers in bright yellow and orange safety vests pour into neighborhood delis and pizza joints, but most crowd into the tiny local gourmet food store, the Amish Market. There, burly gents in hard hats hum to the Nat King Cole soundtrack while choosing prosciutto over pastrami. Make no mistake, these guys know food.
Back at the site, just two bays of the Deutsche Bank remain to tear down, a row of windows appeared on the northwest corner of One World Trade, and the steel mullions for a glass curtain wall began to wrap their way around Snøhetta‘s Museum Pavilion.
Under the banner Let’s Talk About Houses, the second Lisbon Architecture Triennale opened last night in three different venues around the Portuguese capital. A beautifully renovated electric generating plant featured the results of two competitions: one for the low-income immigrant Portuguese community Cova da Moura, and a second for a house in Luanda, Angola. Meanwhile, a second exhibit on artists working in the realm of architecture is being staged at the contemporary Museo do Chiado (I’ll have more on these two shows in a subsequent post). The most ambitious of the three exhibitions, however, is on view at the Museu Coleção Berardo along the city’s architecturally fascinating waterfront in a district called Belem. Read More
We got an email earlier today from Leni Schwendinger, principal of Light Projects, informing us that she was also part of the team redesigning Times Square, a terrible omission from the original announcement given that this probably the most well-lit place on the planet. “As a location singularly (and controversially) known for lighting and light, the Times Square win is very important,” Schwendinger wrote. “It is Light Projects’ opportunity to redefine the role of light in the public space of Times Square for pedestrians.” (Graphic designers Pure and Applied and engineers Buro Happold are also on the Snohetta-led team.) This revelation led to a nice little discussion on the nature of Times Squares’ gigawhattage and some brainstorming on what might make a good design. Read More
Just by looking at the mind-boggling New Norwegian National Opera and Ballet in Oslo, an architectural cliff on the edge of a fjord, you might think there’d be a lot of dense archibabble floating around at the firm Snøhetta. We have been paying closer attention to them out here in San Francisco, after hearing rumors that they are in the running for the SFMOMA extension in partnership with locals EHDD. Read More
Update (4/21/10): Three more firms have been confirmed: Snohetta, Rafael Viñoly, and L.A.’s Frederick Fisher. This is shaping up to be a pretty diverse crew.
The SF Chronicle reports that the Berkeley Art Museum/Pacific Film Archive has sent out letters to ten architecture firms, asking them to submit qualifications to design their new home. Adding to the three that have already been sussed out (Bernard Tschumi, Tod Williams Billie Tsien, and Will Bruder), we have confirmed a fourth: Ann Beha, whose Currier Museum of Art in New Hampshire has been well-received. Read More
During an unrelated call earlier today, Craig Dykers, head of Snohetta’s New York office and the man behind the 9/11 memorial pavilion, divulged that he was rather disappointed with the renderings that the city released last week to widespread fanfare. It’s bad enough that the design has been scaled back–like everything else on the site–but Dykers said that officials also went behind the firm’s back to have the renderings done. He was then kind enough to send along some model shots he greatly prefers. Check ‘em out after the jump.