Love it or not, Rafael Viñoly‘s 432 Park makes a statement on the New York City skyline. The 88-story, 1,396-foot-tall skyscraper will be home to some of the world’s richest people (and/or their faceless LLCs). One soon-to-be-resident is bringing the public’s prying eyes inward by bucking the less-is-more aesthetic of contemporary interior design for a maximalist, marble-on-marble pad designed by Brooklyn–based Atelier & Co.
With a theoretical site on Mahattan’s 57th Street—the so-called Billionaires’ Row—New York–based Mark Foster Gage Architects (MFGA) was recently asked, “What is the next generation of luxury?”
The firm’s answer? To bring “higher resolution” to those projects by working at a range of textural scales, and his proposed theoretical tower has been making waves in design conversation around the city.
For instance, from far away, the building reads as a figure in the skyline, but up close, there is another level of detail that is not legible from far away. Even closer, the ornament has another level of “resolution” that makes it more visually interesting.
It’s a big week for big Brooklyn skyscrapers. Yesterday, SHoP Architects and Kohn Pedersen Fox Associates unveiled plans for towers within a block of each other, in the Brooklyn Tech Triangle. KPF is developing the 400,000 square foot office and retail project at 420 Albee Square in partnership with JEMB Realty and the New York City Economic Development Corporation (NYCEDC). At 600 feet tall, the tower will be 400 feet shorter than SHoP’s, but it will still reign as Brooklyn’s second tallest building.
Renzo Piano aims to punctuate London‘s skyline once again. The architect behind the Shard has now designed a cylinder of glass adjacent to Paddington Station. Contrasting his Southwark skyscraper, Piano has proposed a seemingly crystalline, uneven facade wrapping the cylinder that looks to reflect its surroundings with ripple-like qualities.
In the wake of a slew of criticisms on numerous glass skyscrapers’ over-reflective properties, some architects and critics are asking if it’s time to reassess our view on using glass facades in the future.
Daniel Libeskind is the latest high-profile architect to unveil a pyramid-shaped skyscraper, this time in Jerusalem
Jerusalem‘s municipal committee has approved the construction of The Pyramid, a 26 story building by starchitect Daniel Libeskind that will become the city’s second tallest building. Libeskind worked alongside Israeli architect Yigal Levi in designing the 344-foot-tall luxury high-rise that is set to break ground by 2019.
Architect Gordon Gill has one simple rule for facade design: seek performance first, and beauty will follow. Gill, who will give the opening keynote address at next month’s facades+PERFORMANCE conference in New York, is a founding partner at Adrian Smith + Gordon Gill Architecture, a firm known for pushing the boundaries of what architecture is and does. Gill and his team start by “establishing a language of architecture that’s based in the performance of a building,” he said. “We’re trying to understand the role of the building in the environment it’s being built in, then shape the building in order to benefit it the best way. Once we take that approach, the facades play a pretty rich role in either absorbing or reflecting the environment.”
An unusually vertical Frank Lloyd Wright building in Wisconsin will open its doors to the public for the first time since its construction in 1950. The Research Tower in Racine, Wisconsin has housed SC Johnson for 32 years, anchoring its 153-foot tall mass with a distinctive “taproot” foundation.