Video> Michael Adlerstein & John Gering on retrofitting the United Nations Secretariat Building

The United Nations Headquarters site in Manhattan (seen here in 1985) covers approximately sixteen acres from 42nd to 48th Streets between First Avenue and the East River. Among the buildings on the premises are the marble-framed 39-storey Secretariat (to the left); the General Assembly building topped with a shallow dome; the Dag Hammarskjöld Library (to the left of the Secretariat); and the building housing the Council Chambers and Conference Rooms which lies on the river's edge. (UN Photo/Yutaka Nagata.)

The United Nations Headquarters site in Manhattan (seen here in 1985) covers approximately sixteen acres from 42nd to 48th Streets between First Avenue and the East River. (UN Photo/Yutaka Nagata.)

In addition to being AN‘s Midwest Editor, I was the special media correspondent for the Council on Tall Buildings and Urban Habitat in 2014, interviewing tall building designers, developers, and other experts at the skyscraper think tank’s Shanghai conference, and its annual CTBUH Awards ceremony in Chicago.

Watch the video after the jump.

This Week> Facades+AM Washington Three by Three

Facades+ AM is coming to Washington, DC on March 5. (Nicolas Raymond/Flickr)

Facades+ AM is coming to Washington, DC on March 5. (Nicolas Raymond/Flickr)

With its combination of iconic references to the nation’s past and the machinery that drives our political present, Washington, DC presents a particular set of problems and possibilities to facades innovators. Top experts in high-performance building envelope design and construction will this gather this Thursday, March 5, to explore some of these issues during Facades+ AM: Washington Three by Three, a morning seminar taking place at the District Architecture Center.

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On View> HOME is Where the Art Is at the El Segundo Museum of Art

ESMoA's HOME juxtaposes works from different styles, media, and periods in an apartment-like setting. (Courtesy ESMoA)

ESMoA’s HOME juxtaposes works from different styles, media, and periods in an apartment-like setting. (Courtesy ESMoA)

Forget “home is where the heart is.” Home is where the art is—or so argues the latest show from the El Segundo Museum of Art (ESMoA). HOME isn’t your typical art exhibition, just as ESMoA isn’t your typical art museum. (In fact, ESMoA prefers the terms “experience” and “laboratory,” respectively. ) The experience, which runs through February 1, 2015, invites visitors to re-evaluate their personal definitions of art, the home, and—most especially—art in the home.

Continue reading after the jump.

Morphosis Selected To Design New U.S. Embassy in Beirut

International, West
Tuesday, November 19, 2013
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Aerial view of Beirut, Lebanon. (Omar Chatriwala / Flickr)

Aerial view of Beirut, Lebanon. (Omar Chatriwala / Flickr)

Three years after an unsuccessful bid for a chance to design the U.S. Embassy in London, Morphosis Architects has won a different Department of State project: a new Embassy for Beirut, Lebanon. The firm was selected from a shortlist that also included Diller Scofidio + Renfro and Mack Scogin Merrill Elam/AECOM. Read More

Grannie’s and Drones: Group Seeking to Make New York a “No Drone Zone”

East
Monday, June 10, 2013
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A (fake) sign announcing drone patrols in TriBeCa (left) and the LEAPP Drone (right).

A (fake) sign announcing drone patrols in TriBeCa (left) and the LEAPP Drone (right).

On a recent walk down Broadway near the AN offices in Lower Manhattan I was handed a flyer by The Granny Peace Brigade who were protesting in front of a building where several New York City Council Members have offices. The flyer claims in bold letters “High Tech Stop and Frisk: Domestic Drones Coming to Your Neighborhood?” It had an image of a LEAPP Drone made by Brooklyn Navy Yard–based Atair Aerospace who claim their powered paraglider “is a slow-flying, long endurance powered paraglider UAV [Unarmed Aerial Vehicle] platform that is used for ISR [Intelligence, Surveillance, and Reconnaissance] and distributive operations payload delivery missions,” but that the Brigade believes could be used to monitor for loitering.

Continue reading after the jump.

Clean Vitrine: Security Issues at OMA’s Rotterdam Kunsthal

East, Eavesdroplet
Monday, November 26, 2012
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Inside OMA's Rotterdam Kunsthal. (FaceMePLS/Flickr)

Inside OMA’s Rotterdam Kunsthal. (FaceMePLS/Flickr)

On October 16 thieves nabbed a handful of valuable paintings, including works by Picasso, Matisse, and Monet, from the Kunsthal gallery in Rotterdam. At least one person points the finger at the architecture by home team OMA. Citing an interview with Dutch security expert Ton Cremers, Dezeen.com reports that the open plan and glass walls are a nightmare for guards. Cremers appreciates the design aesthetic of the museum, which was completed in 1992, but noted, “It’s an awful building to protect.”

 

An Architectural Approach to Security in Brooklyn

East
Tuesday, January 11, 2011
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Following 9/11 many locations around the city were walled-off with Jersey barriers. In the years since, better urban design has sometimes prevailed. Such is the case with the new bollards and security booths that replaced the Jersey barriers at Metrotech in downtown Brooklyn. Designed by WXY architecture + urban design, the prefabricated security booths–six in total–have a subtle, trapezoidal shape that makes them appear thinner than they are. Read More

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