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Polycarbonate sheets become an interactive bench, part of Fort Mason Center’s upcoming SEAT exhibition.
San Francisco’s Fort Mason Center will be the stage for an outdoor chair show set to open June 23. Called SEAT, the yearlong exhibition is being curated by artist and landscape designer Topher Delaney, of Seam Studio, and will include work by more than 40 designers, artists, and architects. Each team was given a site on the former Fort’s 13-acre waterfront campus, which now serves as an arts and culture venue. As one of the invited participants, San Francisco-based Nilus Designs is preparing an interactive piece called W.E.T: West End Terminal, an anthropomorphic bench created with carefully stacked strata of clear twin-wall polycarbonate.
Transit Surprise. The Atlantic has the 10 best and worst cities for public transportation based on a report on transit and access to jobs from the Brookings Institution. The think tank ranked cities by the area served and the share of city jobs accessible by public transit. The results might surprise you: none of the cities with the best public transit are on the East Coast.
HUD in Hot Water. The Washington Post alleged that “HUD has lost hundreds of millions on delayed or defunct construction deals nationwide” in its new investigative series “Million-Dollar Wasteland.” The paper explores, among deals in other cities, a failed project in D.C. where speculators profited at the cost of millions for the city government.
Graceland Saved. The flooding along the Mississippi River has spared Memphis’ key historic landmarks. According to NPR, Graceland, Sun Studio (where Elvis Presley recorded), and Stax Records (which launched Otis Redding’s career) were unharmed. But some of Louisiana’s most valuable farmland is expected to be inundated by rising waters.
Interior Award. Bar Agricole in San Francisco won the 2011 James Beard Award for Best Restaurant Interior, reported Fast Company. The restaurant, which serves French-inspired food sourced from local farms, features billowing glass sculptures, walls lined with strips of oak from whiskey barrels, recycled oak seating, and concrete banquettes. Restauranteur Thad Vogler collaborated with Aidlin Darling Design, which received co-ownership for its work.
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Ribbon-thin Ductal concrete creates sculptural seating at a San Francisco eatery.
The Aidlin Darling-designed Bar Agricole has brought new life to a warehouse in San Francisco’s industrial South of Market neighborhood. Built in 1912, the renovated building is now home to the 4,000-square-foot “urban tavern” owned by restaurateur Thad Vogler. Taking an unconventional approach to realizing his design vision, Vogler commissioned work from the designer and a variety of trades in exchange for a stake in the business. One of those craftsmen was Oakland-based concrete design and fabrication company Concreteworks.
Continue reading after the jump.
Every architect has a mental file of unusual client requests, but few, if any, have been asked to make a wall dance. Yet, in essence, that’s what San Francisco architect Christopher Haas created—not for a client, but for a collaborator, Alonzo King, the San-Francisco-based choreographer. For King’s LINES Ballet company’s spring season that premieres April 15-24 at the city’s Yerba Buena Center for the Arts, Haas created a wall that performs, but not as a soloist. Read More
Icelandic Borders. Today at 5PM, “the largest temporary public art exhibition… in New York City Parks history,” titled BORDERS, will be unveiled at Dag Hammarskjöld Plaza. The UN-conscious installation is a collaboration between the Parks Commissioner, an Icelandic Ambassador, and Icelandic artist Steinunn Thórarinsdóttir, consisting of 26 androgynous, life-size sculptures.
Painted Trees. Gerry Mak of Lost at E Minor adoringly shares the curious images of the vibrantly painted trees around Colorado by artist Curtis Killorn. Because of the unexpected colorings, these trees do not look like they came from land, but from the sea.
Green Carnegie. We were worried when gbNYC reported that the good ol’ Carnegie Hall is planning to undergo a massively ambitious, full-spectrum retrofit this year. But don’t worry, the architecture firm Iu + Bibliowicz, which is in charge of all this, swears to preserve “the building’s distinctive 19th-century architectural grace notes” while making dramatic green building improvements.
Parking to parkletting. The SF Examiner reports that more temporary public spaces, called
‘parklets,’ are exploding throughout San Francisco parking spots. The public battle between those who want to park cars and those who want to seat customers out on the sidewalk seems to have a clear winner– the Department of Public Works is stamping out countless approvals for businesses to have their own parklets despite complaints.
Tightening the Greenbelt. Per Square Mile explores why greenbelts fail to hold back city sprawl. Using London and San Francisco as examples, Tim De Chant writes that perimeter actually parks attract suburbs to form outside their borders.
Role of a lifetime. The AIA has awarded Portland U’s Sergio Palleroni the Latrobe Prize for his research on the role of architects in future public interest projects. A Portland Architecture interview plays well with De Chant’s article above, as Palleroni casts a critical eye on Portland’s sprawl.
Going, Going. The list of the top seven endangered buildings in Chicago was today released by Preservation Chicago. Curbed Chicago pounced on list an hour after it went online. At the very top is a relative youngin': the 1975 Prentice Tower (by Mies student Bertrand Goldberg), whose uncertain fate AN‘s Julie Iovine covered in a recent issue.
Bids 4 Bush… Bids for yet another NYC waterfront property are begin accepted by the New York Economic Development Corporation Crain’s reports, and this one comes with a 99-year ground lease. The 130,000 square-foot property sits on Gowanus Bay at Bush Terminal in Sunset Park Brooklyn.
Action-movie directors: Consider shooting your next film in the innards of one of the biggest projects going up in the Bay Area: the new, $6 billion eastern span of the Bay Bridge. There’s the evident glamour of a self-anchored suspension bridge–the Calatrava-esque part with the tower and cables holding everything up, which is still yet to be built. But already in place is the 1.2-mile “skyway” portion, and inside the concrete monolith are whole rooms, including an electrical substation, and a tunnel that runs the length of the skyway. Only maintenance crews are typically allowed in this secret warren, but a media tour led by a Caltrans representative provided a close-up of some of its more unusual features. Read More
On Wednesday, SFMOMA held a press preview of its new exhibit, “Calder to Warhol: Introducing the Fisher Collection,” which takes up the top two floors and features whole entire rooms of Calders, Ellsworth Kellys, Chuck Closes, Agnes Martins—a smorgasboard of modern masters, each a few steps from the next. Downstairs in the main lobby, however, there was the opportunity to get to know a different group of artists—the four candidates that are up for the job of designing the SFMOMA’s new extension. Read More
Just by looking at the mind-boggling New Norwegian National Opera and Ballet in Oslo, an architectural cliff on the edge of a fjord, you might think there’d be a lot of dense archibabble floating around at the firm Snøhetta. We have been paying closer attention to them out here in San Francisco, after hearing rumors that they are in the running for the SFMOMA extension in partnership with locals EHDD. Read More
When trying to wrap his brain around the quantities of oil oozing into the Gulf, Hulett Jones of the San Francisco firm Jones Haydu reacted like an architect: He went to SketchUp and did some modeling. Haydu then extracted his ideas to a nifty YouTube video that comes to the clever conclusion that One Victorian = 2 days of leakage. Wouldn’t it be great if news stories provided this sort of concrete analog for their data points? Edward Tufte would be proud. You can watch the video after the jump. Read More