3D projection technology fleetingly brings back the Bamiyan Buddha that was destroyed by the Taliban
The hollow in the sandstone cliffs of Bamiyan, central Afghanistan, still harks back to the looming Bamiyan Buddha statues that once emerged from the cliff-face, before they were destroyed by the Taliban in 2001. A Chinese couple has created 3D projection technology to holographically recreate the destroyed statues which, standing at 180 feet and 120 feet respectively, lorded over the Bamiyan valley for 1500 years.
Over the weekend, AN joined Open House New York on a tour of the under-construction Empire Stores warehouse in Dumbo, Brooklyn. The old coffee bean warehouse was built in the 1870s, but has been sitting empty along the East River for decades. By next fall, though, the Empire Stores will have been transformed with all the Brooklyn-type fixings you’d expect. Yes, there is an artisanal Brooklyn market featuring local purveyors. And office space for tech and creative companies. And cafes, restaurants, and beer gardens. Included in the mix is also a rooftop public park and a museum focused on New York City‘s waterfront.
In the early 20th Century, the sprawling, 29-building Public Health Service hospital on the south shore of Ellis Island was the biggest federal hospital in the country—and possibly its most state-of-the-art. The comprehensive medical institution treated over one million newly-arrived immigrants ill with diseases like tuberculosis, measles, trachoma, and scarlet fever.
Detroit’s Michigan Theatre remains iconic, but not for the reasons that made it so during its early 20th century heyday. Now the opulent 1926 concert hall holds parked cars instead of theater-goers. Will it remain a symbol of Detroit’s struggle to recover from long-term disinvestment, or could it become emblematic of the city’s resilience?
One of Philadelphia’s most impressive old ruins might be coming back to life. The Philadelphia Inquirer reported that a New Jersey real estate lender is providing $31.5 million to convert the decaying Divine Lorraine hotel into luxury apartments and commercial space. This is not the first attempt to transform the Lorraine, but it just might be its best.
Before the old Domino Sugar factory in Williamsburg, Brooklyn is razed to make way for the massive SHoP-designed mixed-use complex, it has been transformed into a gallery for famed artist, Kara Walker. Inside the 30,000-square-foot space, which stills smells of molasses, she has created a 75-foot-long, 35-foot-high, sugar-coated sphinx (on view through July 6th). The work, which was created in collaboration with Creative Time, is called A Subtlety, or the Marvelous Sugar Baby, and according to Walker’s artist statement, it is “an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World.”
[ Editor’s Note: Peter Murray, of the New London Architecture center, together with a dozen architects and planners, is biking from Portland, Oregon to Portland Place in London, studying how cities are responding to the demand for better cycling infrastructure. He reports from the start of his ride. The Architect’s Newspaper is USA media sponsor of the trip and will post periodic updates of these architects on bicycles. ]
When the author Bill Bryson moved back to the US from England he wrote a goodbye book entitled Notes from a Small Island. I was frequently reminded of Bryson’s analysis as I rode through Oregon, Idaho, Montana and Wyoming. By comparison to these great open spaces England is neat and manicured, with everything in its place.
The small tourist hotspot of Belize, with its pristine Caribbean coastlines, lush rainforest, and ancient Mayan ruins, suffered a dramatic loss recently when one 2,300-year-old ruin was razed. The 100-foot-tall Nohmul Mayan Pyramid was bulldozed to create gravel fill for a road-building project, its hand-cut limestone construction visible as excavators tore into the structure. According to CNN, authorities in Belize will be conducting an investigation and, even though the ruin was on a privately owned sugar-cane field, criminal charges are likely.
Jim Kazanjian doesn’t make photographs of buildings, he makes photographs into buildings. His assemblages of “found” structures create fantastic worlds that resemble the post-civilization wreckage of 19th century England. Through the collapse of time and expansion of space, each collage tells an eerie story about making the familiar unfamiliar.
1976: Movies, Photographs
and Related Works on Paper
Paul Kasmin Gallery
515 West 27th St.
Through February 11
British-born James Nares has lived in New York since the mid-1970s, when Lower Manhattan was “a beautiful ruin,” according to the artist. While most celebrated for his large, single-stroke kinetic paintings, the artist has a long track record of documenting his fascination with movement and bodies in motion dating back to the days when he delved into many other media such as films and chronophotographs. The exhibition features five films including Pendulum (1976), in which Nares clocks a large spherical mass swinging from a footbridge, against the industrial backdrop of downtown Manhattan—evocative of the foreboding, dreamlike qualities also seen in Giorgio de Chirico’s surreal paintings.
Photographs by Andrew Moore
Queens Museum of Art
Flushing Meadows Corona Park
The Queens Museum of Art (QMA) presents the powerful photography of Andrew Moore from his three-month visit to Detroit from 2008 to 2009. Moore’s photographs are a tragic yet beautiful glimpse into the decline of a city that was once the twentieth century industrial heart of America. Michigan Central Station (above) stands empty, the organ screen at the United Artists Theater is crumbling, and bright green moss covers the floor of the former Ford Motor Company Headquarters. “Moore’s exquisitely realized visions of architecture overtaken by vegetation remind contemporary viewers that our own familiar culture is subject to the forces of entropy and the eternal strength of nature,” says a statement from QMA.