Although the weather seems like summer will never end, fall has been a tizzy of school daze–related comings and goings. After raising eyebrows a couple years ago when he left his practice and teaching behind to join AECOM’s Los Angeles office, Peter Zellner recently left the corporate world to hang a shingle with former AECOM-er Paul Naecker and is back molding young minds at SCI-Arc.
One of the insider landmarks of Beverly Hills is the Tower of Hope, an art-covered oil derrick that sits at the edge of Beverly Hills High School, clearly visible from Pico Boulevard. Covered with fabric panels painted with colorful flowers by young hospital patients, the 155-foot-tall tower is a remnant from the days when the area was covered with oil fields (the high school once contained almost 20), and it’s become a popular visiting spot. It also still pumps oil, for Denver-based Venoco, with some of the proceeds going to the school. But Beverly Hills High’s major expansion plans call for removing the well altogether.
No, not the Fascists—that was 2008, when the Northern League held its national rally at the entrance gates of the biennale giardini. I mean the architects! They have arrived in droves, and it’s easy to spot them walking along the Grand Canal absorbing the searing heat and humidity of August in Venice. The second day of reading press releases, walking the giardini, and visiting collateral exhibitions reaffirms my sense that there is more art in the 2010 biennale than architecture. This is, of course, not necessarily a bad thing, and many of these installations do consider architectural questions. But it makes one wonder why national pavilions make the decisions they do about the architectural conditions in their country. Read More