Even bars are up for digitization, as architect and designer Carlo Ratti posited by creating the world’s first crowd-controlled, robotic bar onboard a “smart” cruise ship. The Makr Shakr first debuted in Milan in 2013 in the Galleria del Corso, but is now making waves onboard the Royal Caribbean’s Anthem of the Seas.
A luminous, arched pavilion in Ohio aims to highlight the potential of 3D fabrication techniques, and to so it’s mounting a Promethean stunt. The so-called Solar Bytes Pavilion grabs sunlight during the day and radiates light when it gets dark, recreating the day’s solar conditions minute-by-minute throughout the night.
Nearly 10 years after shining as the “crown jewel” in the Downtown Brooklyn Redevelopment Plan, Willoughby Square Park has a clear path to construction. The one-acre park, designed by Hargreaves Associates, will be a passive space offering a moment of calm just half a block from the bustling Fulton Street Mall, but there will be plenty of action beneath the surface, where a robotically controlled parking garage will arrange 700 cars in a very compact space.
Finally, one of our classic futurist expectations (something you might see in Futurama) is about to be fulfilled: architecture assembled by a swarm of flying robots. With robots apparently planning a takeover of the construction industry, how long until the iconic yet dangerous “Lunch atop a Skyscraper” (from the 1930s) is a thing of the past?
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A site-specific installation at the SCI-Arc Gallery transforms a musical composition by Ken Ueno into a digitally realized built environment.
A robot, a composer, and an architect walk into a gallery. It could be the start of a corny joke, but instead it’s the captivating formula for Patrick Tighe’s new exhibition at the SCI-Arc Gallery. The composer is Ken Ueno, recipient of the Rome and Berlin Prizes, and the robot belongs to Machineous, the Los Angeles-based fabricator hired to realize Tighe’s architectural representation of Ueno’s music.