Architect and designer Christian Wassmann explores the interaction between geometric forms and the space we inhabit in a new exhibit, 5 Platonic Objects, presented at R 20th Century Gallery. The show features five objects—such as a pillow or vase—that are inspired by each of the platonic solids: tetrahedron, hexahedron, octahedron, icosahedron, and dodecahedron. Wassermann, born in Switzerland, opened up his own practice in New York City in 2006. His works runs the gamut from furniture and installations to architecture and interiors, which has included Robert Wilson’s Byrd Hoffman Watermill Foundation, East Village Radio, and an apartment and private showroom for Lisson Gallery.
The exhibition is on view March 5th through April 20th.
In an extended period of belt-tightening, it is often the arts sector that grapples with some of the harder aspects of fund-raising. With heavy competition from other non-profits clamoring for support from the city’s enlightened wealthy, institutions must be creative and resourceful to attract new and more generous donors. For the Municipal Art Society (MAS), this dedicated support has come in the form of Robert W. Wilson.
A veteran MAS donor, a philanthropist, and a former Wall Street hedge fund manager, Wilson has committed $600,000 over the next three years to match new or increased gifts of $1,000 or more on a one-for-two dollar basis. Effective August 1st, the aim is to help MAS strengthen and sustain its base of unrestricted support, which puts control of distribution into the hands of MAS rather than a targeted program.
The famed stage designer Robert Wilson is trying his hand at park design with a new commission in Helsinki dedicated to the memory of the designer Tapio Wirkkala, according to The Art Newspaper. The rectangular park–a garden, really–will be divided into nine rooms, each symbolizing different domestic spaces. One outdoor room, for example, will feature a small fireplace surrounded by stone seating. Read More
Chef Mario Batali stopped by a group of diners at a press event today at Eataly to say that everyone who came into the new high-end Italian-theme eating court is ‘Italian.” But he was actually right, as sprinkled among the journalists sat the upper ranks of the Italian furniture industry all come to New York to announce one of those commercial-turned-cultural events that only the Italians can pull off without seeming crass. Read More