There’s a new prize in town: RIBA launches International Prize for the “world’s best new building”

Herzog & de Meuron won the 2015 RIBA Charles Jencks Award, an annual prize named for British architect and critic Charles Jencks that recognizes “major international contributions to the theory and practice of architecture.” Pictured here: the Beijing National Stadium (Courtesy Herzog & de Meuron)

Herzog & de Meuron won the 2015 RIBA Charles Jencks Award, an annual prize named for British architect and critic Charles Jencks that recognizes “major international contributions to the theory and practice of architecture.” Pictured here: the Beijing National Stadium (Courtesy Herzog & de Meuron)

The Royal Institute of British Architects (RIBA) announced a new prize at a ceremony in London today. The RIBA International Prize will go to the “world’s best new building.” The selection criteria are broad: the building can be “of any type or budget and in any country, which exemplifies design excellence, architectural ambition and which delivers meaningful social impact.” This is the first RIBA award open to non-RIBA members.

Continue reading after the jump.

Richard Rogers beats Norman Foster and UNStudio for Taoyuan International Airport terminal commission

The winning design by Richard Rogers

The winning design by Richard Rogers. (Michael Speaks)

Rogers Stirk Harbour + Partners have fought off fellow British architecture practice Foster + Partners and Amsterdam-based UNStudio to design the Terminal 3 building at Taoyuan International, Taiwan’s largest airport. The firm won by a unanimous decision, AN has learned. In 2014, the airport was the world’s 11th busiest passenger airport.

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Richard Rogers to lead parliamentary inquiry into how design of the built environment affects behavior

(Courtesy Rogers Stirk Harbor + Partners)

(Courtesy Rogers Stirk Harbor + Partners)

Riding on a wave of psychographic research indicating positive correlations between productivity and the work environment, architect Richard Rogers has launched an ambitious parliamentary inquiry into how design overall affects behavior.

The founder of Rogers Stirk Harbor + Partners kicked off the eight-month Design Commission inquiry this June before the Houses of Parliament in London. The cross-party investigation led by Rogers will explore how design in planning of the built environment creates a tendency towards positive behaviors within local communities. The inquiry was lodged the same week as newly-released research which supports the long-held view that cities which promote physical activity benefit from economic productivity gains.

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Richard Rogers Calls on the Architecture Community to Save the Robin Hood Gardens

International, Other
Friday, June 19, 2015
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Courtesy Rogers Stirk Harbour + Partners

Courtesy Rogers Stirk Harbour + Partners

The clock is ticking yet again for East London’s Robin Hood Gardens, the 1972 Brutalist public housing complex designed by Alison and Peter Smithson. In a call to arms, Lord Richard Rogers and Simon Smithson, the son of the architects, have written a letter to over 300 members of the architecture and construction industries in support of the 20th Century Society’s campaign to protect the iconic “streets in the sky” buildings from being demolished.

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In Cathedrals of Culture, Wim Wenders and Robert Redford Explore Monuments of Architecture

Architecture, Art, Media, Review
Friday, May 1, 2015
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A scene from the Cathedrals of Culture segment “The Salk Institute," directed by Robert Redford. (Alex Falk)

A scene from the Cathedrals of Culture segment “The Salk Institute,” directed by Robert Redford. (Alex Falk)

In 2010, director Wim Wenders created a 3D video installation at the Venice Architecture Biennale about the Bolex Learning Center in Lausanne, Switzerland, called If These Walls Could Talk. The ability to visually explore the building and simulate being inside the space that the medium affords inspired him to team up with Robert Redford to create a 3D series called Cathedrals of Culture, which will be shown at the IFC Center in New York beginning on May 1.

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English group spearheads effort to save the early Brutalist Robin Hood Gardens

robin-hood-england

Robin Hood Gardens. (Luke Hayes)

What do the English have against works produced by members of the Independent Group? The loose post–World War II group of artists, architects, writers, and critics produced public art, gallery installations, and even architecture. On this side of the Atlantic we always think the Brits save their landmarks—unlike the American tendency to tear them down before they can be landmarked.

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It’s okay, Zaha, building is a tricky game: Starchitecture that has struggled to keep it together

HADID’S LIBRARY AND LEARNING CENTRE AT THE VIENNA UNIVERSITY OF ECONOMICS AND BUSINESS. (FLICKR / POV_STEVE)

HADID’S LIBRARY AND LEARNING CENTRE AT THE VIENNA UNIVERSITY OF ECONOMICS AND BUSINESS. (FLICKR / POV_STEVE)

When a huge piece of a starchitect-designed building comes crashing to the ground, the architectural world tends to notice. We are of course talking about the recent reaction to the 176-pound piece of concrete that fell off Zaha Hadid’s Library and Learning Centre at Vienna University of Economics and Business. Making matters worse for Hadid, this is the second time the building has shed a piece of its skin. But Zaha is not alone; shed(-ding) happens.

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Seven Firms Short-Listed for Mexico City Airport Expansion

Inside the current structure. (Branden Klayko / AN)

Inside the current terminal. (Branden Klayko / AN)

It’s a battle of the starchitects in Mexico City—and the Brits are leading the pack. Out of the seven finalists short-listed to design an expansion for the capital city’s airport, Benito Juarez International, four hail from the UK: Zaha Hadid, Norman Foster, Richard Rogers, and Pascall+Watson.

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Video> Richard & Ruth Rogers’ Converted London Townhouse

International
Tuesday, October 22, 2013
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In Residence: Ruth and Richard Rogers. (Courtesy Nowness)

In a short film from Nowness, director Matthew Donaldson pulls us through Italian-born British architect Richard Rogers’ front door to explore his converted Georgian terrace in Chelsea, London, which he shares with his wife and restauranteur, Ruth Rogers, of the legendary River Café.

With a stunning brick facade and symmetrical multi-pane windows, the vast and bold interior spaces are rarely seen, though could only befit Mr. Rogers himself, who is renowned for his modernist and functionalist designs. Bursting with works by Andy Warhol, Philip Guston and Cy Twombly, the townhouse’s main living area, which the Rogers refer to as a piazza, features a dramatic staircase and an extensive mezzanine library.

Watch the video after the jump.

Video> Richard Rogers Builds a Prefabricated Multi-Level House In 24 Hours

International
Tuesday, August 27, 2013
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Homeshell House in the Royal Academy Courtyard. (Courtesy Miguel Santa Clara via Royal Academy)

Homeshell House in the Royal Academy Courtyard. (Courtesy Miguel Santa Clara via Royal Academy)

With modular homes on the rise, it seems to be time to bid farewell to long months and even years of construction and salute fast-paced, pre-fabricated systems arriving across the globe. At the Royal Academy in London as part of the Inside Out exhibition, Richard Rogers’ firm Rogers Stirk Harbour + Partners (RSHP) has introduced an innovative, environmentally efficient, three-and-a-half story home called the Homeshell. It is meant to inspire discussion about affordable mass housing. The flat-packed home on display contains individually installed windows and boasts a low environmental impact. Colorful facade materials enliven the closed timber frame system.

More after the jump.

Happy 80th Mr. Rogers!

Eavesdroplet, International
Thursday, July 25, 2013
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richard_rogers_01

Richard Rogers turned 80 years old this week, making him the same age as Willie Nelson. You might think that’s a pointless comparison, but the Italian-born, British, self-described “left-winger” architect and the pot-smoking Texan Outlaw Country singer have more in common than one might at first suspect. At around the same time that Shotgun Willie was changing America by uniting the hippies and the red necks through music, Rogers and his buddy/collaborator Renzo Piano were converting critics into fawning admirers and altering the face of architecture with their design for the Centre Pompidou. “We thought of ourselves as bad boys who wanted to change the world, with the funny idea that you could do it through architecture,” is the way Piano put it in a recent article in The Guardian.

Bloomberg Looking Up Again at Richard Rogers’ Three World Trade

East
Monday, January 7, 2013
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3 World Trade. (Courtesy Silverstein Properties)

3 World Trade. (Courtesy Silverstein Properties)

Almost a year ago, reports surfaces that, without an anchor tenant, the 80-story Three World Trade tower by Pritzker-winner Richard Rogers of Rogers, Stirk, Harbour + Partners would be lopped off at seven stories. Without an anchor tenant signing up for at least 400,000 square feet of space in the $300 million tower, the Port Authority of New York & New Jersey will not guarantee the project’s debt. Mayor Bloomberg is optimistic, though, telling the New York Post last week that the tower is “closer than anyone realizes” to landing that all-important tenant, which could be GroupM, a subsidiary of  advertising giant WPP. The Post said the company is interested in 550,000 square feet of the tower’s 2.8 million total square feet. If a deal is signed and construction continues, the tower could be complete in 2015.

Bloomberg also delivered the not-unexpected news that Norman Foster’s 88-story Two World Trade tower will likely remain a stump for the near future. SOM’s One World Trade and Fumihiko Maki’s Four World Trade are expected to be finished by the end of the year. In the meantime, take a look back at Silverstein’s blockbuster video rendering of the complete World Trade Center site.

More after the jump.

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