Brace yourself O.C.: It’s unclear if the battle of the Solar Decathlon will return to Irvine’s Orange County Great Park in 2017. This week the U.S. Department of Energy (DOE) announced 16 participating teams who are gearing up for the task of designing and building a solar-powered house, but the feds have yet to announce the competition site.
The Texas metropolis of Houston is famous (or perhaps infamous) for its sprawling footprint. But as recent census numbers affirm, that growth reflects more than just a lack of zoning—within 10 years, more people will live in Houston than Chicago, according to information from health departments in Illinois and Texas. (Read AN‘s feature examining Houston’s first General Plan here.)
6100 Main Street, Houston, Texas
Through November 23
yamatane, on view now at Rice Gallery in Houston, is a site-specific installation by Japanese artist Yusuke Asai. Created in just under two weeks by Asai and a team of student volunteers working around the clock, yamatane is composed of pigments made from soil collected in the Houston area—brown, yellow, pink, red, and even green dirt that was gathered before the artist arrived and ground into pigment with only water added to turn it into paint.
After traveling all over the Western Hemisphere to inspect built work by emerging architects from Canada to Chile, a team of judges awarded the first-ever Mies Crown Hall Americas Prize on Tuesday, bestowing $25,000 and an offer to teach at the Illinois Institute of Technology (IIT) on Mauricio Pezo and Sofia Von Ellrichshausen for their poetic Poli House, perched above the Pacific Ocean on a cliff in Tomé, Chile.
Never mind! After all that fuss to preserve the iconic Texas tin structure, Rice University’s Art Barn met the Grim Reaper on Wednesday, April 16. While a group was able to salvage the building’s corrugated metal siding, wrecking crews tore away at the Martel Center’s structure, marking a definitive end to efforts of preservationists to move the building to another site in Houston. Andy Warhol’s famous oak tree planted in front of the former structure will remain intact, but once the dust clears only a grass lawn will serve as tombstone. A rogue power line temporarily stalled the demolition, thereby buying a commemorative moment for the Art Barn’s historical and cultural import. The building’s spirit will live on through the Menil Collection it once housed, as well as its legacy with other tin houses.