In Construction> Columbia’s Renzo Piano–designed Science Center and Center for the Arts

The Jerome L. Greene Science Center. (Courtesy Field Condition)

The Jerome L. Greene Science Center. (Courtesy Field Condition)

Just six miles north of Renzo Piano’s highly-anticipated, High Line–adjacent, Whitney Museum, two other projects birthed from the same Italian brain are moving forward: Columbia University’s Jerome L. Greene Science Center and the Lenfest Center for the Arts. Speaking of brains, the nine-story, glass-encased Science Center is the future home of the Zuckerman Mind Brain Behavior Initiative.

More photos after the jump.

Testing Begins on Renzo Piano’s Dragonfly Wind Turbine Blade

International, Sustainability
Monday, October 28, 2013
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‘Dragonfly’ Wind Turbine (Photo: Renzo Piano Building Workshop)

‘Dragonfly’ Wind Turbine (Photo: Renzo Piano Building Workshop)

You might know Renzo Piano as the architect behind many of the world’s leading museums, but get ready to meet Renzo Piano, wind-turbine expert. Testing has commenced on Renzo Piano’s small-scale wind-turbine blade at the Molinetto Test Field near Pisa, Italy. Piano’s turbine blade resembles a dragonfly’s wing and incorporates elements from the insect that promote stability in flight in order to allow the turbine to tolerate gale-force winds.

Continue reading after the jump.

Unveiled> Renzo Piano’s Stacked Masses Create an Efficient Paris Judicial Complex

International, Newsletter
Wednesday, October 23, 2013
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Paris Courthouse (Renzo Piano Building Workshop)

Paris Courthouse (Renzo Piano Building Workshop)

Renzo Piano has unveiled renderings for the new Palais de Justice, positioned on the northern edge of central Paris in the urban expansion area of Clichy-Batignolles, which will provide space for and unite numerous judicial services presently scattered throughout the city. The law courts complex appears as a slender, translucent, 525-foot-tall tower comprised of four stacked rectangular masses diminishing in size as they ascend. The structure includes extensive fenestration to blend the division of the interior and exterior, in addition to two exterior glass elevators offering expansive views of the city.

Continue reading after the jump.

Video> Get a Sneak Peek of Renzo Piano’s Addition to Kahn’s Kimbell Art Museum

Newsletter, Southwest
Wednesday, September 18, 2013
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Renzo Piano is again in architectural relationship with Louis Kahn. Early in his career, Piano worked briefly with the Louis I. Kahn office. This time, his architecture is separate but complementary.

Set to open on November 27th, the Renzo Piano Pavilion at the Kimbell Art Museum in Fort Worth, TX will expand the exhibition space of the historic 1972 Louis Kahn-designed museum, creating an art complex on the site. A new video preview of the building has been released, in which Kimbell Director Eric Lee explores the exterior features and promotes excitement for its opening.

See the Proposed Interior Rendering After the Jump.

CTC Helps Piano Give LA’s Resnick Pavilion the Pompidou Treatment

Fabrikator
Friday, February 15, 2013
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The bright red cladding calls attention to the mechanical systems as the “lungs of the building.” (Courtesy CTC)

CTC realized Piano’s design concept by designing and fabricating a cladding system of a structural steel tube framework covered by extensive FRP panels.

For his design of the Resnick Pavilion at the Los Angeles County Museum of Art (LACMA), Renzo Piano revived an idea he first explored with Richard Rogers in their design of the Centre George Pompidou in Paris: the idea of the building as an organic breathing machine. At Pompidou, the architects turned the museum’s mechanical systems into expressive elements, color coding the pipes, ducts, gantries, and escalators and pulling them to the exterior of the structure. At the Resnick Pavilion, Piano located the mechanical rooms and air handling units prominently outside the four corners of the 45,000-square-foot building, applying cladding to the ductwork in a bright red color used in circulation corridors throughout the LACMA campus.

Piano turned to Capastrano Beach, California-based design/build firm CTC (Creative Teknologies Corporation) to realize his design concept. “We took in data from three parties,” said CTC president Eric Adickes. “Piano gave us perspective sketches of how he wanted the air handling units to look, the air conditioning contractor, Acco, gave us Revit drawings, and the general contractor, MATT Construction, gave us 2D Autocad documents of the building and concrete foundation.” From those sources, CTC developed 3D models of a cladding system for the ventilation ducts using CATIA.

Read More

A Panoramic View of London From the Top of The Shard

International
Friday, February 1, 2013
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London viewed from the top of the Shard. (Courtesy The Guardian)

London viewed from the top of the Shard. (Courtesy The Guardian)

It’s been a good year for breathtaking views of cities around the world so far. Today the observation deck at the top of Renzo Piano’s Shard Tower in London opened to the public after London Mayor Boris Johnson cut the ribbon on the 800-foot-high platform. To celebrate, The Guardian has launched an interactive panorama of London taken from the top of the Shard, some 1,150 feet above the city streets, complete with the wooshing sound you very well might hear if you were actually perched atop the tower. The panorama also features stories and statistics about buildings and places throughout the city as you pan and zoom for the rest of the evening.

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