Rem Koolhaas To Design an Aerotropolis in Qatar

International
Monday, March 11, 2013
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(Courtesy OMA)

(Courtesy OMA)

OMA announced on Friday that it will design a master plan for Airport City, an ambitious 3.9-square-mile project that will link the new Hamad International Airport with Doha, Qatar. Recalling the ideas put forth last year by John D. Kasarda and Greg Lindsay in Aerotropolis: The Way We’ll Live Next, OMA’s enterprising piece of urbanism will incorporate four distinct districts along a green axis of public spaces parallel to the airport’s runways to create a functionally differentiated but continuous urban system. Residential, business, aviation, and logistics districts will be tied together in a new type of 21st century transit oriented development.

Continue reading after the jump.

Koolhaas Reveals More About the 14th Venice Biennale

International
Friday, January 25, 2013
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Rem Koolhaas.

Rem Koolhaas.

The 14th installment of the Venice Architecture Biennale, to be spearheaded by Rem Koolhaas, will be called Fundamentals, the architect announced today at a press conference today. “Fundamentals will be a Biennale about architecture, not architects,” Koolhaas said in a statement. “After several Biennales dedicated to the celebration of the contemporary, Fundamentals will focus on histories – on the inevitable elements of all architecture used by any architect, anywhere, anytime (the door, the floor, the ceiling etc.) and on the evolution of national architectures in the last 100 years.” The Biennale will take place from June 7 through November 23, 2014.

View Koolhaas’ full statement after the jump.

Dome, Sweet Dome: Artist Knits a Hat For Rem Koolhaas

Eavesdroplet, West
Monday, January 21, 2013
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Rem Koolhaas, the Koolhaas Hat, and the Seattle Public Library. (Montage by AN)

Rem Koolhaas, the Koolhaas Hat, and the Seattle Public Library. (Montage by AN)

We’ve always known that Rem Koolhaas has a special relationship with textiles and those who make them. But watch out Petra Blaisse, someone else may be hoping to knit his way into Rem’s heart. According to the blog Knitting Daily, artist Jared Flood has created the wool “Koolhaas Hat,” a toboggan whose diamond-shaped pattern is inspired by the facade of OMA’s Seattle Public Library. We hope Flood will send a sample directly to Rotterdam. Watching a recent video of Rem accepting the annual Charles Jencks Award at RIBA in London, the formidable noggin looked particularly windswept.

Photo of the Day: Hanging Out With Zaha and Rem in the 70s (Updated!)

International
Friday, January 18, 2013
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Zaha Hadid and Rem Koolhaas.

Zaha Hadid and Rem Koolhaas.

Spotted on a Chinese Twitter account and now making its way around various online social networks, behold Zaha Hadid as an up-and-coming young architect working at OMA and her boss, with a full head of hair, Rem Koolhaas likely taken sometime in the 1970s. Hadid split from OMA in 1979 to start her own firm. As an added bonus, check out another photo of Zaha Hadid as a child in front of the Trevi Fountain in Rome after the jump.

Update! A reader sent in proof that the above photo, of unknown Chinese provenance, is a forgery. While showing both Zaha and Rem, the two were stitched together digitally. Take a look at the Zaha Hadid above photographed solo after the jump.

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Koolhaas to Mastermind 2014 Venice Biennale

International
Tuesday, January 8, 2013
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Rem Koolhaas. (Jori Klein)

Rem Koolhaas. (Jori Klein)

Rem Koolhaas has been named director of the 2014 Venice Biennale, the 14th edition of the architecture exhibition. Koolhaas, a leading thinker and persistent provocateur in the discipline, succeeds David Chipperfield. “The Architecture Exhibitions of the Biennale have gradually grown in importance internationally,” said Biennale President Paolo Baratta in a statement. “Rem Koolhaas, one of the most significant personalities among the architects of our time—who has based all his work on intense research, now renowned celebrity—has accepted to engage himself in yet another research and, why not, rethinking.”

Chipperfield’s exhibition, called Common Ground, which sought to identify continuities across cultures, time periods, and architectural approaches, divided critics. Koolhaas will take a different approach: “We want to take a fresh look at the fundamental elements of architecture—used by any architect, anywhere, anytime—to see if we can discover something new about architecture.”

 

Clean Vitrine: Security Issues at OMA’s Rotterdam Kunsthal

East, Eavesdroplet
Monday, November 26, 2012
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Inside OMA's Rotterdam Kunsthal. (FaceMePLS/Flickr)

Inside OMA’s Rotterdam Kunsthal. (FaceMePLS/Flickr)

On October 16 thieves nabbed a handful of valuable paintings, including works by Picasso, Matisse, and Monet, from the Kunsthal gallery in Rotterdam. At least one person points the finger at the architecture by home team OMA. Citing an interview with Dutch security expert Ton Cremers, Dezeen.com reports that the open plan and glass walls are a nightmare for guards. Cremers appreciates the design aesthetic of the museum, which was completed in 1992, but noted, “It’s an awful building to protect.”

 

Videos> The 425 Park visions of Foster, Koolhaas, Rogers, and Zaha Hadid

East
Wednesday, November 14, 2012
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Norman Foster's winning design. (Courtesy Foster + Partners)

Norman Foster’s winning design for 425 Park. (Courtesy Foster + Partners)

After today’s announcement of Norman Fosters next project in New York, a luxury condo tower at the United Nations, we just can’t get enough of the British starchitect. Luckily, a stash of video renderings and presentations from the firms behind the planned 425 Park tower can provide just the fix. It wasn’t too long ago that the starchitect-filled competition for the new Park Avenue tower selected Foster + Partners as its winner. Now after the design presentations at the recent MAS Summit and the release of photo renderings from all players—including runners up Richard Rogers, Rem Koolhaas, and Zaha Hadid—we can indulge in the virtual demonstrations of their designs.

Click through to view the videos.

Slideshow> Foster Won, But Check out Zaha Hadid, Rem Koolhaas, & Richard Rogers’ NYC Visions

East, Newsletter
Thursday, October 18, 2012
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Norman Foster's winning design. (Courtesy Foster + Partners)

Norman Foster’s winning design. (Courtesy Foster + Partners)

Park Avenue in Manhattan is ready to grow taller, and a starchitect-filled competition won by Lord Norman Foster revealed the first of what’s likely to be many new towers along the corridor. But what of the three runners up? Renderings from all four finalist—Zaha Hadid, Richard Rogers, OMA, and Norman Foster—have now been released by L&L Holdings and Lehman Brothers detailing four distinct visions for the future of the New York skyscraper.

Foster’s final winning design will be presented at the Municipal Arts Society’s Summit for New York City, which begins on Thursday, October 18 (Foster will present on Friday at 9 a.m.). Also during the two day summit, an exhibition displaying the work of all four finalists’ designs will be on view.

Check out all four proposals after the jump.

Rem’s Next New York Commission is in the Bag

East, Newsletter
Tuesday, July 31, 2012
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OMA to design Coach display in New York and Tokyo.

OMA to design Coach display in New York and Tokyo.

High-design fashion label Coach has been pursuing big-name architects, recently announcing its corporate headquarters will be the anchor tenant for a new Kohn Pederson Fox tower at Hudson Yards with James Corner Field Operations and Diller Scofidio + Renfro’s High Line running underneath. Next up, Rem Koolhaas’ OMA will design the brand’s new flagship shop-in-shop at Macy’s in Herald Square.

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And Then There Were Four at 425 Park.  And Then There Were Four at 425 Park The Times is reporting that four finalists are competing to build a new tower at 425 Park Avenue in Midtown Manhattan: Norman Foster, Rem Koolhaas, Zaha Hadid, and Richard Rogers. AN previously reported an international roster of 11 firms were in the running. The new tower could be the first of many in the area, if the Department of City Planning’s proposal to up-zone the area is approved.

 

A Film About Rem By his Son and OMA

Eavesdroplet, International
Monday, June 25, 2012
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CCTV Building. (Courtesy Tomas Koolhaas)

CCTV Building. (Courtesy Tomas Koolhaas)

The film My Architect, the story of Louis Kahn’s son on a mission to discover and understand his father, won over the hearts and praise of even the lay-est of architectural laypersons. The effects of which—a fresh spotlight on the work and life of a brilliant designer—did not fall on blind eyes. Tomas Koolhaas is making a film about his father, Rem Koolhaassee the Facebook page!—called REM set to debut in 2013. It also appears from rough clips that the CCTV building in China will play a central role in the story. Awesome! We can’t wait to see this quaint little film about a humble and modest architect and his role in designing the media headquarters for political oppression and censorship in China. We’ll get the popcorn!

Teaser clips from Tomas Koolhaas after the jump.

Visitors Become Performers at OMA’s Marina Abramovic Institute

East
Tuesday, May 8, 2012
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OMA's design for a 650-seat theater at the Marina Abramovic Institute for the Preservation of Performing Arts in Hudson, New York. (Courtesy OMA)

OMA's design for a 650-seat theater at the Marina Abramovic Institute for the Preservation of Performing Arts in Hudson, New York. (Courtesy OMA)

What makes the performing arts so thrilling is also what makes them so elusive—they are, by nature, ephemeral. Any documentation of a performance is only a pale reflection of what it’s like to be there in the moment. So when performance artist Marina Abramovic began to contemplate what her own legacy would be, she thought beyond biographies, retrospectives, or monuments and instead began to develop a method of generating the kind of experiences she valued, one that would allow her kind of performances to continue long after the artist was no longer present.

Starting in late 2014, “long duration” (six hours plus) performance pieces as well as facilities intended to initiate the public into performance art will be housed in the Marina Abramovic Institute for the Preservation of Performance Art (MAI) in Hudson, New York. The institute will occupy an old 20,000 square-foot theater that was purchased by Abramovic in 2007 and whose interior is being redesigned by Shohei Shigematsu and Rem Koolhaas of OMA.

Continue reading after the jump.

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