At the 2014 Venice Architecture Biennale, Rem Koolhaas set the theme “Absorbing Modernity: 1914-2014″ for the national pavilions, and many countries took it up through the lens of domesticity. The Taiwanese American architect Jimenez Lai examined the spaces and rituals of Taiwanese life with his exhibition Township of Domestic Parts. Lai created “superfurniture,” overscaled, Memphis-inflected installations that interpreted ideas such as museum-like living rooms—part shrine, part show place, reserved only for guests. The result is a fantasy hangout space, which conjures up memories of childhood.
When Rem Koolhaas gave the 14th Venice Architecture Biennale the theme Fundamentals, he promised to create a research-based exhibition that would consider both the universal and place-specific aspects of the discipline. Serving as a counterweight to the multidisciplinary but single-country-focus of Monditalia, which fills the Arsenale at the Venice Biennale, the Central Pavilion in the Giardini is hosting The Elements of Architecture, which looks at the basic components of building around the world: the floor, walls, windows, stairs, elevators, etc. Based on a book of the same name, the exhibition juxtaposes the mundane and the cutting edge, building science with artistic interpretations, historical facts with speculative futures.
The Seattle Central Library celebrated its 10th anniversary this year on May 23rd with live music, free treats and refreshments, and guest appearances from some of the chief architects and minds behind the construction of the building. Regarded as the prize library of Seattle’s library system, the Seattle Central Library, designed by Rem Koolhaas’ OMA, has also garnered criticism and acclaim for its unique architectural design. To celebrate the decade, AN has compiled a collection of ten great photos that will give the online viewer a virtual tour of Seattle’s unique cathedral of reading.
Cornell architecture professor Jonathan Oschorn has taken Rem Koolhaas’ Milstein Hall—an expansion of the university’s architecture school—to task in a critique, calling it “by virtually any conceivable objective criterion, a disaster.” While Oschorn admitted that the building possesses great aesthetic interest, his quibbles lie in the project’s functionality. He calls out no less than seven fire safety issues, including that the auditorium only has a single means of egress and that there are no fire walls separating it from the existing buildings that it connects—Sibley and Rand halls.