More in Milan: Rem Koolhaas’ arts complex for Prada brings together old and new—with gold

OMA-.-fondazione-prada-.-milan-(19)

(Courtesy OMA)

Should you be looking for yet another reason to add Milan to your architectural travel itinerary, the Prada Foundation is scheduled to open its many doors to the public on May 9. Designed by Rem Koolhaas/OMA, the campus—part new construction, part rehabbed structures—will include 120,000 square feet of exhibition space, a theater, a children’s area, a restaurant, and library.

And Rem plans to wrap another building in gold leaf.

This picture frame swaps out paintings with the wave of a hand

Displaying-Lightbox-Design---Close-Up---Feat.-Joao-Paulo-Bernardes-(lo-res)

In an essay in the latest Art Forum magazine, architect Rem Koolhaas focuses his current research on what he calls the “new, networked technologies that are transforming the way we experience space and time,” and, he said, “seem resolutely intangible, a universe apart from bricks and mortar.”

Continue reading after the jump.

Back in Green: Jean Prouvé furnishings reissued and retooled with a little help from Rem Koolhaas

Design, International, Product
Wednesday, April 1, 2015
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g-star-raw-vitra-furniture-collection-02-960x640

(Courtesy G-Star)

More than seventy years after their creation, a collection of classic office furniture by Jean Prouvé is being updated and released to the market. Dutch fashion purveyor G-Star, in conjunction with Swiss furniture manufacturer Vitra, have developed “Prouvé Raw,” a collection of ten pieces that include chairs, desk and wall lighting, conference tables, and writing desks.

And Rem Koolhaas also plays a role in this revival.

Continue reading after the jump.

Rem Koolhaas is the latest starchitect to join the High Line scene

Rem Koolhaas.

Rem Koolhaas.

It was always a question of when—not if—Rem Koolhaas would join the starchitect party alongside New York City’s High Line. With the third phase of the popular park open, and multiple splashy projects rising alongside it, the New York Post is reporting that Koolhaas’ time has come: he has been hired by The Related Companies to design a building on West 18th Street.

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Will China Become a Design Dictatorship?

Galaxy-Soho-Zaha

(Courtesy Zaha Hadid)

The days of China as a staging ground for progressive, even experimental, architecture may be numbered. High-profile projects by Rem Koolhaas, Zaha Hadid, Steven Holl, et al, while the delight of design aficionados around the world, haven’t impressed Chinese President Xi Jinping—at least in a positive way.

Continue reading after the jump.

Want a Rem in your room? Beijing’s CCTV tower transformed into a wardrobe

GalleryALL_NaihanLi_CCTVwardrobe_2

(Courtesy Design Miami)

At the recent Design Miami fest, artist Naihan Li exhibited her work-of-art wardrobe, which is helpfully—or confusingly—titled I AM A MONUMENT. (Apologies, and a tip of the chapeau, to Robert Venturi, Denise Scott Brown, and Steven Izenour.) The monument in question is, of course, Rem KoolhaasCCTV building.

Continue reading after the jump.

OMA heading back to China with an exhibition center in Shanghai

Rendering of the Lujiazui Exhibiton Centre, along the Pudong waterfront.

Rendering of the Lujiazui Exhibiton Centre, along the Pudong waterfront.

Having designed what is arguably Beijing’s most recognizable building, CCTV, OMA is ready to make a similar, if slightly smaller, mark in Shanghai. They’ve just won a commission to design the Lujiazui Exhibiton Centre, located on the northern edge of Shanghai Pudong, a famed tower-filled area along the Huangpu River.

Continue reading after the jump.

On View> Drawings by Hadid, Tschumi, Gehry, Libeskind, and Koolhaas are being exhibited right now in St. Louis

Architecture, Art, Midwest, On View
Thursday, December 11, 2014
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(Courtesy Kemper Art Museum)

A drawing by Zaha Hadid is part of the exhibition. (Courtesy Kemper Art Museum)

Drawing Ambience: Alvin Boyarsky and the Architectural Association
Mildred Lane Kemper Art Museum
Washington University in St. Louis
1 Brookings Dr, St Louis, MO
Through January 4th

The Mildred Lane Kemper Art Museum in St. Louis is currently exhibiting early drawings from some of the world’s leading architects including Zaha Hadid, Bernard Tschumi, Frank Gehry, Daniel Libeskind, and Rem Koolhaas. The works come from the private collection of the late Alvin Boyarsky who chaired the Architectural Association School of Architecture (AA) in London from 1971 to 1990.

More info after the jump.

Miami Beach approves revised convention center plan by Fentress, Arquitectonica, West 8

Public space at the Miami Beach Convention Center. (Courtesy West 8)

Public space at the Miami Beach Convention Center. (Courtesy West 8)

The Miami Beach Design Review Board has unanimously approved the scaled-back renovation of the city’s convention center. The $500 million project is being led by Fentress Architects with Arquitectonica covering the structure’s facade, and West 8 overseeing landscape design. As AN wrote last month, despite the center’s rippling aluminum exterior, the overall plan doesn’t quite pack the punch of the more dramatic (and more expensive) one drawn up by Rem Koolhaas. That plan came out of the epic head-to-head matchup between Koolhaas and his former student, Bjarke Ingels. Koolhaas ultimately won, but the design was scrapped, so here we are.

Continue reading after the jump.

After a high-profile design competition, Miami Beach Convention Center dials it back

Architecture, Design, East, Newsletter
Tuesday, October 28, 2014
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Miami Beach Convention Center. (Courtesy Fentress Architects / association with Arquitectonica)

Miami Beach Convention Center. (Courtesy Fentress Architects / association with Arquitectonica)

Remember that exciting design competition between Bjarke Ingels and Rem Koolhaas to revamp the Miami Beach Convention Center? Remember those two bold plans, all of those exciting renderings, and the official announcement that Koolhaas had won the commission? And then remember when the Miami Beach mayor said no to the whole thing and Arquitectonica was tapped for a less-expensive renovation? Well, now there’s a new milestone in the convention center soap opera.

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Rem Koolhaas’ Biennale: Or how the Tempest Swept Venice

Architecture, International, Review
Wednesday, October 15, 2014
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peter-lang-biennale-02

[Editor’s Note: The Venice Architecture Biennale is still on through November 23 and it’s still proving to be controversial. Professor Peter Lang shares his thoughts on Rem Koolhaas’ event here.]

A Tale about the Magician Koolhaas who plays Prospero, lives on an island in the Venetian Laguna, and brings a Tempest to the Venice Biennale.

Miranda:
O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in’t.
—William Shakespeare, The Tempest, Act V, Scene I, ll. 203–206[5]
(Aldous Huxley quoted this line from the Tempest for the title of his dystopian novel Brave New World published in 1931)

In choosing to take a different perspective on the 14th edition of the Architecture Biennale in Venice directed by Rem Koolhaas, I decided to skip the standard blow-by-blow critique, and instead confront what I believe is the greatest enigma behind this controversial event. Up till now, the majority of critics taking a look at this year’s exhibition find fault with Koolhaas’ method, not so much with his madness. But the key to the exhibition is not in its studied aloofness, but in its insubordination—Koolhaas is determined to shake up the Biennale institution by any means possible.

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Moscow’s Shukhov Tower won’t be dismantled after all

THE SHUKHOV TOWER. (COURTESY RICHARD PARE)

THE SHUKHOV TOWER. (COURTESY RICHARD PARE)

One of Russia’s most distinctive pieces of architecture—the 1920s-era Shukhov Radio and Television tower in Moscow—has skirted what appeared to be its imminent death.

Read More

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