In Beirut, a group of activists seeks to protect a coastal area by setting up a grassroots design ideas competition
In the last two decades, Beirut’s real estate market boomed and transformed the city. One of the yet non-developed areas of the city is a coastal area called Dalieh. Despite the fact that this area is privately owned, it was used as an openly accessible space by the public for years. However, recent development plans, aiming to build a high-end real estate complex, would largely change the open access and current character of this space.
Last September, the Council on Tall Buildings and Urban Habitat invited me to serve as the special media correspondent for its Shanghai symposium, entitled Future Cities: Towards Sustainable Vertical Urbanism.
I conducted video interviews with dozens of architects, developers, building managers, and others on topics relevant to tall building design and sustainable urbanism. Among the many designers, engineers and other tall building types I interviewed were Jos Melchers of MAB Development & OMA partner Ellen van Loon. We discussed the design of De Rotterdam, an innovative mixed-use development that won CTBUH’s 2014 Best Tall Building award for Europe.
In an essay in the latest Art Forum magazine, architect Rem Koolhaas focuses his current research on what he calls the “new, networked technologies that are transforming the way we experience space and time,” and, he said, “seem resolutely intangible, a universe apart from bricks and mortar.”
More than seventy years after their creation, a collection of classic office furniture by Jean Prouvé is being updated and released to the market. Dutch fashion purveyor G-Star, in conjunction with Swiss furniture manufacturer Vitra, have developed “Prouvé Raw,” a collection of ten pieces that include chairs, desk and wall lighting, conference tables, and writing desks.
And Rem Koolhaas also plays a role in this revival.
It was always a question of when—not if—Rem Koolhaas would join the starchitect party alongside New York City’s High Line. With the third phase of the popular park open, and multiple splashy projects rising alongside it, the New York Post is reporting that Koolhaas’ time has come: he has been hired by The Related Companies to design a building on West 18th Street.
At the recent Design Miami fest, artist Naihan Li exhibited her work-of-art wardrobe, which is helpfully—or confusingly—titled I AM A MONUMENT. (Apologies, and a tip of the chapeau, to Robert Venturi, Denise Scott Brown, and Steven Izenour.) The monument in question is, of course, Rem Koolhaas‘ CCTV building.
On View> Drawings by Hadid, Tschumi, Gehry, Libeskind, and Koolhaas are being exhibited right now in St. Louis
Drawing Ambience: Alvin Boyarsky and the Architectural Association
Mildred Lane Kemper Art Museum
Washington University in St. Louis
1 Brookings Dr, St Louis, MO
Through January 4th
The Mildred Lane Kemper Art Museum in St. Louis is currently exhibiting early drawings from some of the world’s leading architects including Zaha Hadid, Bernard Tschumi, Frank Gehry, Daniel Libeskind, and Rem Koolhaas. The works come from the private collection of the late Alvin Boyarsky who chaired the Architectural Association School of Architecture (AA) in London from 1971 to 1990.
The Miami Beach Design Review Board has unanimously approved the scaled-back renovation of the city’s convention center. The $500 million project is being led by Fentress Architects with Arquitectonica covering the structure’s facade, and West 8 overseeing landscape design. As AN wrote last month, despite the center’s rippling aluminum exterior, the overall plan doesn’t quite pack the punch of the more dramatic (and more expensive) one drawn up by Rem Koolhaas. That plan came out of the epic head-to-head matchup between Koolhaas and his former student, Bjarke Ingels. Koolhaas ultimately won, but the design was scrapped, so here we are.