One of the biggest architectural head-to-head matches of 2014 has come to an amicable end. As AN reported last fall, Zaha Hadid sued New York Review of Books critic Martin Filler for defamation for comments he made about her in a review of Rowan Moore’s Why We Build: Power and Desire in Architecture.
The Arab state of Qatar is in full swing with its plans to host the FIFA World Games 2022. Selected in 2010, it is the first time in the history of FIFA that a Middle Eastern Country has been chosen to host the tournament.
Three existing stadiums will be expanded and nine new ultra-modern stadiums will be built, including one designed by Zaha Hadid Architects. The stadiums will reach capacities from approximately 45,000 seats for the group matches, to more than 85,000 seats for the finals. The design vision involves keeping all the stadiums within a one hour drive from the FIFA headquarters, allowing fans to attend more than one game a day.
Zaha Hadid is on a stadium kick of late. Work has already begun for the design of a 2022 FIFA World Cup Stadium to be built in Qatar by Zaha Hadid Architects and AECOM. The 45,000-seat stadium is meant to visually embody an oasis and will be built 12 miles southeast of capital-city, Doha.
OMA announced on Friday that it will design a master plan for Airport City, an ambitious 3.9-square-mile project that will link the new Hamad International Airport with Doha, Qatar. Recalling the ideas put forth last year by John D. Kasarda and Greg Lindsay in Aerotropolis: The Way We’ll Live Next, OMA’s enterprising piece of urbanism will incorporate four distinct districts along a green axis of public spaces parallel to the airport’s runways to create a functionally differentiated but continuous urban system. Residential, business, aviation, and logistics districts will be tied together in a new type of 21st century transit oriented development.
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High-performance concrete creates new possibilities for a community college facade.
A new generation of concrete, called Ultra High Performance Concrete (UHPC), is changing the way architects and designers think about the material. Usually composed of cement, fine grain sand, silica fume, optimized admixture, and alkali-resistant glass fiber reinforcement, UHPC offers high ductility, strength, and durability with a fine surface appearance. A new UHPC product called TAKTL, launched last year, shows the many additional applications that are possible with the right material mix, including facade panels available through its sister company VECTR. Recently chosen by Milan-based Wilson Savastano Venezia Architecture Studio for its Dukhan Community College (DCC) project in Qatar, the company is in the research and development phase for perforated and solid panels to clad the school’s sculptural facade.
Continue reading after the jump.
BYO Cloud. Not since the Romans stretched the vela around the Coliseum has there been such a radical solution for stadium shading. Qatar plans to create man-made clouds (“a lightweight carbon structure carrying a giant envelope of material containing helium gas”) to float over the stadium where the World Cup will be held in the summer of 2022. More details in The Daily Mail.
Fatal attraction? Why do we live in dangerous places? Scientific American investigates their allure and the ecological consequences–good and bad–for both plant and animal life.
ESI 2 DC. The Washington Post reports that President Obama has tapped New York’s own Edwin Schlossberg, founder of the interactive design firm ESI, to serve on a federal panel that helps oversee the architecture and design of the nation’s capital. (Schlossberg is the more designer-y half of Caroline Kennedy and also one of the founders of the not-for-profit desigNYC.)
More rigor, less speed. At Slate, Witold Rybczynski makes the case for slow architecture: “No wonder that Renaissance architectural treatises often seem cerebral; architects spent a lot of time thinking before they started drawing.”
Fresh from landing the commission for the Serpentine Gallery’s annual summer pavilion in London, French architect Jean Nouvel was in New York yesterday for the official unveiling of the new National Museum in Doha, Qatar. Designed as a ring of low-lying, interlocking pavilions encircling a large courtyard, the 430,000-square-foot structure is created from sand-colored disks that define floors, walls, and roofs, almost as if growing out of the desert landscape. Read More