Postmodern Procedures is a two-day conference at Princeton School of Architecture that offers an alternate history of Postmodernism. The goal is to find something that is less about signs and symbols or historic references, and more about longer-form processes that produced the visual syntax of some of the most interesting projects in architectural history. Follow along as AN will be posting updates all day on Saturday, December 5.
ILLINOIS GOVERNOR RAUNER ANNOUNCES STATE’S PLAN TO SELL CHICAGO’S POSTMODERN ICON. (Photo by Rainer Viertlboeck)
Hot on the heels of round table discussions of the preservation of Postmodern monuments at the Chicago Architecture Biennial. One of Chicago’s most iconic and controversial Postmodern landmarks finds itself on unsure footing. The James R. Thompson Center, designed by Helmut Jahn and constructed in 1985, was the site of a press conference held by Illinois Governor Bruce Rauner to announce the proposed sale of the building.
The Vanna Venturi House in Philadelphia is for sale. That’s right, the Vanna Venturi House. Robert Venturi’s 3 bed, 2 bath, 1,986-square-foot work of seminal Postmodern architecture can be yours for only $1,750,000. Located in a quiet Philadelphia neighborhood, the house is for sale for the first time in 43 years.
[Editor’s Note: This post was written by Edward Gunts and James Russiello.]
The Portland Building, once considered for demolition, will be spared from the wrecking ball and renovated, according to its architect. Michael Graves, the building’s architect, said in late November that city officials have decided to renovate it for continued use as municipal offices and have asked him to serve on a committee that will coordinate the redesign effort. AN spoke to Graves at a symposium organized by the Architectural League of New York.
“It’s going to be saved,” Graves said. “They told me… They said they are saving the building and not only that but we want you to sit on a committee for the redesign.” Graves added that a time frame for the work has not been set but “I would imagine in the next year we’ll do something.” Dana Haynes, communications director for Portland Mayor Charlie Hales, confirmed that the Portland Building is not under threat of demolition and will continue to house city employees. He said Portland’s annual capital budget process will begin in January and city officials likely will begin to look at what resources the city might have to address flaws with the building at that time. Haynes said he was not aware that Graves had been asked to serve on a commission to help oversee work on the building, but he said he thought that made sense.
Mayor Rahm Emanuel‘s announcement that Chicago would launch an international festival of art and architecture—its own take on the famous Venice biennale—drew jeers and cheers from the design community both near and far from The Second City. AN called for the show aspiring to be North America’s largest architectural exhibition to go beyond tourism bromides.
Now the upstart expo has a name, as well as its first show. Read More
Times Square 1984: The Postmodern Moment
The Skyscraper Museum
39 Battery Place, New York
Through January 18, 2015
Times Square is one of the most renowned cultural hubs in the entire world. It is commonly heralded as the perfect tourist attraction: full of bright lights at night, giant LED billboard signs, and men in furry costumes of Elmo and the Cookie Monster. Times Square 1984: The Postmodern Moment, currently on view at The Skyscraper Museum, enlightens visitors with the recent history of Times Square and how it became what it is today.
After a decade at the helm, Paul Gunther is stepping down as the president of the Institute of Classical Architecture & Art (ICAA). Under Gunther’s leadership the ICAA expanded to include 15 national chapters, and grew into a 14 person organization. In addition to holding lectures and symposia throughout the year, the Institute publishes the journal The Classicist, and it awards a summer fellowship for landscape painting. Last year the Institute held a provocative symposium reexamining postmodernism’s relationship to classicism, which drew a wide audience including senior members of the architectural community who rose to prominence in the pomo heyday of the 1980s as well as young designers drawn to the playful iconography of the period.