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Prismatic pyramid evokes desert mirage by day, Aurora Borealis by night.
Given that their pyramidal acrylic installation at this summer’s Burning Man was inspired in part by Pink Floyd‘s Dark Side of the Moon album cover, it seems safe to say that the architects at Red Deer “get” the festival’s vibe. “We try to get very intimate with our sites, so it was interesting to approach one that we hadn’t been able to visit,” said founding director Ciarán O’Brien. “Some of the primal forces we could see at play there were the heat of the desert and the way people interact with structures. Specifically, for us it was about light in all its forms.” The UK firm worked closely with the structural engineers at Structure Mode to design a transparent six-meter-tall structure comprising interlocking equilateral triangles, while New York Institute of Technology professor Charles Matz contributed an integrated light display based on the Aurora Borealis. “All kinds of imagery came to mind that held to the desert landscape,” said O’Brien. “By day, the concept evoked a mirage; by night, a kaleidoscope. One is ephemeral, a non-place; the other is specific, a beacon.” Read More
British rock band Pink Floyd famously opined, “We don’t need no education,” and maybe they were right. The band was founded by a group of architecture students—Nick Mason, Roger Waters, and Richard Wright—at the Regent Street Polytechnic, now the University of Westminster, which served as the band’s first rehearsal space and performance venue in the early 1960s. As the band gained popularity, the architecture students left school to focus on their music.