Matter, Light, and Form: Architectural Photographs of Wayne Thom, 1968-2003
6518 Hollywood Boulevard, Los Angeles
Through December 20, 2015
Best known for his keen documentation of Late Modernism, Wayne Thom’s architectural photography brings drama and beauty to a period marked by corporate and developer-driven design. Now, the Julius Shulman Institute at Woodbury University presents an exhibition of Thom’s work at the WUHO Gallery in Hollywood.
Cairo’s Townhouse gallery is hosting an exploration of Egypt’s housing crisis through the lens of 18 photographs by Anthony Hamboussi. The views encapsulate urban and architectural vistas that tell the story of “housing real estate in all sectors of the economy, formal and informal, from high-end developments to state-built “affordable” housing and piecemeal private investments.”
But act fact, SURPLUS! Housing from the Periphery closes on November 4.
Last year artists Petra Bachmaier and Sean Gallero led a collaborative effort to take over Mies van der Rohe’s Farnsworth House with kaleidoscopic light and video loops. That project, INsite, followed similar work at Frank Lloyd Wright’s Fallingwater and Robie House, and imbued Mies’ modernist touchstone with a vivacity often lacking in the contemporary experience of midcentury interiors. (Read AN‘s review of Luftwerk’s INsite installation here.)
Kim Stringfellow’s Jackrabbit Homestead
The Autry in Griffith Park
4700 Western Heritage Way
Through August 23
The California desert has long been an object of fascination for creatives and explorers fleeing the monotony and sprawl of Los Angeles. Artist Kim Stringfellow follows in that tradition with Jackrabbit Homestead, an exhibition that explores—through photographs and audio interviews—a collection of dilapidated 1950s cabins and the surrounding reclamation of land and structures in this harsh landscape.
Photographer Wayne Thom captured Late Modernism like no one else, and now his archive is looking for a home
As 1970s and 1980s architecture returns to vogue, a new recognition of those associated with its making and documentation also arises. So it is with Wayne Thom, long the preeminent architectural photographer of the large, Late Modern building by the large firm.
David Hartt: Interval
Art Institute of Chicago
111 South Michigan Avenue, Chicago
Through October 11
Canadian artist David Hartt examines the culture and built environment of a given locale through the changing needs and values of its community. For this essayistic series of films and photographs, Hartt selected two economically and geographically isolated sites: Whitehorse in the Canadian Yukon and Sakhalin Island, a Russian territory at the tip of the Japanese archipelago.
Gregory Ain: Low-Cost Modern Housing and The Construction of a Social Landscape
6518 Hollywood Boulevard, Los Angeles
Through April 26
Gregory Ain was a pioneer in the development of low-cost modern housing, and many of his efforts fused radical, left-wing politics and cooperative living with architecture. And a new exhibit in Los Angeles spotlights five of the architect’s most innovative housing projects.
Like a lone pea out of its pod, the desolation of a solo row house waxes stark in Baltimore-based photographer Ben Marcin’s new series: Last House Standing. Often painted in garish colors at variance with their boarded-up windows and battered brickwork, the row houses are an architectural quirk of certain cities along the eastern seaboard.
Chicago’s Harrington College of Design on Wednesday abruptly announced it will merge with Columbia College.
Jim McCoy, Harrington’s vice president of operations, told AN the school will no longer accept new students, but won’t shut the door on its existing student body.