Last year artists Petra Bachmaier and Sean Gallero led a collaborative effort to take over Mies van der Rohe’s Farnsworth House with kaleidoscopic light and video loops. That project, INsite, followed similar work at Frank Lloyd Wright’s Fallingwater and Robie House, and imbued Mies’ modernist touchstone with a vivacity often lacking in the contemporary experience of midcentury interiors. (Read AN‘s review of Luftwerk’s INsite installation here.)
Kim Stringfellow’s Jackrabbit Homestead
The Autry in Griffith Park
4700 Western Heritage Way
Through August 23
The California desert has long been an object of fascination for creatives and explorers fleeing the monotony and sprawl of Los Angeles. Artist Kim Stringfellow follows in that tradition with Jackrabbit Homestead, an exhibition that explores—through photographs and audio interviews—a collection of dilapidated 1950s cabins and the surrounding reclamation of land and structures in this harsh landscape.
Photographer Wayne Thom captured Late Modernism like no one else, and now his archive is looking for a home
As 1970s and 1980s architecture returns to vogue, a new recognition of those associated with its making and documentation also arises. So it is with Wayne Thom, long the preeminent architectural photographer of the large, Late Modern building by the large firm.
David Hartt: Interval
Art Institute of Chicago
111 South Michigan Avenue, Chicago
Through October 11
Canadian artist David Hartt examines the culture and built environment of a given locale through the changing needs and values of its community. For this essayistic series of films and photographs, Hartt selected two economically and geographically isolated sites: Whitehorse in the Canadian Yukon and Sakhalin Island, a Russian territory at the tip of the Japanese archipelago.
Gregory Ain: Low-Cost Modern Housing and The Construction of a Social Landscape
6518 Hollywood Boulevard, Los Angeles
Through April 26
Gregory Ain was a pioneer in the development of low-cost modern housing, and many of his efforts fused radical, left-wing politics and cooperative living with architecture. And a new exhibit in Los Angeles spotlights five of the architect’s most innovative housing projects.
Like a lone pea out of its pod, the desolation of a solo row house waxes stark in Baltimore-based photographer Ben Marcin’s new series: Last House Standing. Often painted in garish colors at variance with their boarded-up windows and battered brickwork, the row houses are an architectural quirk of certain cities along the eastern seaboard.
Chicago’s Harrington College of Design on Wednesday abruptly announced it will merge with Columbia College.
Jim McCoy, Harrington’s vice president of operations, told AN the school will no longer accept new students, but won’t shut the door on its existing student body.
On March 13, the Los Angeles sky was emblazoned with a trail of upward-facing spotlights, marking every mile of Sunday’s Los Angeles Marathon, stretching 26 miles from Echo Park to Santa Monica. The installation, celebrating the event’s 30th running, and sponsored and designed by shoe company ASICS, used 124 spotlights, totaling more than 7.5 million lumens.
Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860
The Metropolitan Museum of Art
1000 5th Avenue, New York City
Through May 25
In the early days of the British Raj, few people at home in the UK could do anything but imagine the far-away land their nation had conquered and subjected to colonial rule. It would be another 160 or so years before Instagram arrived and the photographic chemistry of the day suffered terribly in the oppressive heat and humidity of the Indian subcontinent. Then along came Captain Linnaeus Tripe.
Sink or Swim: Designing for a Sea Change
Annenberg Space For Photography
2000 Avenue of the Stars, Los Angeles
Through May 3, 2015
Sink or Swim: Design for a Sea Change, at the Annenberg Space For Photography, examines worldwide resiliency strategies in architecture and design for the new challenges brought about by climate change and sea level rise.