LEAD’s “Golden Moon” Shines Over Hong Kong

Fabrikator
Friday, November 16, 2012
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LEAD's "Golden Moon"

LEAD’s “Golden Moon”

Digital design meets traditional Chinese craftsmanship in a pavilion constructed like a paper lantern

Hong Kong-based architects Kristof Crolla (LEAD) and Adam Fingrut (Zaha Hadid) married traditional Chinese craftsmanship and digital design technology in their temporary pavilion, Golden Moon, which won the Gold Award in the Mid-Autumn Festival Lantern Wonderland last month. The 60-foot-tall structure was built in just 11 days atop a reflection pool in Hong Kong’s Victoria Park, proof that “complex geometry can be built at high speed and low cost with the simplest of means,” said Crolla and Fingrut, who sought to rethink digital design by “anchoring the paradigm in a strong materiality.”

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Architects Build A Times Square Pavilion to Promote Dialogue for Veterans Day

East, Newsletter
Monday, November 12, 2012
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Matter's "Peace & Quiet" installation in Times Square. (Courtesy Times Square Alliance)

Matter’s “Peace & Quiet” installation in Times Square. (Ka-Man Tse / Courtesy Times Square Alliance)

Opening today for Veterans Day, a new pavilion designed by Brooklyn-based Matter Architecture Practice aims to bring a little Peace and Quiet to the hectic liveliness of Times Square. The new temporary pavilion, built yesterday and set to remain standing through November 16 is described as a “dialogue station” by its architects. “It is a tranquil place to meet, share stories, leave a note, shake hands, or meet a veteran in person,” Matter continues on its website. Times Square “seemed the ideal circumstance (or mad challenge) to initiate and inform a poignant exchange of ideas, to will intimacy in an instance of its opposite.”

Continue reading after the jump.

Datagrove weaves a tangled electronic web at ZERO1’s Art + Technology Biennial

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Friday, October 19, 2012
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Datagrove installation at ZERO1's Art + Technology Biennial in San Jose, CA. (Future Cities Lab)

Datagrove installation at ZERO1’s Art + Technology Biennial in San Jose, CA. (Future Cities Lab)

Use of cell phones is strongly encouraged for tech devotees flocking to Silicon Valley’s ‘social media whispering wall’

As its name implies, Datagrove is literally a grove of data or a “social media ‘whispering wall,'” if you will, that aggregates locally trending Twitter feeds and parrots them out of speakers and LCD displays woven into the digital branches of the installation. Nonprofit art/technology network ZERO1 commissioned the installation from San Francisco–based experimental design company Future Cities Lab for its Art + Technology Biennial in San Jose, CA, now on view through December 8, 2012. The theme of this year’s Biennial is “Seeking Silicon Valley,” which seems like a particularly appropriate place to plunder data normally hidden away in smartphones and amplify it for all to hear using custom sensors, text-to-speech modules, LEDs, and LCDs capable of responding directly to people in the immediate vicinity.

Continue reading after the jump.

League of Shadows Will Invade SCI-Arc

West
Thursday, October 11, 2012
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(Courtesy P-A-T-T-E-R-N-S)

(Courtesy P-A-T-T-E-R-N-S)

We just got our first look at next year’s SCI-Arc graduation pavilion, League of Shadows, by Los Angeles-firm P-A-T-T-E-R-N-S. Whoah. The pavilion, which will seat 1,200 people, will be built in the SCI-Arc parking lot for graduation events in spring 2013. The three-fingered structure will be made up of multi-story, angled frames (ahem) patterned with dark, vaulted, and layered multi-colored fabric strips, with seams like sails. The pavilion’s significant height will provide long shadows (hence the project’s name) and its location on the south end of the SCI-Arc parking lot will make it a sign for the school. Entries from the four competing architects will be on display in the SCI-Arc Library Gallery from October 19 to December 2.

More photos after the jump.

E/B Office Transforms 300 IKEA Chairs Into Soaring Pavilion

Fabrikator
Friday, September 14, 2012
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Reimagining the chair as an architectural material

With their focus on “environmental acuity and a critical digital ethic,” Brian Bush and Yong Ju Lee of E/B Office describe themselves as “digital architects” who design “real projects that are virtually indistinguishable from their digital visions.” Their most recent vision included 300 of IKEA’s pine wood Ivar chairs arching through the air across the wide lawn at Freedom Park in Atlanta, where SEAT was installed earlier this summer for Flux Projects, a public art organization. Bush and Lee hope that SEAT will encourage people to reconsider the chair as more than just a passive, everyday object, but as an architectural structure in and of itself. Indeed, sitting amongst a swooping pavilion built entirely out of chairs, it would be difficult not to.

No doubt you’ve seen the Ivar chair before, or something like it. Popular for its low price ($24.99) and ability to be painted any color, Ivar is so basic it’s the kind of chair that should pop right up when you do a Google Image search for “chair” (it doesn’t, though IKEA’s Poang does). Because they came from IKEA, all 300 were assembled by hand by Bush, Lee and a team of 15. The chairs were unaltered except for the seat, which was removed from most to make them easier to connect. After Bush and Lee made a 3D model in Rhino with the help of a structural engineer, they launched right into building the full-scale version onsite.  Read More

WXY’s Beach Pavilion Catches a Wave in the Rockaways

East
Tuesday, July 17, 2012
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(Courtesy WXY)

(Courtesy WXY)

As part of Quennell Rothschild’s master plan for the Rockaways, WXY Architects was tapped to design the beach pavilion and two shade shelters. The pavilion will be open to the public tomorrow, Wednesday, July 18, with a ribbon cutting set for later this month.  A wave-like roof flows from a utilitarian box enlivened by glazed brick stripes arranged in muted shades of mint, lime, and hunter green. Circular openings are punched into the roof covering a large outdoor boardwalk made of recycled plastic.

Continue reading after the jump.

Tea Time Pavilion Made From 250,000 Plastic Coffee Stirrers

East
Friday, July 6, 2012
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Jean Shin and Brian Ripel's "Tea House" is at the DeCordova sculpture park through the fall (Courtesy Clements Photograph and Design)

Jean Shin and Brian Ripel's "Tea House" is at the DeCordova Sculpture Park through the fall (Courtesy Clements Photography and Design)

Rarely do red plastic coffee stirrers conjure notions of Walden Pond, but for architect Brian Ripel and artist Jean Shin, the notion is not that far fetched. The duo’s Tea House rooftop installation at the deCordova Sculpture Park and Museum in Lincoln, Massachusetts sits about a mile from Thoreau’s retreat. Ripel pointed out that the connection is somewhat difficult to discern in isolation, but the gabled pavilion frames pristine views absent of any evidence that the museum sits a mere twelve miles from downtown Boston.

Continue reading after the jump.

Central Park Pavilion Restored with Historic and Contemporary Concerns in Mind

East
Thursday, June 21, 2012
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The Heckscher Building

The Heckscher Building

Until recently, the only way to enter Central Park’s oldest and largest playground was through a chain-link fence. The great Heckscher Playground, impressive in scale and amenities, did not have an entrance to match, but a recently completed renovation to the building has retuned the structure to it’s original use with a contemporary twist blending the building’s history with contemporary needs.

Continue reading after the jump.

Australians Plan Pavilion for 2015 Venice Biennale

International
Tuesday, April 3, 2012
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The Australian Pavilion.

The Australian Pavilion. (Courtesy Denton Corker Marshall)

The Venice Biennale is staged in an enormous old Arsenal building and in an urban park a few blocks away that houses 30 national pavilions. The first of these pavilions opened in 1907 and several were designed by famous architects like Josef Hoffmann (Austria), BBPR (Canada), Alvar Aalto (Finland), and Sverre Fehn (Nordic). The United States pavilion was designed by William Adams Delano. There have been very few buildings built in the garden since James Sterling designed the biennial book store in 1991, but just behind the U.S. pavilion the Australians are building a new exhibition space designed by Denton Corker Marshall. The Australian architects describe the pavilion as a simple structure or “a white box contained within a black box.” The pavilion will open in 2015 for the 56th art biennale and its $6 million price tag will be paid for with private funds.

Playable Pavilion Aims to Make Beatboxing an Olympic Sport

International
Friday, March 30, 2012
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Sketch of the Beatbox Pavilion (image courtesy of Pernilla and Asif).

Sketch of the Beatbox Pavilion. (Courtesy of Pernilla and Asif)

Coca-Cola has big plans for an Olympic Park pavilion for London’s 2012 sporting extravaganza. London-based architects Pernilla & Asif have created the “Coca-Cola Beatbox,” a spiraling structure clad in red and white panels that appear to be suspended in frozen animation. It’s not only an intriguing structure but an interactive musical instrument. The experimental architecture works with cutting edge sound technology, encouraging people to interact and “play the pavilion.”

Inspired by sounds of the Olympic games—the plunge of an archer’s arrow into a target, athlete’s quickened heartbeats, squeaking sneakers—the Beatbox will be imbedded with sound-bites created by Grammy Award-winning producer Mark Ronson that  allow visitors to remix their own mashed-up productions.

Check out the renderings after the jump.

Miami on the Make: Adjaye, Fuller, and Foster

National
Tuesday, December 6, 2011
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David Adjaye with his pavilion. (Courtesy Design Miami)

David Adjaye with his pavilion. (Courtesy Design Miami)

Design Miami, the high-design fair that runs with the giant, Art Basel Miami Beach, exhibited two objets d’architecture over the Miami Art Week, and named an architect, David Adjaye, as its 2011 Designer of the Year. Both objets were sculptural pavilions: one is an installation by Adjaye, commissioned for the fair, and the other a restored modernist icon with a utopian agenda. Continue reading after the jump.

Congratulations Mr. Adjaye, DesignMiami’s Designer of the Year

National
Friday, September 9, 2011
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(Courtesy DesignMiami)

David Adjaye's installation for Miami Beach. (Courtesy DesignMiami)

Sometimes it seems like our world is peopled entirely by yesterday’s and tomorrow’s Designers of the Year. But at least DesignMiami’s Global Forum for Design’s Designer of the Year Award comes with a nifty commission. This year the honor goes to David Adjaye and he will be designing a site specific installation for the entrance to the fair’s temporary structure on Miami Beach, open from November 29 through December 4.

Continue reading after the jump.

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