[This photo essay accompanies AN‘s recent article on the pending demise of Paul Rudolph’s Orange County Government Center in New York. Read more here.]
The day before Orange County Executive Director Eddie Diana presented plans for replacing architect Paul Rudolph‘s Orange County Government Center, AN took a trip up to Goshen, New York with photographer Aracelis Diamantis to check out the scene. Diamantis ditched her SLR in favor of a Hipstimatic app on her iPhone. The effect gave the building a haunted-Brutalist-house quality and amplified the the architect’s multi-textured use of concrete.
194X–9/11: American Architects and the City
The Museum of Modern Art
11 West 53rd St.
Through January 2
Prompted by the United States’ entrance into World War II in 1942, Architectural Forum magazine commissioned pioneering architects to imagine and plan a postwar American city. At the tenth anniversary of the 9/11 terrorist attacks, 194X-9/11: American Architects and the City features the plans, renderings, and sculpture of Ludwig Mies van der Rohe, Louis Kahn, Paul Rudolph, and Rem Koolhaas and their ideas for cities of the future. Rarely displayed works, such as Mies van der Rohe’s collage Museum for a Small City Project (1942), above, reveal plans for cultural centers and urban life in uncertain times.
Solar Cycle. The Dutch dream up a ways to capture latent energy beneath bike tires.
Go East Young Man. With the economy in the States still somewhat sour, the good news for West Coast firms is in the East, the Far East, writes AOL’s Daily Finance. AIA’s Scott Frank spills the goods for Danny King.
Walled Out. It was hard to miss the spirited crowd on Chambers Street yesterday as three City Council committees held a joint hearing on Wal-Mart’s proposed move into New York held. Wal-Mart was a no show. The line to get in stretched down the block. And Council Speaker Quinn blasted away. Today’s Daily News editorial found the whole drama, well, dramatic.
Polar Opposites. Ben Thompson and Paul Rudolph were cut from the same Modernist cloth, under the influence of Gropius, but the two took different paths. One was from the north the other from the south, one standoffish, the other a team player. One a sculpture, the other an entertainer. In Architecture Boston, David N. Fixler explores how their forms function.
The latest Upper East Side landmark isn’t another of its signature rowhouses, but rather what’s atop one of those brownstones. Yesterday, the New York Landmarks Preservation Commission unanimously approved landmark status for mid-century architect Paul Rudolph‘s less-than-context-sensitive home at 23 Beekman Place.
Quick! Name that Building!
That’s right, it’s time for another round of our favorite game. You can probably name the architect, thanks to the ribbons of his signature corduroy concrete, to say nothing of the cantilevered passageways and swooping staircases. So it’s Paul Rudolph. But which of his masterworks? It’s not a famous one, so you’ll probably never guess. Okay, you got it. It’s the Hurley Building of his Government Service Center in Boston. It’s an impressive star turn for an architect whose buildings haven’t faired so well of late. And yet it’s good to know that when those Madison Avenue Fatcats still need a structure to shoot on that screams hip futurism, Rudolph’s the go-to guy. Dude’s still got it. Read More
One could make a living chronicling the iniquities visited upon the work of Paul Rudolph (lord knows we certainly have). From modest tract homes to cutting edge office towers, the trail-blazing, highly influential architect’s work has not fared well of late. Of the handful already demolished, as many are on the chopping block, and it has become an ongoing struggle for the Paul Rudolph Foundation to protect what’s left. One of the better projects to come along was the expansion of Rudolph’s Art & Architecture Building at Yale, where he taught for so long. But it now turns out that that was not the only renovation of the great architect’s work going on in New Haven. Read More