Five intervention strategies selected for 2016 Oslo Architecture Triennale

Art, Awards, Design, International
Thursday, February 4, 2016
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Cher by Caitlin Blanchfield, Glen Cummings, Jaffer Kolb, Farzin Lotfi-Jam and Leah Meisterlin (New York City)

Cher by Caitlin Blanchfield, Glen Cummings, Jaffer Kolb, Farzin Lotfi-Jam and Leah Meisterlin (New York City)

The Oslo Architecture Triennale (OAT) invited architects and designers to create intervention strategies for five different sites in Scandinavia. Winners were announced January 28.

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To reduce their carbon footprint, four European cities introduce drastic traffic regulation plans

MADRID TRAFFIC. (DAVIDE ZANCHETTIN // FLICKR)

Traffic in Madrid. (Davide Zanchettin / Flickr)

Amidst the COP21 UN Climate Change Conference, numerous cities announced questionably large goals to reduce carbon emissions. However, Oslo, Stockholm, Amsterdam, and Madrid, have backed their goals with concrete plans for extreme traffic regulation, ranging from a car-free city center in Oslo to free public transportation in Madrid.

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Oslo plans to make its city center free from cars in four years

Köpcentret Oslo City (Jenny Andersson, News Øresund / Flickr)

Köpcentret Oslo City (Jenny Andersson, News Øresund / Flickr)

Norway currently boasts three World Rally Championship drivers (second only to France), all of considerable pedigree, yet its capital city of Oslo is planning to remove cars for good. Along with the proposal to ban cars is the plan to build 37 miles worth of bike lanes by 2019 and a new system for handicap bus services and delivery vehicles.

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Norwegian Invasion: Norsk design and architecture is having a moment

Architecture, Design, International
Wednesday, June 10, 2015
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Touchwood Chairs by Lars Beller Fjetland. (Courtesy Lars Beller Fjetland)

Touchwood Chairs by Lars Beller Fjetland. (Courtesy Lars Beller Fjetland)

When the words “Scandinavian Design” come up, most people quickly think about Finland, Sweden, and Denmark. But Norway is no slouch, either. Recently, the nation’s designers have been drumming up noise in the worlds of furniture, product design, and architecture. A string of exhibitions, a master plan for New York’s Times Square, and a robust program of roadside pavilions and viewing platforms highlight this Norsk moment.

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Snøhetta to launch a new office in Copenhagen with sensory architecture exhibit

Snohetta's Norwegian National Opera and Ballet. (Courtesy Snohetta)

Snohetta’s Norwegian National Opera and Ballet. (Courtesy Snohetta)

Snøhetta, the New York and Oslo–based firm named after Norway’s highest mountain range, is opening an office in Copenhagen. The new space opens on June 18th at the Danish Architecture Centre with an exhibit called World Architecture Snøhetta that invites Danes to come meet the firm.

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Snøhetta Creates Visual Identity for Oslo’s 2022 Winter Games Bid

Design, East, International
Tuesday, April 8, 2014
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Snohetta's visual identity for Oslo. (Courtesy Oslo)

Snohetta’s visual identity for Oslo. (Courtesy Oslo)

Snøhetta has created the visual identity for the Oslo’s bid to host the 2022 Winter Olympics. The design for the main logo takes repetitive, circular forms and casts them in colors inspired by the Olympic rings. These rounded forms appear throughout the city’s application, which is bright and clean. In a statement, the designers said their work “honors the inherent simplicity and openness in Nordic culture,” adding, “the identity represents both the celebration of the Games and the solid planning of the Norwegian bid.”

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Memory Wounded: How Norway is Remembering the Utøya Massacre

A model of the architectural wound that will be inflicted upon the Sørbråten peninsula. (Courtesy Jonas Dahlberg Studio)

A model of the architectural wound that will be inflicted upon the Sørbråten peninsula. (Courtesy Jonas Dahlberg Studio)

It has been close to three years since a gunman detonated a bomb in Oslo and then stormed a small summer camp off the coast of Norway, killing 77 people and cementing a record as the worst mass shooting in modern memory. The Swedish artist Jonas Dahlberg recently won a competition, Memorial Sites After 22 July, to create an official memorial at the sites of the 2011 Norwegian massacres.

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Snøhetta’s Lacy Envelope in Oslo’s Barcode District

Architecture, Envelope, International
Wednesday, January 29, 2014
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The Deloitte Building envelope is composed of 650 white aluminum and glass panels. (courtesy Snøhetta)

The Deloitte Building envelope is composed of 650 white aluminum and glass panels. (courtesy Snøhetta)

A custom designed, prefabricated panel system of white aluminum and glass brings a softer aesthetic to a new development in Norway.

For the Barcode district in Norway—a new, mixed-use high-rise development along the waterfront in central Oslo—the architectural arm of design firm Snøhetta recently completed a 215,000-square-foot building. Two retail levels and 12 levels of workspace for real estate firm Deloitte are wrapped in a prefabricated aluminum and triple-glazed glass facade. Designed to establish a new presence in the Oslo skyline, the firm developed the facade to stand out within the guidelines of the rectilinear master plan and maintains the overall rhythm of the district’s high rises.

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