In an attempt to salvage the now-scrubbed project, Zaha Hadid has released a new video in defense of her firm’s design for the 2020 Tokyo Olympics Stadium. The film presents a robust—albeit familiar—argument for the reinstatement of the building. Once the bona fides of the project team (which includes Arup Sports) are revisited and a sensitivity to Japanese culture is declared, the oblique blame game begins.
BREAKING> Days after announcing its approval, Japanese government decides to drop Zaha Hadid’s Tokyo Stadium
Just days after giving the go-ahead on Zaha Hadid’s hotly contested designs for the Tokyo Stadium, the Japanese government has retracted its stance. With spiraling costs at the heart of contentions, Japanese Prime Minister Shinzo Abe said the project would now “start over from zero.”
Tokyo government approves Zaha Hadid’s designs for the 2020 Tokyo Olympics Stadium while controversy continues
Despite courting backlash for being imposingly large and costly, Zaha Hadid’s designs for the 2020 Tokyo Olympics Stadium have been green-lighted by the Tokyo government. Officials maintain that further modifications at this stage of proceedings would only incur further expenses from construction delays.
As you’ve probably heard by now, Boston blew past the likes of Los Angeles and San Francisco to be selected as the United States’ bid city for the 2024 Summer Olympics. With the announcement official, Boston 2024, the private nonprofit spearheading the bid, has publicly released the presentation it gave to the Olympic Committee back in December.
Alas, despite being hailed as the favorite to represent the United States in the race for the 2024 Olympics, Los Angeles has lost out to its much older competitor, Boston. LA had pitched what Mayor Eric Garcetti hailed as the “most affordable” proposal, using mostly existing facilities, including the LA Memorial Coliseum, the Staples Center, and even Frank Gehry‘s Disney Hall, Griffith Observatory, and the Queen Mary.
Maybe the USOC isn’t as into a bargain as we thought? Or maybe after giving LA two games they’re just not that into us anymore. San Francisco, by the way, lost out on its bid, which also banked on affordability. Damn, the Olympic Village could have been the only cheap place to live there outside of Oakland!
After hosting the Olympic Games in 1932 and 1984, Los Angeles is in the hunt to be the Unites States’ candidate to host them again in 2024. Earlier this week the city made a presentation to the U.S. Olympic Committee, followed by pitches from Boston, San Francisco and Washington, D.C.
Obama library round-up: Woodlawn, Lakeside, Bronzeville and more vying for nation’s 14th presidential library
Speculation over the future site of President Barack Obama’s presidential library has picked up as a slew of Chicago sites—as well as some in New York, Hawaii, and even Kenya—made the June deadline for proposals. Ultimately the decision is up to the President and the board tasked with developing what will be the nation’s 14th presidential library, but dozens of groups are attempting to tug at that group’s ears. (Even I used AN‘s June editorial page to consider the library’s urban impact.) Here’s a round-up of some of the Chicago proposals made public so far.
The International Olympic Committee has selected Danish firm 3XN to design their new headquarters in Lausanne, Switzerland. The firm beat out Toyo Ito, Diller, Scofidio + Renfro, and OMA to design a new administrative campus for the committee alongside Lake Geneva. ‘The Olympic Movement has many expressions that are about people coming together in the best possible way,”said Kim Herforth Nielsen, Principal and Creative Director of 3XN, in a statement. “We have designed the new IOC Headquarters as a physical expression of the Olympic Movement and its values expressed through Architecture.”
Snøhetta has created the visual identity for the Oslo’s bid to host the 2022 Winter Olympics. The design for the main logo takes repetitive, circular forms and casts them in colors inspired by the Olympic rings. These rounded forms appear throughout the city’s application, which is bright and clean. In a statement, the designers said their work “honors the inherent simplicity and openness in Nordic culture,” adding, “the identity represents both the celebration of the Games and the solid planning of the Norwegian bid.”