The Oklahoma Airport Trust has approved the schematic designs for a new terminal expansion at Will Rogers World Airport. The design team, lead by Oklahoma City–based Frankfurt-Short-Bruza Associates (FSB), with partners Hellmuth Obata & Kassabaum (HOK), have integrated the latest in airport security, technology, and circulation into their brightly daylit plan.
Allan Houser: A Celebration
Philbrook Museum of Art
116 East Brady Street, Tulsa, Oklahoma
Through November 2
Allan Houser: A Celebration is an ongoing exhibition at the Philbrook Museum of Art in Tulsa that honors the paintings and sculptures of late Native American artist Allan Houser. The exhibition commemorates Houser’s 100th birthday this year and highlights his contributions to Native American painting and sculpture during his time as an active artist.
[Editor’s Note: The following are reader-submitted responses to the editorial “Acceptable if not Noble” (AN 03_04.30.2014_SW), which considered the imminent demolition of John Johansen’s Mummer’s Theater in Oklahoma City and the renovation of Ulrich Franzen’s Alley Theatre in Houston. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email firstname.lastname@example.org. ]
There were local groups working hard to preserve and repurpose the Mummers Theater and conceptual plans put forth that incorporated the existing theater into a larger cultural and commercial mixed-use complex. My father supported and encouraged these efforts as an important and necessary evolution of this building, and architecture in general, to reinvent itself by adapting and embracing new ideas and technology.
As AN reported in our recent Southwest edition, Michael Van Valkenburgh is hard at work on plans for a massive park in Tulsa, Oklahoma. According to the article, “The community expressed a strong need for the park to accommodate not just children, but the whole family unit. Having a variety of activities for a wide age range became a primary factor in the development of the design.” The $300 million waterfront plan is expected to be complete by 2017. MVVA shared this set of renderings with AN to keep us excited in the meantime.
[Editor’s Note: Tracey Zeeck is an Oklahoma native and resident who has been leading the effort to save and preserve John Johansen‘s classic Mummers Theater in that city. She responds here to a letter to the editor in the Oklahoma Gazette. ]
In 2012, armed with good intentions and a passionate group of friends and family, Farooq Karim of REES Associates and I decided to respond to an RFP and save John Johansen’s Oklahoma City masterpiece, Stage Center (Mummers Theater) from the wrecking ball. We would turn this vestige of 1970s brutalism into a children’s museum and light up downtown with joyful sounds of creative play. We had two months to create the plan, submit the RFP and raise $30,000,000. We didn’t make it.
Oklahoma City investment company Kestrel Investments has purchased recently deceased architect John Johansen‘s Mummers Theater for $4.275 million and plans to demolish the revolutionary building to construct a 20-plus story mixed use tower in its place. The news came as a blow to local and national preservation groups who worked unsuccessfully to save the groundbreaking architectural work by finding a new tenant and use for the idiosyncratic structure.
Oklahoma City just cannot tear down its architectural landmarks fast enough! The city and its developer community have been trying to do away with John Johansen‘s famous Mummers Theater and now David Box, a local developer, wants to get rid of a unique geodesic dome built in 1958 on Route 66. The developer—who claims among other things that the roof leaks and “you can’t just call a normal roofer and say hey we got a geodesic dome here can you fix it”—will give anyone who wants the dome a $100,000 bonus to take it off his property so he can fill it in and “make it safe.” The structure was originally built to house a bank and has been declared eligible to be listed in the National Register of Historic Places in 2002 and was designed by local architects Bailey, Bozalis, Dickinson, and Roloff based on Buckminster Fuller‘s patented dome.