Last weekend’s Monterey Design Conference had many special moments–beyond those spent walking the spectacular grounds of the Asilomar center on the Pacific ocean. The conference, which is essentially the bi-annual meeting of the California AIA, is trying to re-brand itself the “MDC” in hopes of encouraging the general public to attend. But the conference has been M.C.ed for the past dozen years by Robert Ivy, Chief Executive Officer of the AIA and once again he did a brilliant job (with help from Larry Scarpa) of keeping the event moving along between wine tastings, a small trade show and attendees’ desire to escape the darkened conference hall for a walk on the beach. Read More
The California AIA’s biennial Monterey Design Conference is on the next two days—September 27th and 28th—at Asilomar, the glorious Julia Morgan– and John Carl Warnecke–designed center on the Pacific Ocean in Pacific Grove. The conference will feature lectures by Thom Mayne, Marlon Blackwell, Thomas Phifer, Kengo Kuma, and AN board member Odile Decq.
But first up this morning was Greg Otto from Buro Happold who presented various Happold projects that were created using a multi-disciplinary approach and discussed design and legal issues around responsibility and how these “stress traditional design assumptions.” Otto also discussed his ongoing New York projects with Jeff Koons who wants to make large steel structures look “like marshmallows.”
If design is all about the details, Alessi has developed a successful formula for making thoughtful, fresh, and functional objects that delight design lovers worldwide. A new roster of architects and industrial designers have contributed sleek new accessories and decorative wares for the Autumn/Winter 2013 collection across the Alessi, Officina Alessi, and A di Alessi collections. AN got a first look at Toyo Ito‘s newest tablewares, Mario Trimarchi’s jewelry, and much more.
Alice by Odile Decq
This year marks the French architect and designer’s first collaboration with Alessi Officina. Her angular serving tray plays on tradition with a planar twist from corner to corner that appears to originate at varying perspectives. It’s available in black (shown) or mirror-polished stainless steel.