Coincidentally, this video of legendary art critic Robert Hughes’s 1980s television series The Shock of the New was passed around the AN offices yesterday morning. We were saddened to hear of Hughes death at the age of 74 later that day. This television series and his role as chief art critic for Time magazine made him a fixture of the cultural world, and his opinionated, sometimes combative, no holds barred attitudes on art and architecture made him a lively and engaging writer and commentator. In describing Damien Hirst’s The Virgin Mother then on display at the Lever House in Manhattan, Hughes said, “Isn’t it a miracle what so much money and so little ability can produce. Just extraordinary.” And there you have it.
Walter Pichler, the far sighted visionary architect, died last week at his home in Burgenland, Austria at the wage of 76. Though he does not seem to have an English Wikipedia page devoted to his work, Pichler was unquestionably one of the most influential artist/architects working in post-war Europe. Like Austrians Hans Hollien, Raimund Abraham, the groups Haus Rucker and Coop Himmelb(l)au, he created a powerful and evocative utopian world out of a hybrid of sculpture and drawing but always with an architectural idea at the core of the work.
Yoshiko Sato, an architect and educator who was committed to repairing the world through design, died on Sunday in New York City after a battle with cancer. Sato was born in Tokyo to parents who studied engineering and design, which sparked her interest in science and the arts. Following a tour of Europe to study art and design, the Tokyo native settled in New York in the early 1980s and continued her education at Parsons School of Design. Her professors Billie Tsien, Robert MacAnulty, and Laurie Hawkinson quickly recognized her talent and encouraged Sato to move toward architecture. She transferred to the Cooper Union where she continued her studies under John Hejduk, Toshiko Mori, Tod Williams, and Peter Eisenman, graduating in 1989. In 1996, she received a Masters in Architecture from the Harvard Graduate School of Design where she explored architecture and urban design under Raphael Moneo and received honors for her thesis on rebuilding Kobe, Japan after a devastating earthquake in 1995.
Sato’s professional career in New York bridged architecture, art, and design across a broad range of scales. She operated the Morris Sato Studio with her husband and design partner Michael Morris, exploring the ethereal nature of design as represented in the award-winning retrospective exhibit Shiro Kuramata, 1934-1991 and in her installation LightShowers. She won further accolades for her personal and comprehensive exploration in a pair of houses recently completed on Shelter Island.
Returning to education, Sato was appointed to Columbia’s GSAPP in 1999 where she directed the Japan Lab in Architecture. Her passion for both sustainability and exploration into outer space were clear in her work, including a collaboration with GSAPP and NASA to create Space Habitation Modules.
Sato is survived by her husband, mother, and sister Noriko Oguri of Yokohama, Japan. The staff at The Architect’s Newspaper sends our condolences to her family, friends, and colleagues. Those who wish to honor the memory of Yoshiko Sato may donate to the Japanese Red Cross Society. Condolences may be sent to Morris Sato Studio, 219 East 12th Street, 1st Fl., New York, New York 10003 or firstname.lastname@example.org.
We’re still reeling from the tragic death of Stephen Kanner, and now we have learned that two more of LA’s brightest lights, Elaine Jones and John Chase, have also died. Jones was A. Quincy Jones’ widow, and Chase was the urban designer for the City of West Hollywood. Both were valuable advocates for architecture and good friends. We’re still gathering information and will get it to you as soon as we can.
Word spread yesterday that Dresden-born, Deconstructivist-inspiring architect Günter Behnisch had died. His son’s firm, which had taken on much of his work, sent around the following announcement today. There will be a memorial service tomorrow in Stuttgart, Behnisch’s long-time home.
Professor Günter Behnisch passed away in the early morning hours of July 12th at the age of 88. A good three years ago he retreated from professional life. Since then he has lived, weakened by several strokes, in his home in Stuttgart-Sillenbuch, where his family cared for him. Read More
Charles Gwathmey passed away on Monday, but he was fondly remembered by his many colleagues, including Robert Siegel, Richard Meier, Michael Graves, and Peter Eisenman, in our obituary. We invite readers to share their own memories of this “fighter for modernism” in the comments section below. But please, be erudite, as Gwathmey would have had it no other way.
As you may have learned by now, renowned architectural photographer Julius Shulman died Wednesday night at age 98. (You can read our obituary here.) We encourage you to share memories, thoughts, and impressions of one of the most influential figures to ever engage with the built environment. Just leave a comment below. To start things off, we’ve posted the trailer to the forthcoming documentary about the great photographer, Visual Acoustics, by Eric Bricker. It was moving to watch even before this sad news, but now it really puts into perspective–almost as well as his own photos–the sheer genius that was Julius Shulman. You can watch it after the jump. Read More
As we reported, Max Bond passed away yesterday. We’re already getting condolences from far and wide–more on that soon–but we also wanted to open up the blog and encourage readers to submit their own thoughts and memories. Please submit them in the comments section below.
UPDATE: Here’s a thoughtful note from Michael Arad, who worked with Bond on the World Trade Center Memorial: Read More